Tom Stoppard’s The Real Thing at the Old Vic: Spirited and Highly Enjoyable Revival of Semi-Autobiographical Love Drama
Adultery is the great staple of modern British playwriting. The anguish of marriage, and the...
Read MorePosted by Aleks Sierz | 6th Sep 2024 | London, Review, Theatre and Politics, United Kingdom
Adultery is the great staple of modern British playwriting. The anguish of marriage, and the...
Read MorePosted by Xunnan Li | 30th Aug 2024 | China, Review, Theatre and Politics
In 2024, National Theatre of China in Beijing showcased an experimental avant-garde theatre work “Apple Tree” to talk about the tension in the contemporary marriage between a young Chinese couple. Their tension in the marriage was reflected when the wife is suffering from the unexpected miscarriage.The play is such a transnational one. The director Feng was educated in France when he was young, with established exposure to the French film and theatre. In this play and his previous productions, there are huge amount of Roland’s style of using montage and space changing.
Read MorePosted by Haytham Hmeidan | 26th Aug 2024 | Essay, Germany, Theatre and Politics
Artistic practice, which allows for the creation and re-creation of social spaces as testing...
Read MorePosted by Duncan Wheeler | 16th Aug 2024 | Review, Spain, Theatre and Politics
Twenty-first-century theatre practitioners in the west typically fear irrelevance more than...
Read MorePosted by Övgü Ülgen | 26th Jul 2024 | Canada, Review, Theatre and Politics
It is May 4, 2024, in Montreal, and I walk on Rue Bélanger as the night is approaching on this...
Read MorePosted by Walter Byongsok Chon | 22nd Jul 2024 | Canada, Lebanon, Review, South Korea, Theatre and Politics
Sejong Center for the Performing Arts (artistic director, Sun-Woong Koh) staged the play Littoral...
Read MorePosted by Molly Grogan Zolima CityMag | 17th Jul 2024 | Hong Kong, Review, Theatre and Politics
Amy Ng has a problem. The Hong Kong-raised, London-based playwright is holed up in a Causeway Bay...
Read MorePosted by Kasia Lech | 15th Jul 2024 | Education, Essay, Poland, Theatre and Politics
How do we train students to work within rapidly changing landscapes and for a theatre of the...
Read MorePosted by Deniz Bașar | 10th Jul 2024 | Review, Theatre and Politics, United States of America
Perhaps the 2024 production of La MaMa’s Medea, under Zishan Ugurlu’s direction and reimagining,...
Read MorePosted by Deniz Bașar | 10th Jul 2024 | Review, Theatre and Politics, United States of America
To read PART I of this essay, go to this link. The snake that Medea uses to make her...
Read MorePosted by John Freedman | 9th Jul 2024 | Interview, Theatre and Politics, Ukraine
I first encountered Dmytro Ternoviy through my Worldwide Ukrainian Play Readings project. His...
Read MorePosted by John Freedman | 9th Jul 2024 | Interview, Theatre and Politics, Ukraine
This is Part 2 of the interview with Dmytro Ternoviy. For Part 1, go here. Dmytro Ternoviy’s...
Read MorePosted by Alana Lentin | 3rd Jul 2024 | Review, Theatre and Politics, United States of America
Anchuli Felicia King’s new one-performer piece, American Signs, written for the talented Catherine...
Read MorePosted by Aleks Sierz | 30th Jun 2024 | Review, Theatre and Politics, United Kingdom
Good timing — as the UK’s general election campaign goes into its final week, this large-scale...
Read MorePosted by Eylül Fidan Akıncı | 20th Jun 2024 | Iran, Review, Theatre and Politics
“Can we fundamentally give a dancer an order to stop moving? […] Is dance not defined as the...
Read MorePosted by Aleks Sierz | 10th Jun 2024 | London, Review, Theatre and Politics, United Kingdom, United States of America
Sanaz Toossi’s English at the Kiln Theatre: Pulitzer Prize-winning play shows the impacts of a second language on identity
Read MorePosted by Rhiannon Ling | 4th Jun 2024 | Algeria, France, Interview, Theatre and Politics
Catherine Filloux is an internationally recognized French-Algerian playwright. Her work revolves...
Read MorePosted by Aleks Sierz | 2nd Jun 2024 | London, Review, Theatre and Politics
Faye is okay. Or, at least she says she’s okay. But is she really? And, if she really is okay,...
Read MorePosted by Jonathan Kalb | 30th May 2024 | New York, Review, Theatre and Politics, United States of America
When I first heard that Suzan-Lori Parks had taken up the story of Thomas Jefferson and Sally...
Read MorePosted by Aleks Sierz | 25th May 2024 | London, Review, Theatre and Politics
It’s often said that contemporary American playwrights are too polite, too afraid of giving...
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Christopher Hampton’s “Les Liaisons Dangereuses” at… by Aleks Sierz 8th April 2026
The Precipitation Of Performance: Braddy And Burns… by Paul Shields 6th June 2026
Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026
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