Melbourne’s La Mama Demonstrates The Value of Independent Theatre
This year Melbourne’s La Mama Theatre celebrates its 50th year of operation. In an interview for...
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Management
Between Local and Global: Artistic Programming and “Glocal” Challenges (Part 1 of 2)
Mark Deputter was born in 1961 in Belgium. He studied Germanic Languages and Literature, followed...
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Kenyan Theatre: The Good, The Bad and the Ugly
Kenya National Theatre (KNT) was initially built as a recreational centre for British soldiers...
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From Court Theatre to the Federal System
Again and again, especially abroad, the question is put why there is no National Theatre in...
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The Independent Theatres of Yerevan and the Search for New Theatrical Forms
The development of independent theatres in Yerevan has become an important topic for discussion as...
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New Leadership for the Colón Theatre in Buenos Aires
After the resignation of Darío Lopérfido, the theatre is set to undergo several changes with newly...
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Chicago Theatre 2016 A Year in Review: The Good, the Sad, and the Ugly
In contrast to all the great “Best Shows of 2016” and critics’ picks lists flooding Chicago media...
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Changes in Theatre: The Role of Theatre Curator in Modern Armenian Theatre.
Given the recent political changes in Armenia, and especially in Yerevan, it is time to analyze...
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Reframing The Institution Of Public Theatre
The institution of the theatre constitutes a form of public/shared space. The public theatre...
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Dramatist Speaks Up For The Downtrodden And New Thinking In Japan
Fifty-three-year-old Oriza Hirata unexpectedly arrived early for our 9 a.m. interview in a Tokyo...
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The Sovremennik: 60 Years At The Cutting Edge Of Russian Theater
One of Moscow’s leading theaters, the Sovremennik, is marking its 60th anniversary. The theater,...
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Strindberg’s Surrealistic “Dream” Heralds A Pivotal Era For KAAT
He doesn’t officially become Kanagawa Arts Theatre’s artistic director until April 1, but Akira...
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Theatre Reviewing Is A Responsible Job–And It Requires Care
Is there any job other than theatre critic where so little knowledge can carry so much weight? If...
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A National Theatre Of Australia Is Needed, And It’s Time
Sociologist Max Weber once called politics “the slow boring of hard boards”. If he had been in the...
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Comparing New York and Parisian Theatre
American playwright, translator, and journalist Amelia Parenteau is currently in residence in...
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Tom Stoppard Backs Moscow’s Teatr.doc
British playwright, director, and screenwriter Tom Stoppard has written an open letter in support...
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St. Petersburg’s Alexandrinsky Theater Opens New Stage With Production Of “Telluria”
The illustrious theater’s New Stage will present its season opener on September 26. The...
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Lachlan Philpott on the Flux in Australian Programming
Australian playwright and Fulbright scholar, Lachlan Philpott, writes about the socio-cultural...
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Ireland’s National Theatre is at a Crossroads
Luke Casserly responds to the recent report from Scottish consulting firm Bonnar Keenlyside...
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The Case for a National Theatre
Mitt Romney’s offhanded crusade against Big Bird, announced in a presidential debate with...
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