Cruelty, Guilt, And Redemption Intertwine In “The Mutt” At IATI Theater
With minimal décor and symbolism in every gesture, The Mutt — an adaptation of Dostoevsky’s The...
Read MorePosted by Victoria Zavyalova | 19th Sep 2025 | Adaptation, New York, Review, United States of America
With minimal décor and symbolism in every gesture, The Mutt — an adaptation of Dostoevsky’s The...
Read MorePosted by Cristina Modreanu | 30th Aug 2025 | New York, Review, Theatre and Politics, United States of America
In a world where the rule is to make huge efforts to attain an “effortless, relaxed” look, the new...
Read MorePosted by Margaret Rose | 13th Aug 2025 | Edinburgh 2025, Review, Scotland, United States of America
‘Dare to Discover’ is the leitmotiv of the 2025 Edinburgh Fringe running from 1st to 25th August....
Read MorePosted by Andrew Agress | 13th Aug 2025 | Musical Theatre, New York, United States of America
As a child of the 90s, I engaged in a popular post-school ritual growing up: plopping down in...
Read MorePosted by Mona Mirzaei | 30th Jul 2025 | Review, Theatre and Politics, United States of America, Worldwide
Blind Runner, the latest play by Amir Reza Koohestani, was performed from January 4 to 24, 2025,...
Read MorePosted by Lisa Monde | 22nd Jul 2025 | Interview, Musical Theatre, United States of America
Dedicated to the 145th anniversary of Gilbert and Sullivan’s comic opera “The Pirates of Penzance;...
Read MorePosted by Jonathan Kalb | 19th Jul 2025 | Review, Theatre and Gender, United States of America
Emmanuelle Mattana’s Trophy Boys is a cheeky debut play that’s a lot of fun to watch, even if it...
Read MorePosted by Margaret Rose | 16th Jul 2025 | Festivals, Italy, Review, Transmedia, United States of America
Celebrated American actor Willem Dafoe, the new artistic director of the Venice Theatre Biennale,...
Read MorePosted by Anne Hamilton | 10th Jul 2025 | Dramaturgy, Interview, Theatre and Opera, United States of America
Dramaturgy is all about being able to facilitate a line of communication between artists and audience.
Read MorePosted by Lisa Monde | 7th Jul 2025 | Interview, Musical Theatre, Transcultural Collaborations, United States of America
Dedicated to the 40th Anniversary of World Rock Day and the 71st Anniversary of World Rock and...
Read MorePosted by Alexander Fatouros | 6th Jul 2025 | Directing, Interview, Los Angeles, New York, News, Theatre and Film, United States of America
Step into the opulent 1880s New York evoked by The Gilded Age, Julian Fellowes’ Emmy-winning HBO...
Read MorePosted by Jonathan Kalb | 4th Jul 2025 | Review, Theatre and Politics, United States of America
Abby Rosebrock’s Lowcountry, a new play directed by Jo Bonney at the Atlantic Theater, begins with...
Read MorePosted by Jonathan Kalb | 10th Jun 2025 | Review, Theatre and Politics, United States of America
Angry Alan is an ickily pointed cautionary tale about an ordinary guy who falls into the rabbit...
Read MorePosted by Jonathan Kalb | 8th Jun 2025 | Review, Theatre and Age, United States of America
Jeffrey Hatcher’s new version of The Imaginary Invalid, directed by Jesse Berger, is a smart and...
Read MorePosted by Victoria Zavyalova | 7th May 2025 | Review, Theatre and Politics, United States of America
Benedict Andrews’ reinvention of Chekhov’s The Cherry Orchard at St. Ann’s Warehouse raises the...
Read MorePosted by Vassili Schedrin | 2nd May 2025 | Dramaturgy, Review, Russia, United States of America
Soviet nonconformist art was emerged in the 1950s when artists dared to transcend the official...
Read MorePosted by Walter Byongsok Chon | 22nd Apr 2025 | Interview, Musical Theatre, Theatre for Young Audiences, United States of America
This is a video interview with Michael Salvatore Commendatore, projection designer for Disney’s...
Read MorePosted by Morgan Skolnik | 20th Apr 2025 | LGBTQ+ Theatre, New York, Review
Space Lesbians! Portals! Psychic Sisters! Oh my! These are just some of the elements introduced in...
Read MorePosted by Jonathan Kalb | 12th Apr 2025 | Adaptation, New York, Review
Andrew Scott’s Vanya—a solo show in which he plays all the roles in Anton Chekhov’s classic...
Read MorePosted by Cristina Modreanu | 7th Apr 2025 | Review, Theatre and Gender, United States of America
Did you knit your scarf? A woman asked me while we were waiting in the line for the restroom. No!...
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From Richard To Richard: MITEM 2026 And a Europe in… by Emiliia Dementsova 14th April 2026
David Yazbek: The Master of Adapting Films into… by Lisa Monde 2nd April 2026 
Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026
Michael Frayn’s “Copenhagen” at the Hampstead… by Aleks Sierz 14th April 2026
Maxim Sukhanov – About The “Brew”… by Sergey Elkin 1st May 2026 
Chekhov’s “Uncle Vanja”, directed… by Duška Radosavljević 14th April 2026 
