Russia
SPOTLIGHT ON RUSSIAN THEATRE
The Spotlight on Russia showcases new developments in Russian theatre both at home and abroad. From performance reviews to interviews, streaming video to an ever-growing archive of essays, the series offers The Theatre Times' readers a window on the Russian theatre landscape.
Boris Yukhananov – the Artistic Director of the Stanislavsky Electrotheatre, Moscow – discusses how the COVID-19 pandemic has affected the theatre community in Russia and the Stanislavsky Electrotheatre. He also shares his thoughts on the post-pandemic theatre.
Turning Challenges into Opportunities: Multicultural Multi-modal Conversations at the Conference “Theatre and Virtual Reality” in Saint-Petersburg, Russia.
As part of the XXX Baltic House International Theatre Festival, the conference “Theatre and...
How Russian Theatre guru Konstantin Stanislavsky Changed the Acting Universe
Konstantin Stanislavsky’s ideas changed the face of theater as much as Albert Einstein’s theory of...
How Russian Theatre guru Konstantin Stanislavsky Changed the Acting Universe
Konstantin Stanislavsky’s ideas changed the face of theater as much as Albert Einstein’s theory of...
“Family Album”: With Artistic Director Stas Zhyrkov And Director Matteo Spiazzi
Artistic and Financial Director, Stas Zhyrkov and Director, Matteo Spiazzi, give their take on...
New Russian Drama Week: 4 contemporary Russian plays
New Russian Drama Week by Xameleon Theatre Plays from the Russian speaking world. Series of...
Russian Theatre Abroad
Latest
“Black Dove” – Chekhov in Mexico
The world premiere of Paloma Negra (Black Dove) by Alberto Conejero at the Theatre of the Canal...
Forbidden Longings: Two Operatic Premieres at Mariinsky Theatre, St Petersburg
Two productions, both under musical direction of Valery Gergiev, were put on at Mariinsky Theatre...
9 New Names in Russian Ballet That You Should Know
We have rounded up the rising stars, not only from Moscow and St. Petersburg but also from...
Mister Twister (Marshak-Jazz Cabaret): Ladies & “Trump”
If the United States again accuses Russia of interfering in the election, it will almost certainly...
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REGIONAL MANAGING EDITOR FOR RUSSIAN FEDERATION
JESSICA HINDS-BONDLATEST FROM RUSSIA
- Ken Reynolds: 1938–2021. A Personal and Professional Remembrance of East European Theatre’s Finest Photographer
- 9 New Names in Russian Ballet That You Should Know
- The Golden Mask Festival
- Preserving, Documenting, and Archiving Theater. An Interview with Dmitrii Rodionov, Director of the State Central Theatrical Museum in Moscow.
- “Black Dove” – Chekhov in Mexico
- Making Live Theatre Limitless Through Film and Digital Access: Conversation with the Founder of Stage Russia, Eddie Aronoff.
- Pining for St Kilda Instead of Moscow: “The Cherry Orchard” Grapples With Our Cultural Inheritance
- How Russian Theatre guru Konstantin Stanislavsky Changed the Acting Universe
- Mikhail Baryshnikov: A Dancer Whose Flight to Freedom Brought Him Cult Status
- Digital Ghost: The Modern Vignette Between Two Worlds. Ansky’s “The Dybbuk” on Zoom
- “The Dybbuk” Or a Play Possessing Audiences for a Century
- Vsevolod Meyerhold: The Revolutionary Communist Director Executed By Stalin
- Turning Challenges into Opportunities: Multicultural Multi-modal Conversations at the Conference “Theatre and Virtual Reality” in Saint-Petersburg, Russia.
- Mister Twister (Marshak-Jazz Cabaret): Ladies & “Trump”
- Dame Kate Harcourt And the Art of the Senior Actor
- OYUB: Sounding Russian Docudrama
- Loud Words – Chekhov, The Doctor With A Gun
- Archive on Stage: Enacting Life, Performing Politics
- What Immigrant Theatre Can Teach Us About Perseverance and Adaptation During Challenging Times: State vs Natasha Banina at the Arlekin Players Theatre, Zoom Edition
- Russian Theatre Stages “The Cherry Orchard” Using Minecraft
