Bojana Cvejić

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Daniela Bershan and Others — “OCEAN”

Posted by Bojana Cvejić | 11th May 2022 | Acting, Norway, Review, Theatre and Gender

OCEAN, or the touch of a relational lifeworld Sometimes, a performance, a work of art, reveals its...

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Self-Organizing Systems, Stickiness and Mental Resistance… An Interview with Mette Ingvartsen on Moving in Concert (2019)

Posted by Bojana Cvejić | 24th Sep 2020 | Belgium, Denmark, Immersive Theatre, Interview, Theatre and Politics

SEEDS Bojana Cvejić: In your solo 21 Pornographies, the last scene, in which you are relentlessly...

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Towards A Poetics Of Imagination

Posted by Bojana Cvejić | 16th Feb 2019 | Essay, Norway, Theatre and Dance

On Mette Edvardsen’s poetry and its penchant to imagine a clandestine side to things I’ll begin by...

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Recent Posts

A Successfully Funny Perspective On Life Aspirations In State Theatre Oldenburg’s Production Of “Bondy Beach” 15th April 2026
Chekhov’s “Uncle Vanja”, directed by Yana Ross at the Royal Theatre, Copenhagen 14th April 2026
Michael Frayn’s “Copenhagen” at the Hampstead Theatre: Excellent Revival Of Iconic Play About The Ethics Of The Atom Bomb 14th April 2026
From Richard To Richard: MITEM 2026 And a Europe in a State of Alarm 14th April 2026
Adaptations On The German Stage (3): Theater Bremen Is Keen On The Long Haul 10th April 2026
Big Fatuous Giant 10th April 2026
Dog-Gone 9th April 2026
GPS M S Biomechanics System Vs. Narcissism: “Shouting, Making Faces, And Being Crazy Is NOT Enough To Be A Clown” 8th April 2026
Christopher Hampton’s “Les Liaisons Dangereuses” at The National Theatre: Busy Highly Stylized Revival Is All Spectacle And No Emotion 8th April 2026
Memories Of And Acting In Old Age Are Central To “Ein Deutsches Leben” 8th April 2026

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