Russia
SPOTLIGHT ON RUSSIAN THEATRE
The Spotlight on Russia showcases new developments in Russian theatre both at home and abroad. From performance reviews to interviews, streaming video to an ever-growing archive of essays, the series offers The Theatre Times' readers a window on the Russian theatre landscape.
A Conversation with Composer Ilya Demutsky: “I’m Excited”
Sergey Elkin interviews composer Ilya Demutsky about the Joffrey's new ballet of Anna Karenina
Why Is Rudolf Nureyev So Popular Worldwide Even 26 Years After His Death?
He was first in every sense: the first Soviet performer to refuse to return from an international...
Russian Actor Aleksei Guskov: An Actor Without A Stereotype
Sergey Elkin interviews Russian actor of stage and screen Aleksei Guskov, who stars in Stage Russia HD's filmed version of "Smile Upon Us, Lord" at Moscow's Vakhtangov Theatre.
Gripping, Contemporary Take On Brecht: “The Good Person Of Szechwan” (Dir. Yury Butusov), At The Moscow Pushkin Drama Theatre At The Barbican, London
It was long overdue for a British audience to be given the opportunity to see another work by the...
New Russian Drama Week: 4 contemporary Russian plays
New Russian Drama Week by Xameleon Theatre Plays from the Russian speaking world. Series of...
Russian Theatre Abroad
Latest
Chekhov’s “Three Sisters” at the Almeida Theatre
“I’m bored, bored, bored.” The refrain, occasionally spoken but frequently felt, is at the heart...
Russian Opera Singer Sets 2 World Records In St. Petersburg
Soprano sang highest ever note by a human, and also the most notes in a single second. On April 11...
Why Is Rudolf Nureyev So Popular Worldwide Even 26 Years After His Death?
He was first in every sense: the first Soviet performer to refuse to return from an international...
This Extraordinary Mechanical Puppet Theater Will Take You Back To 19th Century Russia
Can you imagine a Bruegel painting coming alive, with all its tiny characters starting to move...
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REGIONAL MANAGING EDITOR FOR RUSSIAN FEDERATION
JESSICA HINDS-BONDLATEST FROM RUSSIA
- Chekhov’s “Three Sisters” at the Almeida Theatre
- Why Is Rudolf Nureyev So Popular Worldwide Even 26 Years After His Death?
- This Russian Beauty Does Some Pretty Bizarre Performance Art
- A Conversation with Composer Ilya Demutsky: “I’m Excited”
- Without Language: Marius Ivaškevičius’s “Exile” at Moscow’s Vl. Mayakovsky Theatre
- The 10 Craziest Russian Art Performances
- Russian Theatre: The Century of Violence
- Gripping, Contemporary Take On Brecht: “The Good Person Of Szechwan” (Dir. Yury Butusov), At The Moscow Pushkin Drama Theatre At The Barbican, London
- Russian Actor Aleksei Guskov: An Actor Without A Stereotype
- 12 Seconds To The Year Of Theatre
- Four Wonders Of The Russian Circus
- 2018 In Russian Art And Culture: Best Theatre
- My Life In Russia: Life Of Ballet Dancer Xander Parish
- “Anna Karenina Musical” At The Moscow Operetta Theatre
- The Magic Mountain: Cough Medicine
- Ivan Vyrypaev On Cinema, Theatre, And His Dreams
- Theatre Review: Xameleon Theatre Presents “A Dog’s Heart”–”A Brilliantly Clever Production”
- This Extraordinary Mechanical Puppet Theater Will Take You Back To 19th Century Russia
- “Art Doesn’t Exist To Be Liked” An Interview With Russian Stage Director, Timofey Kulyabin
- Russian Theater Companies Are Using Augmented Reality To Draw In The Crowds
