Theatre Olympics 2023

“Young Barbarians”: Non-serious Seriousness and Hungarian Drive

Posted by Emiliia Dementsova | 1st May 2023 | Hungary, Musical Theatre, Review, Theatre and Politics, Theatre Olympics 2023

Young Barbarians – director: Attila Vidnyánszky Jr. They say the best way to get to know each...

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“Report to an Academy”: To Be or Not to Be Human?

Posted by Emiliia Dementsova | 26th Apr 2023 | Adaptation, Greece, Review, Theatre and Politics, Theatre Olympics 2023

No matter how trends, themes, agendas and moods of society change, the focus of the study of art...

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“Nora”: Present Continuous Hell

Posted by Emiliia Dementsova | 25th Apr 2023 | Adaptation, Greece, Review, Theatre and Gender, Theatre Olympics 2023

Get inside a woman’s head and, by understanding her, unravel the mystery of how the world...

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With Faith and Trust into the Future: The 10th International Theatre Olympics in Hungary

Posted by Emiliia Dementsova | 24th Mar 2023 | Festivals, Hungary, News, Theatre and Politics, Theatre Olympics 2023

When the world is engulfed in flames of enmity, would another flame be superfluous? Not if it is...

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II 4.4 Short Performances Festival: When Muses are Not Silent

Posted by Emiliia Dementsova | 20th Dec 2022 | Azerbaijan, Festivals, News, Review, Theatre Olympics 2023

When the non-peaceful world is illuminated by the bursts of shells, it seems that other...

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