Russia
SPOTLIGHT ON RUSSIAN THEATRE
The Spotlight on Russia showcases new developments in Russian theatre both at home and abroad. From performance reviews to interviews, streaming video to an ever-growing archive of essays, the series offers The Theatre Times' readers a window on the Russian theatre landscape.
A Conversation with Composer Ilya Demutsky: “I’m Excited”
Sergey Elkin interviews composer Ilya Demutsky about the Joffrey's new ballet of Anna Karenina
Why Is Rudolf Nureyev So Popular Worldwide Even 26 Years After His Death?
He was first in every sense: the first Soviet performer to refuse to return from an international...
Russian Actor Aleksei Guskov: An Actor Without A Stereotype
Sergey Elkin interviews Russian actor of stage and screen Aleksei Guskov, who stars in Stage Russia HD's filmed version of "Smile Upon Us, Lord" at Moscow's Vakhtangov Theatre.
Gripping, Contemporary Take On Brecht: “The Good Person Of Szechwan” (Dir. Yury Butusov), At The Moscow Pushkin Drama Theatre At The Barbican, London
It was long overdue for a British audience to be given the opportunity to see another work by the...
New Russian Drama Week: 4 contemporary Russian plays
New Russian Drama Week by Xameleon Theatre Plays from the Russian speaking world. Series of...
Russian Theatre Abroad
Latest
“Shushkin’s Stories” by The Theatre of Nations at The Barbican
This month, Moscow’s Theatre of Nations graced the Barbican’s stage with Shukshin’s Stories, an...
Russian Opera Singer Sets 2 World Records In St. Petersburg
Soprano sang highest ever note by a human, and also the most notes in a single second. On April 11...
Why Is Rudolf Nureyev So Popular Worldwide Even 26 Years After His Death?
He was first in every sense: the first Soviet performer to refuse to return from an international...
This Extraordinary Mechanical Puppet Theater Will Take You Back To 19th Century Russia
Can you imagine a Bruegel painting coming alive, with all its tiny characters starting to move...
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REGIONAL MANAGING EDITOR FOR RUSSIAN FEDERATION
JESSICA HINDS-BONDLATEST FROM RUSSIA
- “Shushkin’s Stories” by The Theatre of Nations at The Barbican
- Jan Klata’s “King Lear” at the Theatre Olympics: In the Name of the Father
- “The Eighth Life (for Brilka)”: Dark Chocolate
- Olonkho Show “Dzhyrybyna the Warrior Woman”: Hit the Tambourine
- Olympian Calm: The International Theatre Olympics
- Stage Russia HD Expands Its Offerings with Fourth Season
- “No Elections, Torture Instead”: Zarema Zaudinova, Rising Star of Russian Documentary Theatre, About Her Latest Work, “Torture”
- Avignon 2019: “Outside” – Between Testimony and Political Provocation
- Probing Tom Stoppard on Russia: Part of The Legacy of Theater Critic and Educator J. Cooper Robb
- “Three Sisters.” Maly Drama Theatre of St Petersburg. Vaudeville Theatre
- Backstage Costume Magic Of The Bolshoi’s Little Brother (Photos)
- Moscow Theatre Prompter Talks About Her ‘Dying’ Job
- Chekhov’s “Three Sisters” at the Almeida Theatre
- Why Is Rudolf Nureyev So Popular Worldwide Even 26 Years After His Death?
- This Russian Beauty Does Some Pretty Bizarre Performance Art
- A Conversation with Composer Ilya Demutsky: “I’m Excited”
- Without Language: Marius Ivaškevičius’s “Exile” at Moscow’s Vl. Mayakovsky Theatre
- The 10 Craziest Russian Art Performances
- Russian Theatre: The Century of Violence
- Gripping, Contemporary Take On Brecht: “The Good Person Of Szechwan” (Dir. Yury Butusov), At The Moscow Pushkin Drama Theatre At The Barbican, London
