Madison Parrotta

editor - Theatre and Disability

m.parrottta@thetheatretimes.com

Madison Parrotta is a senior at Rider University studying theatre and english. She aspires to be a dramaturg and literary manager for a theater. She has interned at the Crossroads Theatre Company and Princeton University Press. Currently, she is a copy editor for The Daily Geekette and The Culture Trip websites, a fiction editor for The Bookends Review, and a script reader for 12 Peers Theater and Kitchen Dog Theater.

An Introduction To The National Disability Theatre: In Conversation With Mickey Rowe

Posted by Madison Parrotta | 23rd Dec 2018 | Interview, Theatre and Disability, United States of America

A greater push for disability representation in the theatre industry has seen the emergence of...

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Is The New York Theater Scene Serving Disabled Artists And The Disabled Population?

Posted by Madison Parrotta | 29th Nov 2018 | New York, Theatre and Disability, United States of America

The New York theater scene is often thought of as the pinnacle of progression, where the newest...

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Tekki Lomnicki And Tellin’ Tales Theatre: In Discussion

Posted by Madison Parrotta | 4th Oct 2018 | Chicago, Interview, Theatre and Disability, United Kingdom

Tekki Lomnicki is the artistic director of Tellin’ Tales Theatre, located in Chicago, and...

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“I Was Most Alive With You” Pays Proper Tribute to The D/deaf Community

Posted by Madison Parrotta | 28th Sep 2018 | New York, Review, Theatre and Disability, United States of America

Playwrights Horizons’ production of I Was Most Alive With You by Craig Lucas was otherworldly in...

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“Brick City” Brings A Positive Representation Of Disability To The Stage

Posted by Madison Parrotta | 21st Sep 2018 | Review, Theatre and Disability, United States of America

Nicole Pandolfo’s Brick City was produced in conjunction with NJPAC and the New Jersey Theatre...

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“Linger” Brings Dark Subject Matter Into The Light

Posted by Madison Parrotta | 27th Jul 2018 | New York, Review, United States of America

Linger is a fitting title for a play that navigates the lasting implications of wrong choices on...

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“Teenage Dick”: A Study Of The Stereotypical Villain

Posted by Madison Parrotta | 30th Jun 2018 | New York, Review, Theatre and Disability, United States of America

Produced in conjunction with Ma-Yi Theater Company, the world premiere of Teenage Dick at The...

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Reasons To Be Graeae: A Unique Insight Into Disabled-Led Theater Company Graeae

Posted by Madison Parrotta | 25th Jun 2018 | Books, Theatre and Disability, United Kingdom

Oberon’s new book, Reasons To Be Graeae, gives a unique insight into the first 38 years of the...

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Why I Can’t Accept “Amy And The Orphans”

Posted by Madison Parrotta | 23rd Mar 2018 | New York, Review, Theatre and Disability, United States of America

What do you do with a disabled child you can’t emotionally support? While not the biggest question...

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Interview With Mickey Rowe: A Leader In Autism Representation On Stage

Posted by Madison Parrotta | 3rd Feb 2018 | Interview, Theatre and Disability, United States of America

This fall, Mickey Rowe was the first autistic actor to play Christopher Boone, the autistic main...

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Theater KroogII Brings Artistic Enrichment And Inclusion To Moscow’s Aspiring Disabled Artists

Posted by Madison Parrotta | 30th Dec 2017 | Interview, Producing, Russia, Russian Theatre - Featured, Theatre and Disability

Integrated Theatre Company KroogII is a non-profit organization dedicated to providing an...

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Disabled Bodies in American Theatre

Posted by Madison Parrotta | 9th Sep 2017 | Theatre and Disability, United States of America

In its simplest form, theatre is storytelling. From theatre professionals and academics to...

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“Sah El-Nom” Monodrama At Cairo’s Osiris

Posted by Madison Parrotta | 12th Jan 2017 | Egypt, News, Theatre and Gender

The monodrama Sah El-Nom, directed and performed by Egyptian artist Doaa Hamza, was performed at...

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