Poland
SPOTLIGHT ON POLISH THEATRE
The Spotlight on Poland showcases new developments in Polish theatre both at home and abroad. From performance reviews and interviews, to an ever-growing archive of essays, the series offers The Theatre Times' readers a window on the Polish theatre landscape.
EDITORIALS
The Spotlight on Poland: Diverse Voices and Perspectives on Contemporary Polish Theatre - Kasia Lech, Regional Managing Editor for Poland
The Context of Contemporary Polish Theatre: Spotlight on Poland - Magda Romanska, Executive Director and Editor-in-Chief
CORONATHEATRE: Polish Theatre in the Plague Year. Part II: Two Months Later
For the first part of this article go here. No coherent government program has been put in place...
CORONATHEATRE: Polish Theatre in the Plague Year. Part II: Two Months Later
For the first part of this article go here. No coherent government program has been put in place...
From “Tarantella” To Theatre Design: Prampolini And Polish Futurism At The Łódź Museum Of Art
Three gramophones affixed to angular wooden boxes stood tall, almost animal-like, on wiry metal...
An Interview with Grzegorz Bral Director of Anty-Gone Triptych Part II
Anty-gone Triptych Part II is a melange of movement, song, poetry, and emotion. Giving the viewer...
“Ameryka”- Critical Mass And Block Party 2018
In 2017, Los Angeles’ Center Theatre Group launched a new, and frankly exciting, idea known as...
The Other Is Denied a Voice: Maja Kleczewska’s “Hamlet/Гамлет”
What is the role today of one of the pivotal narratives of Western culture, William Shakespeare’s...
When It’s Written On Your Face: Teatr 21 And The Paradox Of Invisibility
The discussions framing social theatre are all too often carried out in the language of public...
Evidence and/or Performance?
It all starts innocently enough. Two actors (Damian Sosnowski and Alan Al-Murtatha) and an actress...
Divine Comedy Festival 2017 Review: “Cezary Goes To War”
Cezary Goes To War [Cezary Idzie Na Wojnę], an autobiographical piece directed by Cezary...
Polish Shakespeare Online: Maja Kleczewska’s “Macbeth”
L. P. Hartley’s much-recycled observation that ‘the past is a foreign country’ seems an oddly...
“Unknown, I Live With You”: Oppression and Song
Opera is filled with tales of violence. Its whole history relies on great passions tragically...
“The Conditions are Never Ideal:” In Conversation with Melanie Lomoff
Song of the Goat Theatre was founded in 1996 by Grzegorz Bral and Anna Zubrzycki, and is now led...
The Puppets Are Changing: “The Weak Year” at The Academy of Theatre Arts in Wrocław
The play begins with an entrance exam. Clad in suit jackets, a group of women and men sit onstage...
In Memoriam: Bogusław Schaeffer, Poland’s Renaissance Man
We are republishing this article from 2012 to remember Boguslaw Schaeffer who died today….He...
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REGIONAL MANAGING EDITORS FOR POLAND
KASIA LECH
LAUREN DUBOWSKILATEST FROM POLAND
- An Interview with Grzegorz Bral Director of Anty-Gone Triptych Part II
- For Our Poland They Go into Battle! “Berek” at The Ester Rachel and Ida Kaminska Jewish Theater, Warsaw
- CORONATHEATRE: Polish Theatre in the Plague Year. Part II: Two Months Later
- CORONATHEATRE: Polish Theatre in the Plague Year. Part I: March and April 2020
- Grzegorz Jarzyna On The Pandemic And Post-Pandemic Theatre
- The Other Is Denied a Voice: Maja Kleczewska’s “Hamlet/Гамлет”
- Between.Pomiędzy Festival: Literary Criticism Now
- Between.Pomiędzy: A Festival That Believes in Europe
- Evidence and/or Performance?
- Translating Theatre/Trans-lating Theatre
- Kosmopolis – The Between-Pomiędzy Festival of Literature and Theatre
- Kosmopolis Rebound: Sopot, 2020
- Polish Shakespeare Online: Maja Kleczewska’s “Macbeth”
- VR, Theatre and the Importance of Immersion
- “The Conditions are Never Ideal:” In Conversation with Melanie Lomoff
- La Vie Sanatorienne: Cezary Tomaszewski’s “My Stay Is Almost Done and I Don’t Belong to Anyone”
- “Gardzienice:” Wesele – Wyspiański – Malczewski – Konieczny. Tomasz Wiśniewski in a Conversation with Włodzimierz Staniewski
- Feminisation, Democracy, Labour: Towards a Socialised Cultural Institution
- Between Freedom and Manipulation: The Situation of Actors in “Factory 2
- Teatr Brama’s “Ghost Dance”
