Festivals
LATEST REPORTS FROM THEATRE FESTIVALS
Dance Umbrella Celebrates Merce Cunningham Centenary with “The Future Bursts In” at the Linbury Theatre in London
Within ten seconds, I am in love. Three men have taken off their shoes at the side of a white,...
Edinburgh Fringe 2019: “Interbeing – Stories Of A Current War”, Cockpit Theatre: Putting A Forgotten War Back Into The Spotlight
“There are bombardments constantly on the outskirts of Donetsk, while in central Donetsk they...
PQ 2019: Noise Music
The Rudolfinum is the main classical music performance hall in Prague. The house of the Czech...
A Review of “Notes From Exile” from the 2018 Boska Komedia Festival: Reverberations of Antisemitism
Zapiski Z Wygnania [Notes from Exile] directed by Magda Umer. Presented at Narodowy Stary...
ALL LATEST FESTIVAL REPORTS
The Online Stephen J Chifunyise International Theatre Festival
When Zimbabwean theatre practitioner Stephen Joel Chifunyise passed on last year, Theatre in The...
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Between.Pomiędzy Festival: Literary Criticism Now
In this discussion Derek Attridge explores the role of contemporary literary criticism as part of...
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Between.Pomiędzy: A Festival That Believes in Europe
The Opening dialogue of the Between.Pomiędzy Festival. 5 May 2020. Octavian Saiu: I’d like to say...
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The International Online Theatre Festival Is Extended Until May 31, Additing Eleven New Productions
IOTF PS + 11: EXTENDED May 16–31, 2020 IOTF is an annual online theatre festival showcasing the...
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Translating Theatre/Trans-lating Theatre
David Malcolm has been one of the key organizers of the Between. Pomiędzy festival ever since it...
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International Online Theatre Festival 2020. A glimpse into the physical theatre performances.
During an art and culture online ubiquity that was expanded in the course of the global pandemic,...
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Kosmopolis – The Between-Pomiędzy Festival of Literature and Theatre
Unusual times need unusual solutions. We certainly live in times that are challenging, but they...
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Kosmopolis Rebound: Sopot, 2020
Professor S.E. Gontarski is the honorary patron of Beckett Research Group in Gdańsk, created and...
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Ten Years of Providing Young Performers with a Theatre Platform
It’s an ordinary Saturday morning. The October sun is already hitting hard, I am sweating. I am in...
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All You Need to Know About Eight Years of India by the Nile in Egypt
As the eighth India by the Nile festival approaches, let us celebrate the history of one of the...
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undercurrents 2020: “Crippled”– A Necessary Intersect Between Grief and Hope
undercurrents Festival Director Patrick Gauthier and Associate Director Brit Johnston have...
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The Fundamental Profanation
Stabat Mater is the most recent work by Brazilian actress, playwright, and director Janaina Leite,...
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Henrietta Baird’s “The Weekend” Proves the Enduring Power of Solo Performance
If this year’s Sydney Festival is any indication, the monologue is back. So far, I have seen...
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A Hong Konger in Berlin – Armie Ma’s “No Coming Back” in Adelaide Fringe Festival
A one-man show by Hong Kong writer and performer Armie Ma will have its Australian debut in...
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Static Electricity: Beckett at Under the Radar
“Static” is one of those words from which most artists recoil. It’s typically used for something...
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Pondicherry Heritage Festival Gets Under Way
In a life-comes-full-circle moment of sorts, the theatrical production, Bharathi Yaar, which has...
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“El Círculo” Review: The Vulnerability of Process as Performance
El Círculo will have another run in this month’s Santiago a Mil festival. This review is of a...
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“Ellen West” at The Prototype Festival
Two embarrassing conditions unsettled me at the top of Ellen West, the new opera by Ricky Ian...
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“The Visitors:” A Witty Imagining of What Went Before that Fateful Encounter
Seven senior lawmen discuss what to do about approaching ships in Frederick Copperwaite’s...
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“Magdalene” at Prototype Festival
What are the first words you think of when you hear the name Mary Magdalene? Prostitute? Saved?...
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Groundbreaking Festival of Indigenous Theatre at the National Arts Centre in Ottawa: Inaugural Season
Under the direction of Kevin Loring in collaboration with artistic associate Lindsay Lachance, the...
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Kitchen Aromas and Angels with Water Guns: Japanese Visual Storytelling Comes Alive at OzAsia
Review: The Dark Master and Totes Adorbs ♥ Hurricane, OzAsia Festival, Adelaide, 22 October...
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Egypt’s Play “Collar and Bracelet” Wins Best Performance at Carthage Theatre Days, Tunisia
Egyptian play Collar and Bracelet, directed by Nasser Abdel-Moneim, won the best performance at...
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Interview: President of Alexandria Theatre Festival on Bridging Gaps Between Academia and Theatre Practitioners
Alaa Abdel Aziz, president of the Alexandria Arab Theatre Festival for Specialised Institutes and...
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Terra Incognita Festival in Saint Petersburg, Russia
It’s in our laugh and in our tears And in the pulsation of our veins Change! We are longing...
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Bodily Dressage: Cruel and Optimistic Pleasures of the Speaking and Moving Body
Researcher and critic Lisa Moravec explores how two performances of this year’s ImPulsTanz,...
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Diamonds In the Rough
An emerging sidelight at the annual Prithvi Theatre Festival is its selection of fringe offerings...
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Festival Místicas: How to Perform Ancient Religious Texts in the 21st Century
It is autumn in Madrid, Spain. A small group of theatergoers has arrived at Zapadores, a new art...
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Culture and Art: The Launching of Lebanon International Theatre Festival Under the Slogan “Art for Change”
Istanbouli Theater and the Tiro Association for Arts announced the program of the second version...
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Dance Umbrella’s “The Future Bursts In” at Linbury Theatre celebrates Merce Cunningham
Within ten seconds, I am in love. Three men have taken off their shoes at the side of a white,...
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