Through A New Zealander’s Eyes: The Subjunctive World, Notes From Venice Beach
After a thirteen-hour flight from Auckland, New Zealand, I am in Jim Morrison country–or so I...
Read MorePosted by Hilary Halba | 21st Jun 2018 | Acting, Essay, New Zealand, United States of America
After a thirteen-hour flight from Auckland, New Zealand, I am in Jim Morrison country–or so I...
Read MorePosted by Hilary Halba | 19th May 2018 | Management, New Zealand, News
The mid-morning phone call I receive from a colleague brings bad news. The Fortune Theatre–the...
Read MorePosted by Hilary Halba | 14th Apr 2018 | Festivals, Immersive Theatre, New Zealand, Review, Transmedia
An audience assembles on the grassy margins of Prospect Park in Ōtepoti/Dunedin, New Zealand, on a...
Read MorePosted by Hilary Halba | 15th Mar 2018 | New Zealand, Review, Theatre and Politics
The newest theatre company to emerge from Dunedin, New Zealand’s funky, eclectic arts scene is...
Read More
David Yazbek: The Master of Adapting Films into… by Lisa Monde 2nd April 2026
Maxim Sukhanov – About The “Brew”… by Sergey Elkin 1st May 2026
A Theatre Like Society In The Fundamentalist… by Ivanka Apostolova Baskar 23rd May 2026
“Broken Melody” at MITEM: A Music That Finds Its Way Home by Emiliia Dementsova 13th May 2026
Theatre – Creating Conditions For What Has… by Ivanka Apostolova Baskar 16th May 2026 
Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026 
Chess The Musical: About Human Nature, Not Politics.… by Lisa Monde 20th May 2026 
| M | T | W | T | F | S | S |
|---|---|---|---|---|---|---|
| 1 | 2 | 3 | 4 | 5 | 6 | 7 |
| 8 | 9 | 10 | 11 | 12 | 13 | 14 |
| 15 | 16 | 17 | 18 | 19 | 20 | 21 |
| 22 | 23 | 24 | 25 | 26 | 27 | 28 |
| 29 | 30 | |||||