More Equal Theatre-Making in Europe: Reflection on Creative Europe and Practical Difficulties from Multilingual Perspectives
The Jeune Théâtre Européen Jeunes Publics (Young European Theatre for Young Audiences) (JTEJP)...
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Month: February 2024
Multilingual Theatre For/With Young Audiences: On the Jeune Théâtre Européen Jeunes Publics Project
The growing levels of migration results in an increasing number of children across Europe growing...
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Peter Sellars’ “Beatrice di Tenda”: Freedom, Defiance, and Tyranny
Vincenzo Bellini’s penultimate opera, Beatrice di Tenda, rests between two more frequently...
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Henrik Ibsen’s An Enemy of the People at the Duke of York’s Theatre: Thomas Ostermeier’s West End Debut Has Starry Cast And Punk Aesthetics
It’s a sign of the times that German director Thomas Ostermeier’s West End debut is his production...
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Becoming a Citizen Dramaturg
What is a citizen-dramaturg? Could I study it at a university? Is it merely a state of mind? Would...
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Musical “Evita”: 45 Years Later
Tim Rice became interested in the biography of Eva Perón – the wife of the famous dictator Juan...
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Oscar Wilde’s “The Picture of Dorian Gray” at the Theatre Royal Haymarket
A solo performance in theatre may often trap us inside a single dramatic character, taking us deep...
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Neurodivergent New Play Series Resumes Schedule for 2024
The Neurodivergent New Play Series, produced by Piccione Arts, is set to resume its regular third...
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Alberto Conejero’s “En Mitad de Tanto Fuego” (In the Midst of So Much Fire): Addressing the Gaps from the Margins
Alberto Conejero’s trajectory as a playwright has been rooted in telling the stories that have...
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Sergio Blanco’s “When You Pass Over My Tomb” at the Arcola Theatre: Exquisite Meta-Theatrical Exploration Of Death and Necrophilia
Nowadays it seems that it’s the fringe and Off-West End venues that are keeping the spirit of...
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Young Choreographers at Teatro dell’Opera di Roma
For the corps de ballet of an Opera House, the place par excellence for the preservation of the...
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What Can I Say?
Rachel Bonds’s Jonah—directed by Danya Taymor at the Roundabout’s Laura Pels Theatre— is one of...
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Jez Butterworth’s “The Hills of California” at the Harold Pinter Theatre: Warm Evocation of 1950s Pop Culture Is Fun, But Lacks Dramatic Resolution
In West End theatre, the cliché that nothing succeeds like success keeps the wheels of commerce...
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On the “POTUS” Trail with Bekah Walsh
Every day is a cunty day for Bekah Walsh. The Baltimore-based theatre nerd turned prolific...
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Rage and Fury: Calixto Bieito Stages Aribert Reimann’s “Lear” at the Teatro Real Madrid
Shakespeare’s King Lear has defied composers who refused invitations to render this bleakest...
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“Misericordia” (Mercy) at Madrid’s Teatro Valle Inclán: Families, (Auto)fiction and Exile
There is a lot to admire in Denise Despeyroux’s newest play produced by the Centro Dramático...
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A Beginner’s Guide To Santiago a Mil 2024: 10 Key Takeaways From One of Latin America’s Most Important Theatre Festivals
Santiago a Mil is an annual theatre and performing arts festival held in the Chilean capital in...
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Theatre Against Ageism: “The Secret Lives of Extremely Old People” by Rachel McAlpine
In a year in which 77-year-old Dolly Parton recorded her first rock record, the octogenarian...
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“The Fantastical Fellowship:” Niche Comedy at Under St. Mark’s
For lovers of the fantastical and the geeky, the scene at Under St. Mark’s is one of nostalgia and...
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Sam Holcroft’s “A Mirror” at the Trafalgar Theatre
“This play is a lie,” boldly declares the poster of Sam Holcroft’s new play A Mirror, now playing...
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