Victoria Isotti

assistant editor

v.isotti@thetheatretimes.com

Victoria Isotti is a theatre educator, actor, director and choreographer based in the Boston area. She is passionate about telling new and innovative stories from a feminist lense. Victoria is currently a first year graduate student in Theatre Education & Applied Theatre at Emerson College, and earned her Bachelor of Arts in Theatre from Suffolk University. Victoria is also a founding member of Juniper Tree Ensemble, a company that devises theatre for young audiences.

Experimenting with Virtual Theatre: An Interview with Igor Golyak

Posted by Victoria Isotti | 21st May 2021 | Adaptation, Boston, Interview, Transmedia, United States of America

Igor Golyak is the Artistic Director of Arlekin Players Theatre. Arlekin Players Theatre has...

Read More

A Conversation with Director Ashley Tata

Posted by Victoria Isotti | 11th May 2021 | Directing, Interview, New York, Transmedia, United States of America

Ashley Tata is a Brooklyn-based director and maker of multimedia works. I had the pleasure of...

Read More

Creating Theatrical Ceremonies for Healing: An Interview with Gia Forakis

Posted by Victoria Isotti | 17th Apr 2021 | Devised Theatre, Interview, New York, United States of America

Gia Forakis is the Founder and Artistic Director of GF&CO in Brooklyn, NY. Gia is also the...

Read More

Like Us On Facebook

Facebook Pagelike Widget

Awards

Most Popular Posts

The Precipitation Of Performance: Braddy And Burns… by Paul Shields 6th June 2026
Chess The Musical: About Human Nature, Not Politics.… by Lisa Monde 20th May 2026
“Today, Krleža Would Go Straight For The… by Ivanka Apostolova Baskar 5th June 2026
In “The Aquarium” Nina Plavanjac Turns Family Memory… by Emiliia Dementsova 12th May 2026
Romeo Castellucci “Believing In Masks” At Milan’s… by Margaret Rose 13th March 2026
Christopher Hampton’s “Les Liaisons Dangereuses” at… by Aleks Sierz 8th April 2026
Historical Memory On the Stage: Juan Mayorga’s… by Maria Delgado 11th June 2026
Theatre – Creating Conditions For What Has… by Ivanka Apostolova Baskar 16th May 2026
Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026
“Translators As The Most Attentive And… by Ivanka Apostolova Baskar 26th June 2026

Recent Posts

A Magical “Tempest” In Stratford-Upon-Avon 26th June 2026
Venice Theatre Biennale 2026 – “Memorandum” 26th June 2026
Venice Theatre Biennale 2026 – A Japanese “Othello” 26th June 2026
Performing Between Six Languages: An Interview With Anissa Naji 26th June 2026
“Translators As The Most Attentive And Analytical Readers: Knowing Every Corner, Strength, And Weakness Of A Text” 26th June 2026
Oldenburg’s Production Of “Mephisto” Continues And Expands The Important Debate Of The Artistic Response To Adverse Political Circumstances 25th June 2026
Venice Theatre Biennale 2026 – Mario Banushi’s “Romance Familiare” 24th June 2026
Shell…Shocked? 23rd June 2026
Itai Erdal’s Soldiers of Tomorrow at the Finborough Theatre: An Uninhibited Account Of The Conflict Between Israel And The Palestinians 19th June 2026
Sadness And Mourning Dominate Theater Bremen’s “Hamlet” 16th June 2026

SEARCH OUR ARCHIVES

Pin It on Pinterest