“Keely and Du” at The Seeing Place
Keely and Du, Jane Martin’s seminal work from 1993, is a piece often touted for its emotional...
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Covid-19
Contemporary Performing Arts Festival Stays Open to New Possibilities Despite COVID-19
Maybe 13 is an unlucky number? Contemporary theater’s annual Festival/Tokyo is known for its focus...
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“Parts of Life Will Be Damaged Forever” — Arts Workers Describe the Pandemic’s Impact on Their Mental Health
The arts industry is among the most devastated by the pandemic. Artists and arts workers often...
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Unlock 5 | Theatres Reopen to Poor Response
Owners hopeful of bouncing back to business during the coming festival season After staying shut...
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“Quarter Life Crisis” at The Bridge Theatre
Success smells sweet. The Bridge Theatre’s pioneering season of one-person plays continues with...
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Interview with French Theater Director Paul Desveaux
Paul Desveaux is the director of Compagnie L’Héliotrope. In the United States, he recently...
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Mumbai’s The Company Theatre Finds Innovative Ways to Navigate Theatre Digitally
Actor and artistic director Atul Kumar speaks on the need to experiment with ‘form’ to make...
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Shernaz Patel on the Changing Landscape of Theatre from Stage to Screen
Actor Shernaz Patel speaks about supervising the transition of theatre to benefit an online...
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4 Lessons from the NBA Bubble for the Future of Live Arts Performance
“I’m so glad I saw it live!” That’s what I said after the nerve-wracking Game 6 of the NBA...
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Cambodia Is An Inspiration For The Healing Power Of Art After A Crisis
Even though history has seen different disasters and humanitarian crises, one fact remains: we try...
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As COVID Wreaks Havoc in the Performing Arts, Do We Still Need a National Opera Company?
Anyone looking for evidence of just how devastating the COVID-19 pandemic has been to Australia’s...
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Fariña: Cocaine Coast Docks in Madrid
Madrid is the European capital worst hit by COVID-19. There nevertheless remains more theatrical...
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From Social Theatricality To Stage Theatricality: A Continuous Pandemic Script
The pandemic, like the tragedy of the 21st century, has a theatrical mode, and the social response...
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Performing in Winter: Creating COVID-safe Super Venues and Sharing the Stage
You pass through a wide doorway to a large space with good air circulation. Inside, an usher...
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“Call From”: A Web Series with Hilarity and Heart
Zoom plays can feel a little dry. I’m sure, after months of this quarantine, we’ve all had the...
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A ‘Puppet Slam’ Hosted By Clowns Is The Most Joyful Meeting On Zoom
It’s late on a Friday night in July and I’m setting up my kitchen for co-hosting an online puppet...
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Ugandan Theatre Grappling With The Pandemic
Moses Tumwebaze is a full-time actor in the Ugandan Theatre industry. He is a member of The...
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Chinese Director Wang Chong Publishes “Online Theatre Manifesto”
The Lunar New Year of 2020 struck Chinese people as unprecedented as Coronavirus forced Wuhan to...
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Reach Out And Touch Faith: “Guru Of Touch” By This Is Not A Theatre Company
After nearly half a year in quarantine, many artists still wrestle with the conundrum of COVID-era...
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Joburg Theatre Stages Zakes Mda’s “Dead End” as First Live Audience Production
After the unforeseen Covid-19 induced a public events hiatus where all forms of public gatherings,...
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