Konrad Zielinski

editor

k.zielinski@thetheatretimes.com

Konrad Zielinski graduated Cultural Studies (majoring Theatre Studies) at the University of Łódź, Poland and holds an MA in Theatre Criticism and Dramaturgy from the Royal Central School of Speech and Drama. He's an alumni of the National Centre for Writing's 20/21 Emerging Translator Programme. His interests lie in queer theatre and performance, Shakespeare, Renaissance drama, postcolonialism, feminism, migration, and translation.

“The Haunting of Susan A” at The King’s Head Theatre

Posted by Konrad Zielinski | 14th Jun 2022 | Playwriting, Review, United Kingdom

Konrad: Hello, I’m Konrad. I’m here to share an account of the production of Mark Ravenhill’s The...

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“Bacon” at the Finborough Theatre

Posted by Konrad Zielinski | 15th Apr 2022 | LGBTQ Theatre, Playwriting, Review, United Kingdom

Engaging with narratives that draw on the subject of male queerness can be precarious. Two major...

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“It’s OK to be Naked”: An Interview with Tim Norwood

Posted by Konrad Zielinski | 23rd Oct 2020 | Interview, Theatre and Gender, United Kingdom

Tim Norwood describes himself as an emerging theatre-maker from Sheffield. He’s queer, disabled,...

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Polish Shakespeare Online: Krzysztof Warlikowski’s “The Tempest”

Posted by Konrad Zielinski | 20th Aug 2020 | Directing, Poland, Review

Today, Krzysztof Warlikowski is considered one of the most influential auteurs devising for the...

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Polish Shakespeare Online: Maja Kleczewska’s “Macbeth”

Posted by Konrad Zielinski | 8th May 2020 | Poland, Polish Theatre Abroad, Review

L. P. Hartley’s much-recycled observation that ‘the past is a foreign country’ seems an oddly...

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“Hansard” at the National Theatre

Posted by Konrad Zielinski | 20th Sep 2019 | London, Review, Theatre and Politics, United Kingdom

Simon Wood’s debut play Hansard, performed at London’s National Theatre Lyttleton...

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“The Secret River” at The National Theatre

Posted by Konrad Zielinski | 12th Sep 2019 | Adaptation, London, Review, United Kingdom

The revival of Sydney Theatre Company’s production of The Secret River, performed to great acclaim...

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“8 Hotels” at Minerva Theatre

Posted by Konrad Zielinski | 11th Sep 2019 | Review, Theatre and Politics, United Kingdom

Beliefs of racial purity and superiority were at the heart of the conflict that brought about the...

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