It’s Okay Not To Be Okay: A Conversation with Irish Playwright Lee Coffey
It’s been six years since Leper and Chip played to sold-out Dublin audiences with critical...
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Ireland
Adapting Tarots in Performance: LipZinc’s “Talking Tarots”
In his very famous book The Castle of the Crossed Destinies (Il castello dei destini incrociati,...
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Theatre is What You Say: An Interview with Ali Hardiman, Dublin Actor, Writer, Producer and Theatre-Make
It’s been a busy twelve months for Dublin actor, writer, producer and theatre-maker Ali Hardiman....
Read MoreDublin Fringe Festival 2019: Women in Flux
The Dublin Fringe Festival celebrates its 25th year this year and duly provided the Irish capital its characteristic combination of artistry, controlled chaos and thought-provoking content. The stated theme of Dublin Fringe 25,...
Read More“Skin Tight” Stays Tense
Irish theatre company Restless Ecstasy’s production of New Zealand modern classic Skin Tight retains its tension in Dublin showing.
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Samuel Beckett’s “Waiting for Godot” Is Brought into the Reiwa Era
Why are thespians the world over so drawn to Waiting for Godot, that for many older actors playing...
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“Citysong” (The Abbey Theatre, Dublin) at Soho Theatre
Irish playwright Dylan Coburn Gray’s new play won the Verity Bargate Award in 2017, and his reward...
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Riddled With Vivid Snapshots of The Human Condition: “Waiting for Godot” in New Zealand
Vladimir and Estragon, who nickname each other Didi and Gogo, languish nowhere in particular and...
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Using Theatre To Promote Positive Mental Health
The link between creative expression and positive mental health has been known for quite some time...
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Gabriel Gbadamosi’s “Stop And Search” at The Arcola Theatre
Police stop and search activities—the harassment of young, usually black, men in the streets of...
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The Druid “Godot”
To those who feel overexposed to Waiting For Godot—which includes many theater snobs—no...
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Dead Centre’s “Chekhov’s First Play”
Also known as Platonov or the Play Without A Title, Chekhov’s first playtext, written when he was...
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An Adaptation of Samuel Beckett’s “Watt” Questions Being And Perception
It resembled a pot, it was almost a pot, but it was not a pot of which one could say, Pot, pot,...
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“Hamnet”: A Father/Son Play
Hamnet, the fascinating play, created by Ireland’s Dead Centre, now at ArtsEmerson’s Paramount...
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“Ballyturk” Delivers A Surreal Yet Exciting Challenge
When Akira Shirai first read the script for Ballyturk, he quickly understood why its creator,...
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Who Was Mary? And How Plausible is Colm Tóibín’s Reconstruction of Her?
Colm Tóibín’s play and the Booker-nominated novella The Testament of Mary aims to “demythologise”...
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Ireland’s National Theatre is at a Crossroads
Luke Casserly responds to the recent report from Scottish consulting firm Bonnar Keenlyside...
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