Russia
SPOTLIGHT ON RUSSIAN THEATRE
“The Dybbuk” Or a Play Possessing Audi...
Posted by Agnieszka Legutko | Jan 17, 2021 | Adaptation, Poland, Review, Russia, Transmedia, United States of America
Vsevolod Meyerhold: The Revolutionary Communist Di...
Posted by Valeria Paikova | Nov 22, 2020 | Essay, Russia, Theatre and Politics
Turning Challenges into Opportunities: Multicultur...
Posted by Irina Yakubovskaya | Oct 28, 2020 | News, Russian Theatre - Featured, Transcultural Collaborations, Transmedia
Mister Twister (Marshak-Jazz Cabaret): Ladies ...
Posted by Emiliia Dementsova | Oct 15, 2020 | Puppetry, Review, Russia, Theatre and Politics
Dame Kate Harcourt And the Art of the Senior Actor
Posted by David O'Donnell | Oct 9, 2020 | Acting, New Zealand, Russia, Theatre and Age
The Spotlight on Russia showcases new developments in Russian theatre both at home and abroad. From performance reviews to interviews, streaming video to an ever-growing archive of essays, the series offers The Theatre Times' readers a window on the Russian theatre landscape.




Theatre During Self-Isolation: Danger as Opportunity

Sarah Kane Through a Russian Prism


Big Bolshoi: How the Theatre Got Its Name

Olympian Calm: The International Theatre Olympics


Boris Yukhananov – the Artistic Director of the Stanislavsky Electrotheatre, Moscow – discusses how the COVID-19 pandemic has affected the theatre community in Russia and the Stanislavsky Electrotheatre. He also shares his thoughts on the post-pandemic theatre.
Turning Challenges into Opportunities: Multicultural Multi-modal Conversations at the Conference “Theatre and Virtual Reality” in Saint-Petersburg, Russia.
by Irina Yakubovskaya | Oct 28, 2020 | News, Russian Theatre - Featured, Transcultural Collaborations, Transmedia
As part of the XXX Baltic House International Theatre Festival, the conference “Theatre and...



OYUB: Sounding Russian Docudrama



Terra Incognita Festival in Saint Petersburg, Russia



“The Eighth Life (for Brilka)”: Dark Chocolate

Vsevolod Meyerhold: The Revolutionary Communist Director Executed By Stalin
by Valeria Paikova | Nov 22, 2020 | Essay, Russia, Theatre and Politics
Vsevolod Meyerhold was a personality of great contradictions, and one of the movers and shakers in...
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Loud Words – Chekhov, The Doctor With A Gun
by Anton Sanatov | Aug 18, 2020 | Dramaturgy, Essay, Russia
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Archive on Stage: Enacting Life, Performing Politics
by Vassili Schedrin | Aug 16, 2020 | Acting, Essay, Russia, Theatre and Politics
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The Birth of Jewish Theatre
by Vassili Schedrin | Jul 12, 2020 | Essay, Israel, Russia
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Dame Kate Harcourt And the Art of the Senior Actor
by David O'Donnell | Oct 9, 2020 | Acting, New Zealand, Russia, Theatre and Age
In June 2017 the eminent New Zealand actor Dame Kate Harcourt celebrated her 90th birthday at...
“Family Album”: With Artistic Director Stas Zhyrkov And Director Matteo Spiazzi
by Melissa Trepa | Jun 26, 2020 | Directing, Dramaturgy, Interview, IOTF 2020: Archives, Italy, News, Russia, Ukraine
Artistic and Financial Director, Stas Zhyrkov and Director, Matteo Spiazzi, give their take on...
New Russian Drama Week: 4 contemporary Russian plays
by Julia Secklehner | Sep 7, 2018 | News, Playwriting, Russia, Russian Theatre Abroad
New Russian Drama Week by Xameleon Theatre Plays from the Russian speaking world. Series of...
Russian Theatre Abroad
LatestDigital Ghost: The Modern Vignette Between Two Worlds. Ansky’s “The Dybbuk” on Zoom
by Boris Sandler | Jan 21, 2021 | Adaptation, New York, Russian Theatre Abroad, Transmedia, United States of America
This article has been translated from it’s original Yiddish by Vassili Schedrin The year...
Forbidden Longings: Two Operatic Premieres at Mariinsky Theatre, St Petersburg
by Yulia Savikovskaya | Mar 21, 2020 | Review, Russia, Theatre and Opera
Two productions, both under musical direction of Valery Gergiev, were put on at Mariinsky Theatre...
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Big Bolshoi: How the Theatre Got Its Name
by Oleg Yegorov | Jan 18, 2020 | News, Russia, Theatre and Opera
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Russian Opera Singer Sets 2 World Records In St. Petersburg
by Russia Beyond | May 7, 2018 | News, Russia, Theatre and Opera
The Bolshoi Theater School: Only in Russia and… Brazil
by Anna Galayda - Russia Beyond Headlines | Mar 4, 2020 | Brazil, Interview, Russia, Theatre and Dance
Twenty years ago, the school’s founders included leading Moscow ballet masters and today, a...
Mister Twister (Marshak-Jazz Cabaret): Ladies & “Trump”
by Emiliia Dementsova | Oct 15, 2020 | Puppetry, Review, Russia, Theatre and Politics
If the United States again accuses Russia of interfering in the election, it will almost certainly...
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LATEST FROM RUSSIA
- Digital Ghost: The Modern Vignette Between Two Worlds. Ansky’s “The Dybbuk” on Zoom
- “The Dybbuk” Or a Play Possessing Audiences for a Century
- Vsevolod Meyerhold: The Revolutionary Communist Director Executed By Stalin
- Turning Challenges into Opportunities: Multicultural Multi-modal Conversations at the Conference “Theatre and Virtual Reality” in Saint-Petersburg, Russia.
- Mister Twister (Marshak-Jazz Cabaret): Ladies & “Trump”
- Dame Kate Harcourt And the Art of the Senior Actor
- OYUB: Sounding Russian Docudrama
- Loud Words – Chekhov, The Doctor With A Gun
- Archive on Stage: Enacting Life, Performing Politics
- What Immigrant Theatre Can Teach Us About Perseverance and Adaptation During Challenging Times: State vs Natasha Banina at the Arlekin Players Theatre, Zoom Edition
- Russian Theatre Stages “The Cherry Orchard” Using Minecraft
- The Birth of Jewish Theatre
- “Family Album”: With Artistic Director Stas Zhyrkov And Director Matteo Spiazzi
- Boris Yukhananov On The Pandemic And Post-Pandemic Theatre
- Theatre During Self-Isolation: Danger as Opportunity
- Sarah Kane Through a Russian Prism
- Russian Theaters Go Online: “Mauser” at Alexandrinsky Theater in St. Petersburg
- Forbidden Longings: Two Operatic Premieres at Mariinsky Theatre, St Petersburg
- U.S. Architects to Build Splendid New Theater in Russia’s Perm
- The Bolshoi Theater School: Only in Russia and… Brazil