Zip Scene Magazine

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History Experienced In VR

Posted by Zip Scene Magazine | 9th Dec 2023 | Bosnia, Immersive Theatre, Interview

Interview with Selma Rizvic, the founder of the Sarajevo Group Laboratory and the digital cultural...

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Coding Confronting Stories

Posted by Zip Scene Magazine | 5th Dec 2022 | Interview, Slovakia, Theatre and AI, Theatre and Science

Boris Vitázek is a new media artist based in Bratislava, but his work can be seen at various...

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From Richard To Richard: MITEM 2026 And a Europe in… by Emiliia Dementsova 14th April 2026
Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026
David Yazbek: The Master of Adapting Films into… by Lisa Monde 2nd April 2026
Tim Crouch’s “The Tempest” at The Globe by Duška Radosavljević 1st April 2026
GPS M S Biomechanics System Vs. Narcissism:… by Ivanka Apostolova Baskar 8th April 2026
On Fire: Luciana Acuña’s “Bailarinas Incendiadas”… by Maria Delgado 29th March 2026
New York City Fringe Begins April 1 by Marcina Zaccaria 25th March 2026
“The Devil Wears Prada” and Other… by Lisa Monde 8th February 2026
Romeo Castellucci “Believing In Masks” At Milan’s… by Margaret Rose 13th March 2026
Michael Frayn’s “Copenhagen” at the Hampstead… by Aleks Sierz 14th April 2026

Recent Posts

Developing Theatre And Performance Pedagogy Through Marae-based Wānanga In Aotearoa/New Zealand. Part I 21st April 2026
A Successfully Funny Perspective On Life Aspirations In State Theatre Oldenburg’s Production Of “Bondy Beach” 15th April 2026
Chekhov’s “Uncle Vanja”, directed by Yana Ross at the Royal Theatre, Copenhagen 14th April 2026
Michael Frayn’s “Copenhagen” at the Hampstead Theatre: Excellent Revival Of Iconic Play About The Ethics Of The Atom Bomb 14th April 2026
From Richard To Richard: MITEM 2026 And a Europe in a State of Alarm 14th April 2026
Adaptations On The German Stage (3): Theater Bremen Is Keen On The Long Haul 10th April 2026
Big Fatuous Giant 10th April 2026
Dog-Gone 9th April 2026
GPS M S Biomechanics System Vs. Narcissism: “Shouting, Making Faces, And Being Crazy Is NOT Enough To Be A Clown” 8th April 2026
Christopher Hampton’s “Les Liaisons Dangereuses” at The National Theatre: Busy Highly Stylized Revival Is All Spectacle And No Emotion 8th April 2026

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