Managing The Floating Theatre in Denmark: Reality Always Wins
Actor and artistic director of the Danish theatre company Det Flydende Teater (literally...
Read MorePosted by Pelle Nordhøj Kann | 23rd Jan 2018 | Denmark, Essay, Management
Actor and artistic director of the Danish theatre company Det Flydende Teater (literally...
Read MorePosted by Leith Taylor | 21st Jan 2018 | Australia, Management, News
Where do the boundaries lie between exploring every possibility an acting role offers and still...
Read MorePosted by Theresa Saxon | 8th Jan 2018 | Essay, Management, United Kingdom
Without an audience in the theatre, there’d be no drama. But audiences have been providing rather...
Read MorePosted by Antigoni Gaitana | 25th Nov 2017 | Dramaturgy, Management, New York, Theatre and Opera, United States of America
Antigoni Gaitana Interviews Lawrence Edelson, Founder of ALT and Artistic and General Director of...
Read MorePosted by Karen Morash | 17th Nov 2017 | Essay, Management, Theatre and Gender, Theatre and Politics
The Old Vic has announced that it has received 20 personal testimonies of alleged inappropriate...
Read MorePosted by The Theatre Times | 4th Nov 2017 | Germany, Interview, Management, Transcultural Collaborations, Ukraine
Heidi Wiley: With the creation of ETC, its founders wanted to establish a new form for...
Read MorePosted by Kate Marsh and Jonathan Burrow | 10th Oct 2017 | Management, Theatre and Disability, United Kingdom
Those in power positions or the “gatekeepers” (funders, policymakers, artistic...
Read MorePosted by Nobuko Tanaka | 24th Sep 2017 | Japan, Management
As I turned the pages of a free magazine in London this summer, a picture of a beaming woman...
Read MorePosted by Adam Sherwin | 21st Aug 2017 | London, Management, News, United Kingdom
Michelle Terry, the new artistic director of Shakespeare’s Globe, has promised a return to the...
Read MorePosted by Szabolcs Musca | 21st Jul 2017 | Management, Participatory Theatre, Portugal
Szabolcs Musca in conversation with Mark Deputter, Artistic Director of Teatro Maria Matos, Lisbon...
Read MorePosted by David Fernández | 17th Jul 2017 | Cambodia, Interview, Management
ASEF culture360 contributor David Fernández talks with Executive Director Rithisal Kang about the...
Read MorePosted by Julian Meyrick | 12th Jul 2017 | Australia, Management, Melbourne
This year Melbourne’s La Mama Theatre celebrates its 50th year of operation. In an interview for...
Read MorePosted by Szabolcs Musca | 9th Jul 2017 | Management, Portugal
Mark Deputter was born in 1961 in Belgium. He studied Germanic Languages and Literature, followed...
Read MorePosted by Alexander Nderitu | 28th Jun 2017 | Kenya, Management
Kenya National Theatre (KNT) was initially built as a recreational centre for British soldiers...
Read MorePosted by Peter Michalzik | 2nd Apr 2017 | Germany, Management
Again and again, especially abroad, the question is put why there is no National Theatre in...
Read MorePosted by Ani Harutyunyan | 31st Mar 2017 | Armenia, Management
The development of independent theatres in Yerevan has become an important topic for discussion as...
Read MorePosted by Pablo Bardin | 27th Mar 2017 | Argentina, Management, Producing
After the resignation of Darío Lopérfido, the theatre is set to undergo several changes with newly...
Read MorePosted by Megan Geigner | 1st Jan 2017 | Chicago, Management, News, Producing, United States of America
In contrast to all the great “Best Shows of 2016” and critics’ picks lists flooding Chicago media...
Read MorePosted by Ani Harutyunyan | 31st Dec 2016 | Armenia, Asia, Essay, Management
Given the recent political changes in Armenia, and especially in Yerevan, it is time to analyze...
Read MorePosted by Marta Keil | 28th Jul 2016 | Management, News, Poland
The institution of the theatre constitutes a form of public/shared space. The public theatre...
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