Madison Parrotta

editor - Theatre and Disability

m.parrottta@thetheatretimes.com

Madison Parrotta is a senior at Rider University studying theatre and english. She aspires to be a dramaturg and literary manager for a theater. She has interned at the Crossroads Theatre Company and Princeton University Press. Currently, she is a copy editor for The Daily Geekette and The Culture Trip websites, a fiction editor for The Bookends Review, and a script reader for 12 Peers Theater and Kitchen Dog Theater.

Beginnings And Endings Pepper Premiere Stage’s “The Wake”

Posted by Madison Parrotta | 22nd Jul 2019 | Review, United States of America

Premiere Stages at Kean University begins its 15th season with an ending – the ashes of Maggie and...

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An Introduction To The National Disability Theatre: In Conversation With Mickey Rowe

Posted by Madison Parrotta | 23rd Dec 2018 | Interview, Theatre and Disability, United States of America

A greater push for disability representation in the theatre industry has seen the emergence of...

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Is The New York Theater Scene Serving Disabled Artists And The Disabled Population?

Posted by Madison Parrotta | 29th Nov 2018 | New York, Theatre and Disability, United States of America

The New York theater scene is often thought of as the pinnacle of progression, where the newest...

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Tekki Lomnicki And Tellin’ Tales Theatre: In Discussion

Posted by Madison Parrotta | 4th Oct 2018 | Chicago, Interview, Theatre and Disability, United Kingdom

Tekki Lomnicki is the artistic director of Tellin’ Tales Theatre, located in Chicago, and...

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“I Was Most Alive With You” Pays Proper Tribute to The D/deaf Community

Posted by Madison Parrotta | 28th Sep 2018 | New York, Review, Theatre and Disability, United States of America

Playwrights Horizons’ production of I Was Most Alive With You by Craig Lucas was otherworldly in...

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“Brick City” Brings A Positive Representation Of Disability To The Stage

Posted by Madison Parrotta | 21st Sep 2018 | Review, Theatre and Disability, United States of America

Nicole Pandolfo’s Brick City was produced in conjunction with NJPAC and the New Jersey Theatre...

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“Linger” Brings Dark Subject Matter Into The Light

Posted by Madison Parrotta | 27th Jul 2018 | New York, Review, United States of America

Linger is a fitting title for a play that navigates the lasting implications of wrong choices on...

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“Teenage Dick”: A Study Of The Stereotypical Villain

Posted by Madison Parrotta | 30th Jun 2018 | New York, Review, Theatre and Disability, United States of America

Produced in conjunction with Ma-Yi Theater Company, the world premiere of Teenage Dick at The...

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Reasons To Be Graeae: A Unique Insight Into Disabled-Led Theater Company Graeae

Posted by Madison Parrotta | 25th Jun 2018 | Books, Theatre and Disability, United Kingdom

Oberon’s new book, Reasons To Be Graeae, gives a unique insight into the first 38 years of the...

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Why I Can’t Accept “Amy And The Orphans”

Posted by Madison Parrotta | 23rd Mar 2018 | New York, Review, Theatre and Disability, United States of America

What do you do with a disabled child you can’t emotionally support? While not the biggest question...

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Interview With Mickey Rowe: A Leader In Autism Representation On Stage

Posted by Madison Parrotta | 3rd Feb 2018 | Interview, Theatre and Disability, United States of America

This fall, Mickey Rowe was the first autistic actor to play Christopher Boone, the autistic main...

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Theater KroogII Brings Artistic Enrichment And Inclusion To Moscow’s Aspiring Disabled Artists

Posted by Madison Parrotta | 30th Dec 2017 | Interview, Producing, Russia, Russian Theatre - Featured, Theatre and Disability

Integrated Theatre Company KroogII is a non-profit organization dedicated to providing an...

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Disabled Bodies in American Theatre

Posted by Madison Parrotta | 9th Sep 2017 | Theatre and Disability, United States of America

In its simplest form, theatre is storytelling. From theatre professionals and academics to...

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“Sah El-Nom” Monodrama At Cairo’s Osiris

Posted by Madison Parrotta | 12th Jan 2017 | Egypt, News, Theatre and Gender

The monodrama Sah El-Nom, directed and performed by Egyptian artist Doaa Hamza, was performed at...

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A Look At Three International Performances That Will Feature At The Little Festival 22nd July 2019
Beginnings And Endings Pepper Premiere Stage’s “The Wake” 22nd July 2019
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Avignon 2019: In Search Of Multiple Selves: “Multiple-S” By Salia Sanou And “Oskara” By Kukai Dantza 21st July 2019
Theatres Are Evolving To Reconnect Us To Each Other And The Environment 21st July 2019
Oriza Hirata’s “In the Heart of a Forest”: Mastering Multilingual Performance 21st July 2019
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