The Song Project, Royal Court
As its name suggests, The Song Project is more a collaborative experiment than a conventional...
Read MoreDuška Radosavljević is a writer, dramaturg and academic. She is the author of the award-winning Theatre-Making: Interplay Between Text and Performance in the 21st Century (2013) and editor of The Contemporary Ensemble (2013) and Theatre Criticism: Changing Landscapes (2016). She teaches at the Royal Central School of Speech and Drama.
Posted by Duška Radosavljević | 29th Aug 2021 | London, Musical Theatre, Review, United Kingdom
As its name suggests, The Song Project is more a collaborative experiment than a conventional...
Read MorePosted by Duška Radosavljević | 5th Aug 2021 | London, Musical Theatre, Review, United Kingdom
I cannot imagine a better way to end one’s Covid-19 lockdown than to head to a Lucy McCormick show...
Read MorePosted by Duška Radosavljević | 15th May 2020 | Covid-19, Dramaturgs’ Network: Invisible Diaries, Dramaturgy, Essay
This article is part of the Dramaturgs’ Network Invisible Diaries series. Woke up today to...
Read MorePosted by Duška Radosavljević | 13th Feb 2020 | London, Review, Transmedia, United Kingdom
The last time I took my non-theatre-going husband to the Royal Court was in the autumn of 2013,...
Read MorePosted by Duška Radosavljević | 21st Dec 2019 | Review, Theatre and Gender, United Kingdom
Lucy McCormick specializes in historical re-enactments, she tells us, and she is here to play all...
Read MorePosted by Duška Radosavljević | 13th Sep 2019 | Review, United Kingdom
Fresh from a sold-out run at the Edinburgh International Festival, Tim Crouch’s latest piece (a...
Read MorePosted by Duška Radosavljević | 18th Aug 2019 | Dramaturgy, Edinburgh 2019, Essay, Scotland, United Kingdom
The official stats have it that in its 73rd year of existence, the Edinburgh Fringe Festival 2019...
Read MorePosted by Duška Radosavljević | 16th Aug 2019 | Edinburgh 2019, Festivals, Review, Theatre for Young Audiences, United Kingdom
Shooting to stardom with their 2007 Edinburgh Fringe debut Between the Devil and the Deep Blue...
Read MorePosted by Duška Radosavljević | 16th Aug 2019 | Belgium, Edinburgh 2019, Festivals, Immersive Theatre, Review, United Kingdom
Since their first understated but instantly successful visit to Edinburgh in 2008 with their...
Read MorePosted by Duška Radosavljević | 29th Jun 2019 | Adaptation, France, Review, United Kingdom
Ivo Van Hove directed the theatrical adaptation of Luchino Visconti’s 1969 Nazi-era film The...
Read MorePosted by Duška Radosavljević | 22nd Jun 2019 | Review, Russia, Russian Theatre - Featured, Russian Theatre Abroad, United Kingdom
Three Sisters was the last play Chekhov wrote in 1900, in his dacha in Yalta, and in the final...
Read MorePosted by Duška Radosavljević | 1st Jun 2019 | London, Review, Theatre and Gender, Theatre and Politics, United Kingdom
A hit of the Edinburgh Fringe 2017, Selina Thompson’s one-woman show salt is on at the Royal Court...
Read MorePosted by Duška Radosavljević | 10th May 2019 | London, Review, Theatre and Gender, United Kingdom
Written only as recently as 1981, Caryl Churchill’s modern classic Top Girls has already been on...
Read MorePosted by Duška Radosavljević | 30th Mar 2019 | Festivals, Participatory Theatre, Review, United Kingdom
Homegrown: Occupy Festival Battersea Arts Centre March 18 – April 12 When it comes to arts venues,...
Read MorePosted by Duška Radosavljević | 24th Feb 2019 | Germany, Review, Theatre and Dance
In the last ten years since the death of Pina Bausch, Tanztheater Wuppertal, the company she...
Read MorePosted by Duška Radosavljević | 21st Feb 2019 | London, Review, United Kingdom
Some seventy-odd years ago, New Yorker Mary Orr wrote a short story for the Cosmopolitan magazine...
Read MorePosted by Duška Radosavljević | 11th Jan 2019 | London, Review, United Kingdom
Dates: November 28-January 12 Writer: Ellie Kendrick Directors: Helen Goalen and Abbi...
Read MorePosted by Duška Radosavljević | 2nd Dec 2018 | London, Review, United Kingdom
Less is more. When it comes to theatre-making, there is hardly a more relevant maxim than this...
Read MorePosted by Duška Radosavljević | 11th Nov 2018 | Adaptation, Ireland, Review
Also known as Platonov or the Play Without A Title, Chekhov’s first playtext, written when he was...
Read MorePosted by Duška Radosavljević | 28th Oct 2018 | London, Review, Theatre and Gender, United Kingdom
On Friday, March 13, 2015, the Grand Hall at Battersea Arts Centre in South London went up in...
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