Young European Voices Exploring Hopes and Dreams
Young Europe III Raising young people’s voices across Europe, exploring their hopes and dreams,...
Read MorePosted by Lasse Scheiba | 29th Nov 2020 | News, Theatre for Young Audiences, Transcultural Collaborations, Youth Theatre - A Casebook
Young Europe III Raising young people’s voices across Europe, exploring their hopes and dreams,...
Read MorePosted by Lasse Scheiba | 25th Nov 2020 | Germany, Theatre for Young Audiences, Youth Theatre - A Casebook
Youth Theatre – Audience Development A Conversation with the Youth Council of the Deutsches...
Read MorePosted by Jules Buchholtz | 24th Nov 2020 | Theatre for Young Audiences, Youth Theatre - A Casebook
Why democracies are not about doing the right thing, but about how the right thing is always being...
Read MorePosted by Lena Fritschle | 23rd Nov 2020 | Essay, Germany, Theatre for Young Audiences, Youth Theatre - A Casebook
In his 1993 work A Flying Classroom, the German author Erich Kästner created a vision of a...
Read MorePosted by Miriam Kičiňová | 18th Nov 2020 | Theatre for Young Audiences, Youth Theatre - A Casebook
The Slovak National Theatre generally stages the major classics, adaptations of novels, and...
Read MorePosted by The Theatre Times | 16th Nov 2020 | Germany, Theatre for Young Audiences, Youth Theatre - A Casebook
First things first: Be aware of the problems you create for the audience, a.k.a. the player, and...
Read MorePosted by Attila Réthly | 14th Nov 2020 | Hungary, Theatre for Young Audiences, Youth Theatre - A Casebook
Weöres Sándor Színház (WSSZ) joined the Age of Rage project group within Young Europe III and,...
Read MorePosted by János Antal Horváth | 12th Nov 2020 | Hungary, Theatre for Young Audiences, Youth Theatre - A Casebook
As the generation known by the final letters of the alphabet continues to grow up and become...
Read MorePosted by Wieke Ten Cate | 11th Nov 2020 | Essay, Netherlands, Theatre for Young Audiences, Youth Theatre - A Casebook
As a documentary theatre maker, I am typically interested in individuals and characters whom I...
Read MorePosted by Heidi Wiley and Serge Rangoni | 11th Nov 2020 | Festivals, Theatre for Young Audiences, Youth Theatre - A Casebook
It’s now June 2020. In most European countries, the first wave of Covid-19 has started to slow...
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The Precipitation Of Performance: Braddy And Burns… by Paul Shields 6th June 2026
Chess The Musical: About Human Nature, Not Politics.… by Lisa Monde 20th May 2026
“Today, Krleža Would Go Straight For The… by Ivanka Apostolova Baskar 5th June 2026 

Christopher Hampton’s “Les Liaisons Dangereuses” at… by Aleks Sierz 8th April 2026
Historical Memory On the Stage: Juan Mayorga’s… by Maria Delgado 11th June 2026
Theatre – Creating Conditions For What Has… by Ivanka Apostolova Baskar 16th May 2026
Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026
A Theatre Like Society In The Fundamentalist… by Ivanka Apostolova Baskar 23rd May 2026 | M | T | W | T | F | S | S |
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