Itai Erdal’s Soldiers of Tomorrow at the Finborough Theatre: An Uninhibited Account Of The Conflict Between Israel And The Palestinians
The Finborough Theatre is one of the smallest in London, yet it has a great track record in...
Read MorePosted by Aleks Sierz | 19th Jun 2026 | London, Review, Theatre and Politics, United Kingdom
The Finborough Theatre is one of the smallest in London, yet it has a great track record in...
Read MorePosted by Azadeh Kangarani | 22nd May 2026 | Belarus, Review, Theatre and Politics, United Kingdom
Belarus Free Theatre, which currently operates in exile in London, recently presented its...
Read MorePosted by Emiliia Dementsova | 19th May 2026 | Festivals, Hungary, Israel, Review, Theatre and Politics
There was something almost suspiciously neat about the programming. MİTEM opened with Richard III...
Read MorePosted by Verity Healey | 1st May 2026 | Review, Theatre and Politics, United Kingdom
It’s been six years since the end of Managed Approach, a project in Holbeck, Leeds, which...
Read MorePosted by Emiliia Dementsova | 14th Apr 2026 | Festivals, Hungary, Theatre and Politics
MITEM (Madách International Theatre Meeting), held annually at the National Theatre in Budapest,...
Read MorePosted by Daniel Meyer-Dinkgräfe | 8th Apr 2026 | Acting, Germany, Review, Theatre and Politics
In 2016, Austrian director Christian Krönes and colleagues launched their two-hour documentary...
Read MorePosted by Berna Ataoğlu | 17th Mar 2026 | Adaptation, Canada, Netherlands, Review, Theatre and Politics
Adapted from the Booker Prize–winning novel by Irish author Paul Lynch, Prophet Song is staged by...
Read MorePosted by Katerina Pestamatzoglou | 9th Mar 2026 | Germany, Greece, Review, Theatre and Politics, Transcultural Collaborations
An Enemy of the People was first introduced to Greek audiences in 1902 by the pioneering “New...
Read MorePosted by Aleks Sierz | 20th Feb 2026 | Playwriting, Review, Theatre and Politics, Ukraine, United Kingdom
Today, in Geneva, there are tentative peace talks between Ukraine and Russia; today, in London,...
Read MorePosted by Amir Al-Azraki | 19th Feb 2026 | Essay, Iraq, Theatre and Politics
Basra is shaped by louder forces such as oil, politics, and the constant negotiation of visible...
Read MorePosted by Margaret Rose | 3rd Feb 2026 | Italy, Review, Theatre and Politics
A Place of Safety, A Journey in the Central Mediterranean, produced by the Kepler-452 Company...
Read MorePosted by Susanna Sun | 4th Jan 2026 | Review, Theatre and Politics, United States of America
Berlin at Chicago’s Court Theatre (April–May 2025) was nothing short of a theatrical...
Read MorePosted by L. Peter Callender | 3rd Jan 2026 | Iran, Review, Theatre and Politics, United States of America
We all know the iconic closing lines: “For never was a story of more woe / Than this of...
Read MorePosted by Daniel Meyer-Dinkgräfe | 4th Dec 2025 | Directing, Germany, Review, Theatre and Politics
Theater Bremen is currently showing the world premiere production of Der Zauberer von Öz – Eine...
Read MorePosted by Verity Healey | 2nd Dec 2025 | Acting, Review, Theatre and Politics, United Kingdom
Representation in the performing arts in the UK is in crisis. For years, voices have been warning...
Read MorePosted by Seda Ilter | 23rd Nov 2025 | Review, Theatre and Politics, Turkey, United Kingdom
In October 2025, Battersea Arts Centre hosted Aşınma (Corrosion) – a multi-award-winning theatre...
Read MorePosted by Jonathan Kalb | 16th Nov 2025 | Review, Theatre and Politics, United States of America
The farcical premise of Rajiv Joseph’s play Archduke—just opened at the Roundabout’s Laura Pels...
Read MorePosted by Aleks Sierz | 2nd Nov 2025 | London, Review, Theatre and Politics, United Kingdom
Thatcher, and the image of Thatcher’s Britain, continues to cast a long shadow over contemporary...
Read MorePosted by Jonathan Kalb | 1st Nov 2025 | Review, Theatre and Politics, United States of America
I went to Caroline Guiela Nguyen’s Lacrima at BAM with great eagerness and curiosity. This was a...
Read MorePosted by Verity Healey | 27th Oct 2025 | Bosnia, Review, Theatre and Politics
The Flowers of Srebrenica should be impossible to stage. Irish academic Aidan Hehir’s book, a...
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Chess The Musical: About Human Nature, Not Politics.… by Lisa Monde 20th May 2026
The Precipitation Of Performance: Braddy And Burns… by Paul Shields 6th June 2026
A Theatre Like Society In The Fundamentalist… by Ivanka Apostolova Baskar 23rd May 2026
“Today, Krleža Would Go Straight For The… by Ivanka Apostolova Baskar 5th June 2026 


Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026 
David Yazbek: The Master of Adapting Films into… by Lisa Monde 2nd April 2026