Ali Asghar Dashti & Nasim Ahmadpour – “We Came To Dance” (Kunstenfestivaldesarts)
“Can we fundamentally give a dancer an order to stop moving? […] Is dance not defined as the...
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Eylül Fidan Akıncı
EXÓTICA by Amanda Piña
A transpersonal and transcultural desire to dance together EXÓTICA is a journey that sets off even...
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“Bronx Gothic” by Okwui Okpokwasili
On May 8, 2022, Nigerian-American artist Okwui Okpokwasili’s Bronx Gothic (2014) at...
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Love, Labor, Loop: (Object’s) Life according to Geumhyung Jeong
The history of puppetry is full of supernatural bodies on stage that dramatically or subtextually...
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Sachli Gholamalizad’s “Let us believe in the beginning of the cold season”: Iranian Identity in an Age of Diaspora
I can give two accounts of Sachli Gholamalizad’s solo performance Let us believe in the beginning...
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“Let Us Believe In The Beginning Of The Cold Season” – Sachli Gholamalizad
I can give two accounts of Sachli Gholamalizad’s solo performance Let us believe in the beginning...
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The Spirit Of Judson In A New Millennium: The Legendary Collective Still Oscillates Between Canonization And Transience
Until the beginning of February, the New York MoMA is mounting an exhibition on Judson Dance...
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