I Wholeheartedly Recommend “The President:” A Brilliant Revival Of A Play Of Decay, Terror And Revulsion
Decay, terror, revulsion. These are three of the central themes of Thomas Bernhard’s rarely...
Read MorePosted by Alexander Howard | 30th Apr 2024 | Australia, Review, Theatre and Politics
Decay, terror, revulsion. These are three of the central themes of Thomas Bernhard’s rarely...
Read MorePosted by Jonathan Kalb | 29th Apr 2024 | Review, Theatre and Politics, United States of America
Well, it’s happened again. The torrid pace of new openings this spring has outstripped my ability...
Read MorePosted by Rhiannon Ling | 28th Apr 2024 | Festivals, Review, United States of America
2024’s New York City Fringe has come to an end, eighteen nights of shows enjoyable, waspish,...
Read MorePosted by Sarah Austin | 27th Apr 2024 | Australia, Review, Theatre and Gender
The relationship between witchcraft and teenage girls has been the subject of many books, films...
Read MorePosted by Ahram Online | 26th Apr 2024 | News, Poland, Transcultural Collaborations
The monodrama edition of the Sharm El-Sheikh International Theatre Festival for Youth (SITFY),...
Read MorePosted by Tawanda Mupatsi | 23rd Apr 2024 | Review, Theatre and Politics, Zimbabwe
Southern Rhodesia (now Zimbabwe) is still in the hands of Britain, the colonial power, and several...
Read MorePosted by Aleks Sierz | 22nd Apr 2024 | Dramaturgy, Review, United Kingdom
“He do the police in different voices.” If ever one phrase summed up a work of fiction, and the...
Read MorePosted by David O'Donnell | 19th Apr 2024 | Adaptation, New Zealand, Review, Worldwide
The southern city of Ōtepoti/Dunedin has played an important role in the history of Samuel Beckett...
Read MorePosted by Aleks Sierz | 18th Apr 2024 | Acting, Review, United Kingdom
I’ve never been one for school reunions, but even if I had kept in touch with former classmates I...
Read MorePosted by Ian Maxwell | 16th Apr 2024 | Australia, Review, Theatre and Gender
Angus Cerini’s Into the Shimmering World is an unforgiving and, frankly, bleak meditation on what...
Read MorePosted by Maria Delgado | 12th Apr 2024 | Review, Spain
Juan Mayorga might have been a crime writer in another life, he loves to set up complex, menacing...
Read MorePosted by Jonathan Kalb | 10th Apr 2024 | Immersive Theatre, New York, Review, United States of America
The last time Ibsen’s An Enemy of the People (1882) made a big splash in New York was in 2013,...
Read MorePosted by Zolima Citymag | 10th Apr 2024 | Hong Kong, Interview, Transmedia
AUTHOR: Christie Lee Wong Kit-yi has always been fascinated with myths. Her previous works have...
Read MorePosted by Maria Delgado | 9th Apr 2024 | Review, Spain
Seeing a play you much admired five years ago for a third time isn’t always sensible. Will it be...
Read MorePosted by Kasia Lech | 8th Apr 2024 | Dramaturgy, Interview, Theatre and Politics
Europa jest wielojęzyczna. Europe – as a geopolitical concept, its residents, communities, and...
Read MorePosted by Margaret Rose | 7th Apr 2024 | Festivals, Immersive Theatre, Italy
Milan’s international multidisciplinary performance art festival FOG, featuring theatre, music,...
Read MorePosted by Kaggwa Andrew Mayiga | 4th Apr 2024 | Acting, Essay, Uganda
It is hard to remember the first encounter with Mariam Ndagire as an artist. It was probably...
Read MorePosted by Ivanka Apostolova Baskar | 4th Apr 2024 | Greece, Interview, Management
An Interview with Kostas Kapodistrias – Theatre actor and director, theatre manager/founder of...
Read MorePosted by Ahram Online | 2nd Apr 2024 | News, Poland, Transcultural Collaborations
The Egypt-based Sharm El-Sheikh International Theatre Festival for Youth (SIFTY) is set to launch...
Read MorePosted by Rhiannon Ling | 2nd Apr 2024 | New York, Review, Theatre and Gender, United States of America
“What kind of service do submarines provide?” asks the machine’s captain, Ricky Martin. “Silent...
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