Eylül Fidan Akıncı

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Eylül Fidan Akıncı is the house dramaturg of Theater aan de Rijn, Arnhem.

Ali Asghar Dashti & Nasim Ahmadpour – “We Came To Dance” (Kunstenfestivaldesarts)

Posted by Eylül Fidan Akıncı | 20th Jun 2024 | Iran, Review, Theatre and Politics

“Can we fundamentally give a dancer an order to stop moving? […] Is dance not defined as the...

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EXÓTICA by Amanda Piña

Posted by Eylül Fidan Akıncı | 20th Jun 2023 | Belgium, LGBTQ+ Theatre, Review, Theatre and Dance

A transpersonal and transcultural desire to dance together EXÓTICA is a journey that sets off even...

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“Bronx Gothic” by Okwui Okpokwasili

Posted by Eylül Fidan Akıncı | 4th Jul 2022 | LGBTQ+ Theatre, New York, Nigeria, Review, Theatre and Dance, Theatre and Decolonization, United States of America

On May 8, 2022, Nigerian-American artist Okwui Okpokwasili’s Bronx Gothic (2014) at...

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Love, Labor, Loop: (Object’s) Life according to Geumhyung Jeong

Posted by Eylül Fidan Akıncı | 7th Apr 2020 | Essay, Puppetry, South Korea, Transmedia

The history of puppetry is full of supernatural bodies on stage that dramatically or subtextually...

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Sachli Gholamalizad’s “Let us believe in the beginning of the cold season”: Iranian Identity in an Age of Diaspora

Posted by Eylül Fidan Akıncı | 2nd Jun 2019 | Belgium, Review, Theatre and Politics

I can give two accounts of Sachli Gholamalizad’s solo performance Let us believe in the beginning...

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“Let Us Believe In The Beginning Of The Cold Season” – Sachli Gholamalizad

Posted by Eylül Fidan Akıncı | 1st Jun 2019 | Belgium, Review, Transmedia

I can give two accounts of Sachli Gholamalizad’s solo performance Let us believe in the beginning...

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The Spirit Of Judson In A New Millennium: The Legendary Collective Still Oscillates Between Canonization And Transience

Posted by Eylül Fidan Akıncı | 16th Feb 2019 | Essay, New York, Theatre and Dance, Transmedia, United States of America

Until the beginning of February, the New York MoMA is mounting an exhibition on Judson Dance...

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Recent Posts

A Celebration Of Bremen Past And Present: “Schnoor-Geschichten Mit Heini Holtenbeen – Bremen In 90 Minuten” At The Packhaustheater Bremen 6th July 2026
“No Man’s Land:” Architecture As Collective Enactment – From Scenography Toward Activated Space 6th July 2026
A Magical “Tempest” In Stratford-Upon-Avon 26th June 2026
Venice Theatre Biennale 2026 – “Memorandum” 26th June 2026
Venice Theatre Biennale 2026 – A Japanese “Othello” 26th June 2026
Performing Between Six Languages: An Interview With Anissa Naji 26th June 2026
“Translators As The Most Attentive And Analytical Readers: Knowing Every Corner, Strength, And Weakness Of A Text” 26th June 2026
Oldenburg’s Production Of “Mephisto” Continues And Expands The Important Debate Of The Artistic Response To Adverse Political Circumstances 25th June 2026
Venice Theatre Biennale 2026 – Mario Banushi’s “Romance Familiare” 24th June 2026
Shell…Shocked? 23rd June 2026

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