Annette Balaam

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Samuel Beckett’s “Krapp’s Last Tape” In The Digital World Of Zoom Theatre

Posted by Annette Balaam | 23rd Aug 2024 | Review, Transmedia, United Kingdom

On screen an image of worlds within worlds opens this Zoom version of Samuel Beckett’s stage play...

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“whole body like gone”: The Art of the Virtual World within Hannah Clarkson’s Exhibition of Samuel Beckett and Jocelyn Herbert

Posted by Annette Balaam | 15th Dec 2023 | Design, London, United Kingdom

A wave of stark white exhibition light washes over me destabilizing every sense, until I catch...

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UNBOX ME! Live Theatre and the Virtual World.

Posted by Annette Balaam | 4th Sep 2023 | Review, Transmedia, United Kingdom

UNBOX ME! Written by Simon Jones. Directed by Simon Jones. Dramaturgy by Sara Giddens. Bodies in...

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Recent Posts

Developing Theatre And Performance Pedagogy Through Marae-based Wānanga In Aotearoa/New Zealand. Part I 21st April 2026
A Successfully Funny Perspective On Life Aspirations In State Theatre Oldenburg’s Production Of “Bondy Beach” 15th April 2026
Chekhov’s “Uncle Vanja”, directed by Yana Ross at the Royal Theatre, Copenhagen 14th April 2026
Michael Frayn’s “Copenhagen” at the Hampstead Theatre: Excellent Revival Of Iconic Play About The Ethics Of The Atom Bomb 14th April 2026
From Richard To Richard: MITEM 2026 And a Europe in a State of Alarm 14th April 2026
Adaptations On The German Stage (3): Theater Bremen Is Keen On The Long Haul 10th April 2026
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Dog-Gone 9th April 2026
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Christopher Hampton’s “Les Liaisons Dangereuses” at The National Theatre: Busy Highly Stylized Revival Is All Spectacle And No Emotion 8th April 2026

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