“Teeth” Bites Back Against Purity Culture: On Michael R. Jackson and Anna K. Jacob’s Musical
Last year I went to the dentist for a toothache and was told that somehow, to my extreme...
Read MorePosted by Morgan Skolnik | 31st Mar 2024 | New York, Review, Theatre and Gender, United States of America
Last year I went to the dentist for a toothache and was told that somehow, to my extreme...
Read MorePosted by Teodora Medeleanu | 25th Mar 2024 | India, Review, Theatre and Gender
The question of universality faces entire series of utterly new answers, but not all of them find...
Read MorePosted by Maria Delgado | 25th Mar 2024 | Review, Spain, Theatre and Opera
There are a number of firsts in the new Teatro Real production triple bill that brings together...
Read MorePosted by Maria Delgado | 25th Mar 2024 | Review, Spain
The 2023/2024 season has proved the year of Bernarda Albas. Lorca’s 1936 drama was completed only...
Read MorePosted by Tawanda Mupatsi | 22nd Mar 2024 | Review, Theatre and Science, Zimbabwe
When Chenura Trust a Zimbabwean media company announced that they were working on a theatrical...
Read MorePosted by Maria Delgado | 22nd Mar 2024 | Directing, Review, Spain
Susanne Kennedy doesn’t do things by half. When she creates a world, it has its own logic, its own...
Read MorePosted by David O'Donnell | 21st Mar 2024 | Design, Essay, Festivals, New Zealand
The Drifting Room, created and performed by Stephen Bain. The Performance Arcade 2024,...
Read MorePosted by Hansol Oh | 21st Mar 2024 | Musical Theatre, Review, South Korea
It is 1930s Kyeongseong (what Seoul was called during the Japanese occupation), and the colonial...
Read MorePosted by Alexander Fatouros | 21st Mar 2024 | Acting, Interview, New York, Theatre and Film, United States of America
American actress of beauty and talent, Támara Torres is a legend of Orange is the New Black, the...
Read MorePosted by Antonio Hernández Nieto | 18th Mar 2024 | Germany, Review, Theatre and Opera
There are some myths about the opera that are not true. Firstly, that young people do not like...
Read MorePosted by Aleks Sierz | 14th Mar 2024 | London, Review, Theatre and Politics, United Kingdom
For me, this is the most emotional show on the London stage. Why’s that? Because it’s about Nye...
Read MorePosted by Teodora Medeleanu | 7th Mar 2024 | Review, Transmedia, Ukraine
The performance follows four women in different parts of Ukraine, at various distances from the...
Read MorePosted by Aleks Sierz | 6th Mar 2024 | Review, Theatre and Politics, United Kingdom
It’s election year so the gaze of British theatre turns towards the National Health Service. But,...
Read MorePosted by Aleks Sierz | 4th Mar 2024 | Germany, London, Review, Theatre and Politics, United Kingdom
We’ve all heard of the metaphorical madwoman in the attic, but what about the symbolic unexploded...
Read MorePosted by Jonathan Kalb | 3rd Mar 2024 | Review, Transmedia, United States of America
Call me clueless, but I wasn’t aware, before seeing Mona Pirnot’s new play I Love You So Much I...
Read MorePosted by Margaret Rose | 1st Mar 2024 | Italy, Review, Theatre and Religion
Writer, actor, and director Ascanio Celestini is one of Italy’s most celebrated theatrical...
Read MorePosted by Jonathan Kalb | 1st Mar 2024 | Musical Theatre, Review, United States of America
I almost didn’t go see Days of Wine and Roses: The Musical because my memories of the highly...
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