Korean Theatre at The Edinburgh Fringe 2018: “About Lady White Fox with Nine Tales . . .”
Korean theatre company YVUA ARTS makes their Edinburgh Festival Fringe debut with About Lady White...
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New Artistic Director Shakes Up The St. Lawerence Shakespeare Fest With A Season Of Love
It’s a safe bet you’ve never realized the universality of A Lover And His Lass, that sweet and...
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“Nina’s Got News” – Edinburgh Fringe, Review: Frank Skinner’s Debut Play Is A Wasted Opportunity
It is 27 years since Frank Skinner won the Perrier Award in Edinburgh, setting him on the path to...
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Lost Voice Guy – Edinburgh Fringe, Review: Pointed Laughs From The Britain’s Got Talent Winner
Lost Voice Guy, who won Britain’s Got Talent earlier this year, warns us that Inspiration Porn is...
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Artscape Women Humanity Arts Festival 2018
This year marks the 12th edition of the Artscape Women’s Humanity Arts Festival (AWHAF) from July...
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Rose Matafeo’s “Horndog” – Edinburgh Fringe, Review: “Invigoratingly Enjoyable”
Before her show begins, Rose Matafeo is on stage, bounding around in trainers and a tennis skirt,...
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Traverse Theatre’s “What Girls Are Made Of,” Edinburgh, Review: An Irresistible Tale Of Britpop Fame And Misfortune
Long before Cora Bissett became one of Scotland’s most exciting theatre-makers–in 2012 she won an...
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Kyoto As A Stage For World Theatre – An Interview With Kyoto Experiment Program Director Yusuke Hashimoto
Kyoto Experiment is one of Japan’s major international theatre festivals, along with...
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The Beauty Of The Bodrum Ballet Festival
The artistic quality of the International Bodrum Ballet Festival gets better with each passing...
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For The Love Of Kunqu: Hong Kong Chinese Opera Festival 2018
Why We Recommend it This annual festival stages enduring Chinese opera performances across various...
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“African Gothic” Heads To The Joburg Theatre
UJ Arts & Culture (a division of FADA) is proud to present the Johannesburg run of Reza de...
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Subverting The Idea Of Nationalism
In one of Kraków’s many open-air spaces, the orchestral strains of Muhammad Iqbal’s Sare Jahan Se...
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“Me And My Girl,” Review: Matt Lucas’ Stand-In Provokes Frenzied Standing Ovation
When the first person to appear on stage is director Daniel Evans with a microphone in hand and...
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Hungarian Contemporary Circus Company Returns To The Biggest Arts Festival Of The World
After last year’s success, the popular Hungarian contemporary circus company Recirquel is...
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“Upstream Downtown” by Animacy Theatre Collective: The Story of Two Salmons
Review of Upstream Downtown by Animacy Theatre Collective, in co-production with Common Boots...
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South African Women’s Arts Festival – 22 Years On
The Playhouse Company, an Agency of the Department of Arts and Culture, presents its annual South...
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Bernstein In Flight And T.S. Eliot In Motion At Bard Summerscape 2018: An Interview With Gideon Lester
Gideon Lester is Artistic Director for Theater and Dance at the Richard B. Fisher Center for the...
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National Festival Of Egyptian Theatre Honors Playwright Mahmoud Diab, Features Sudanese Theatre, And Children’s Plays
The 11th edition of the National Festival of Egyptian Theatre will take place between July 19 and...
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Christine Rodriguez’s “The Autism Monologues”: Imperative Stories, But With Representation Issues
Christine Rodriguez’s The Autism Monologues opens with a monologue by a woman (Julie Barbeau),...
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Polish Theatre at the Edinburgh Fringe 2018
The 2018 Edinburgh Fringe will be particularly exciting for those interested in Polish theatre....
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