Jenna Lourenco

regional managing editor

jennalourenco1@gmail.com

Jenna Lourenco, MFA, is an autistic, Boston area-based theatremaker, educator, and researcher, who usually focuses her writing on the representation of autism in theatre. Jenna is an actor, singer, costumer/costume designer, director, producer, and dramaturg.

A Stinging Critique of the American Dream Underlies “The Queen of Versailles”

Posted by Jenna Lourenco | 23rd Aug 2024 | Boston, Dramaturgy, Essay, Musical Theatre, United States of America, Worldwide

Spoiler Caution: This essay contains significant plot details from The Queen of Versailles. The...

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Neurodivergent New Play Series Resumes Schedule for 2024

Posted by Jenna Lourenco | 18th Feb 2024 | Essay, New York, Theatre and Disability, United States of America

The Neurodivergent New Play Series, produced by Piccione Arts, is set to resume its regular third...

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Groundbreaking Autistic-Led Production of “A Curious Incident of the Dog in the Night-Time” at A Common Thread Theatre Company in Framingham, MA

Posted by Jenna Lourenco | 21st Oct 2023 | Boston, Interview, Theatre and Disability, United States of America

When Christopher Boone from A Curious Incident of the Dog in the Night-Time was first introduced...

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EPIC Players Creates Employment and Training Opportunities for Autistic & Neurodivergent Theatre Makers

Posted by Jenna Lourenco | 28th May 2022 | Education, Musical Theatre, New York, News, Theatre and Disability, United States of America

Autistic adults in the United States are unemployed at estimated rates of more than 80%. Those who...

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Recent Posts

Developing Theatre And Performance Pedagogy Through Marae-based Wānanga In Aotearoa/New Zealand. Part I 21st April 2026
A Successfully Funny Perspective On Life Aspirations In State Theatre Oldenburg’s Production Of “Bondy Beach” 15th April 2026
Chekhov’s “Uncle Vanja”, directed by Yana Ross at the Royal Theatre, Copenhagen 14th April 2026
Michael Frayn’s “Copenhagen” at the Hampstead Theatre: Excellent Revival Of Iconic Play About The Ethics Of The Atom Bomb 14th April 2026
From Richard To Richard: MITEM 2026 And a Europe in a State of Alarm 14th April 2026
Adaptations On The German Stage (3): Theater Bremen Is Keen On The Long Haul 10th April 2026
Big Fatuous Giant 10th April 2026
Dog-Gone 9th April 2026
GPS M S Biomechanics System Vs. Narcissism: “Shouting, Making Faces, And Being Crazy Is NOT Enough To Be A Clown” 8th April 2026
Christopher Hampton’s “Les Liaisons Dangereuses” at The National Theatre: Busy Highly Stylized Revival Is All Spectacle And No Emotion 8th April 2026

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