Poland
SPOTLIGHT ON POLISH THEATRE
The Spotlight on Poland showcases new developments in Polish theatre both at home and abroad. From performance reviews and interviews, to an ever-growing archive of essays, the series offers The Theatre Times' readers a window on the Polish theatre landscape.
EDITORIALS
The Spotlight on Poland: Diverse Voices and Perspectives on Contemporary Polish Theatre - Kasia Lech, Regional Managing Editor for Poland
The Context of Contemporary Polish Theatre: Spotlight on Poland - Magda Romanska, Executive Director and Editor-in-Chief
A Review of “Notes From Exile” from the 2018 Boska Komedia Festival: Reverberations of Antisemitism
Zapiski Z Wygnania [Notes from Exile] directed by Magda Umer. Presented at Narodowy Stary...
Report from The 11th Divine Comedy International Theatre Festival, Kraków, Poland: Reflections of a Strange Strange World
The 11th iteration of the Boska Komedia (Divine Comedy, think Dante) International Theater...
Jacek Sieradzki Announces The End Of The Contemporary Polish Plays Problem: The 2018 Awards For Staging Contemporary Polish Plays
Last week, the Zbigniew Raszewski Theatre Institute announced the winners of the 24th National...
From “Tarantella” To Theatre Design: Prampolini And Polish Futurism At The Łódź Museum Of Art
Three gramophones affixed to angular wooden boxes stood tall, almost animal-like, on wiry metal...
The Jewish Theatre In Warsaw: Tradition With A Modern Attitude
The Jewish Theatre in Warsaw is one of only two public theatres in Europe that regularly stage...
“Ameryka”- Critical Mass And Block Party 2018
In 2017, Los Angeles’ Center Theatre Group launched a new, and frankly exciting, idea known as...
A Review of “Conformist 2029” from the 2018 Boska Komedia Festival: “Those Who Would Give Up Essential Liberty, to Purchase a Little Temporary Safety…”
Konformista 2029 [Conformist 2029], directed by Bartosz Szydłowski. Presented at Teatr Łaźnia...
When It’s Written On Your Face: Teatr 21 And The Paradox Of Invisibility
The discussions framing social theatre are all too often carried out in the language of public...
A Review of “Under the Influence” from the 2018 Boska Komedia Festival: Splitting the Mind and Splitting the Stage
Pod presją [Under the Influence], directed by Maja Kleczewska. Presented at Teatr Ludowy, ICE...
Divine Comedy Festival 2017 Review: “Cezary Goes To War”
Cezary Goes To War [Cezary Idzie Na Wojnę], an autobiographical piece directed by Cezary...
Polish Theatre at the Edinburgh Fringe 2018
The 2018 Edinburgh Fringe will be particularly exciting for those interested in Polish theatre....
Verdi’s “Rigoletto”: The Italian Closing Of The Season At The Teatr Wielki In Lodz
The great success of Professor Paolo Bosisio as an opera director in Eastern Europe is confirmed...
Polish Tanztheater?
It is an interesting coincidence that 1973 saw the creation of both Pina Bausch’s Tanztheater...
Jacek Sieradzki Announces The End Of The Contemporary Polish Plays Problem: The 2018 Awards For Staging Contemporary Polish Plays
Last week, the Zbigniew Raszewski Theatre Institute announced the winners of the 24th National...
“Białoszewski/Ginsberg VR” At Performing Garage
Soho’s Performing Garage is the setting of a brief engagement from Poland called...
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REGIONAL MANAGING EDITORS FOR POLAND
KASIA LECH
LAUREN DUBOWSKILATEST FROM POLAND
- Polish Theatre Transfers To Dresden
- A Review of “Notes From Exile” from the 2018 Boska Komedia Festival: Reverberations of Antisemitism
- A Review of “We Are Leaving” from the 2018 Boska Komedia Festival: An Epic in the Mundane
- A Review of “Under the Influence” from the 2018 Boska Komedia Festival: Splitting the Mind and Splitting the Stage
- A Review of “Disgrace” from the 2018 Boska Komedia Festival: Fascinating but Problematic Theatre
- A Review of “Conformist 2029” from the 2018 Boska Komedia Festival: “Those Who Would Give Up Essential Liberty, to Purchase a Little Temporary Safety…”
- Report from The 11th Divine Comedy International Theatre Festival, Kraków, Poland: Reflections of a Strange Strange World
- Words On The Street: The 36th Edition Of The International Street Theatre Festival In Jelenia Góra
- Verdi’s “Rigoletto”: The Italian Closing Of The Season At The Teatr Wielki In Lodz
- “Białoszewski/Ginsberg VR” At Performing Garage
- Body As Medium. Between Theory And Technology Of Theatre
- How Norwegians Do It (Play Ibsen, That Is)
- Virtual Reality In Polish Theatre
- Subverting The Idea Of Nationalism
- Polish Theatre at the Edinburgh Fringe 2018
![“Silence. Cisza w Troi” [Silence. The Silence in Troy], dir. by Paweł Szkotak, Teatr Biuro Podróży, Photo by Grzegorz Gajos.](https://thetheatretimes.com/wp-content/uploads/2018/07/SILENCE-Opole-8.05.2017-fot.-Grzegorz-Gajos-6-300x200.jpg)
- Jacek Sieradzki Announces The End Of The Contemporary Polish Plays Problem: The 2018 Awards For Staging Contemporary Polish Plays
![“Zagubiony chłopiec” [“The Lost Boy”] by Artur Pałyga, dir. by Paweł Passini, Teatr Lalki i Aktora w Opolu, Photograph by Grzegorz Gajos](https://thetheatretimes.com/wp-content/uploads/2018/07/Zagubiony-Chlopiec-300x200.jpg)
- “Ameryka”- Critical Mass And Block Party 2018
- The Wooster Group’s “A Pink Chair” – Can You Ever Return?
- Metaphor At Play: New Theatre from Belgium, Poland and United States
- The Context of Contemporary Polish Theatre: Spotlight on Poland
