Eylül Fidan Akıncı

author

EXÓTICA by Amanda Piña

Posted by Eylül Fidan Akıncı | 20th Jun 2023 | Belgium, LGBTQ+ Theatre, Review, Theatre and Dance

A transpersonal and transcultural desire to dance together EXÓTICA is a journey that sets off even...

Read More

“Bronx Gothic” by Okwui Okpokwasili

Posted by Eylül Fidan Akıncı | 4th Jul 2022 | LGBTQ+ Theatre, New York, Nigeria, Review, Theatre and Dance, Theatre and Decolonization, United States of America

On May 8, 2022, Nigerian-American artist Okwui Okpokwasili’s Bronx Gothic (2014) at...

Read More

Love, Labor, Loop: (Object’s) Life according to Geumhyung Jeong

Posted by Eylül Fidan Akıncı | 7th Apr 2020 | Essay, Puppetry, South Korea, Transmedia

The history of puppetry is full of supernatural bodies on stage that dramatically or subtextually...

Read More

Sachli Gholamalizad’s “Let us believe in the beginning of the cold season”: Iranian Identity in an Age of Diaspora

Posted by Eylül Fidan Akıncı | 2nd Jun 2019 | Belgium, Review, Theatre and Politics

I can give two accounts of Sachli Gholamalizad’s solo performance Let us believe in the beginning...

Read More

“Let Us Believe In The Beginning Of The Cold Season” – Sachli Gholamalizad

Posted by Eylül Fidan Akıncı | 1st Jun 2019 | Belgium, Review, Transmedia

I can give two accounts of Sachli Gholamalizad’s solo performance Let us believe in the beginning...

Read More

The Spirit Of Judson In A New Millennium: The Legendary Collective Still Oscillates Between Canonization And Transience

Posted by Eylül Fidan Akıncı | 16th Feb 2019 | Essay, New York, Theatre and Dance, Transmedia, United States of America

Until the beginning of February, the New York MoMA is mounting an exhibition on Judson Dance...

Read More

Like Us On Facebook

Facebook Pagelike Widget

Awards

Most Popular Posts

“Cake: The Marie Antoinette Playlist”… by Victoria Chen 16th October 2023
The Music of Magical Worlds. An Exclusive Interview… by Lisa Monde 23rd August 2024
Edinburgh Festival Fringe 2024 Overview by Duška Radosavljević 29th August 2024
Musical “Evita”: 45 Years Later by Lisa Monde 22nd February 2024
A Stinging Critique of the American Dream Underlies… by Jenna Lourenco 23rd August 2024
Back to the Updated Future: Rock Opera… by Lisa Monde 21st July 2024
It Could Happen: Interview with Playwright Sean King… by Marcina Zaccaria 11th August 2024
Oscar Barney Finn and Paulo Brunetti Interview by Jack Wernick 20th August 2024
“Catarina and the Beauty of Killing Fascists” at the… by Maria Delgado 15th August 2024
Scottish Nursery School Kids Bring A Comedic… by Margaret Rose 16th August 2024

Recent Posts

It Takes Artistry to Make Theatre for Young Audiences: New Theatre for Children Festival, Wrocław 2024 7th September 2024
“Dziwna Wiosna”: About Cruelty Without Brutality or a War Story for the Young Children 7th September 2024
Tom Stoppard’s The Real Thing at the Old Vic: Spirited and Highly Enjoyable Revival of Semi-Autobiographical Love Drama 6th September 2024
Performance That Every Man Should See, And No Child Should 6th September 2024
Post-Colonial B-Horror: “The Visitors” at Volksbühne Berlin 5th September 2024
“Ja Goryl, Ty Człowiek:” Understanding Koko 4th September 2024
“My Mother’s Funeral” 4th September 2024
“PÚPÄTKO” from the Slovak Ján Palárik Theatre 2nd September 2024
“Drapando:” Scratching For A Connection 2nd September 2024
“Púpätko” at the 7th New Theatre for Children Festival 1st September 2024

SEARCH OUR ARCHIVES

Pin It on Pinterest