The Sphinx’s Riddle Remains Unsolved. Scattering Chinese Art with “The First-Ever Metaverse Theatre Festival”
Even though for the last decade there have been numerous attempts to unleash Chinese theatre’s...
Read MoreAnna Gryszkiewicz, PhD, is a theatre practitioner, non-active actress with experience in institutional theatres, sinologist and theatrologist focused on post-drama and dance theatre. Her main interests include the entanglements between performing arts, high technology and the posthumanist approach to culture. She holds a post of research assistant at the Department of East Asian Cultures and Languages at the University of Gdansk, Poland. She is a member of China Horizons EU-funded project.
Posted by Anna Gryszkiewicz | 14th Apr 2023 | China, Festivals, Review, Theatre and AI, Transmedia
Even though for the last decade there have been numerous attempts to unleash Chinese theatre’s...
Read More
Chess The Musical: About Human Nature, Not Politics.… by Lisa Monde 20th May 2026
Christopher Hampton’s “Les Liaisons Dangereuses” at… by Aleks Sierz 8th April 2026
Theatre – Creating Conditions For What Has… by Ivanka Apostolova Baskar 16th May 2026
Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026
“No Man’s Land:” Architecture As Collective… by Ivanka Apostolova Baskar 6th July 2026
“Translators As The Most Attentive And… by Ivanka Apostolova Baskar 26th June 2026 
James Graham’s “Punch” at the Apollo Theatre:… by Aleks Sierz 30th September 2025 
Oldenburg’s Production Of “Mephisto” Continues And… by Daniel Meyer-Dinkgräfe 25th June 2026