“Aftermath:” An Interview with Piper Theatre’s Daniel McKamey, Pance Pony, James Clements, and Bailey Nassetta.
Presented by NYC’s Piper Theatre, Aftermath is a new pop musical-in-development written by Daniel...
Read MorePosted by Emily Cordes | 4th Jan 2024 | Interview, Musical Theatre, New York, Theatre and Politics, United States of America
Presented by NYC’s Piper Theatre, Aftermath is a new pop musical-in-development written by Daniel...
Read MorePosted by Lisa Monde | 2nd Jan 2024 | France, Interview, Theatre and Gender, United States of America
Dedicated to the 70th anniversary of the first publication and production of Jean Genet’s unique...
Read MorePosted by Jonathan Kalb | 20th Dec 2023 | Musical Theatre, Review, United States of America
Buena Vista Social Club—a wonderfully infectious and sexy collection of golden-age Cuban music...
Read MorePosted by Vassili Schedrin | 13th Dec 2023 | Featured, New York, Review, United States of America
Cruel war rages on without an end; another bloody war has just started. This is our world today....
Read MorePosted by Rhiannon Ling | 12th Dec 2023 | New York, Review, Theatre and Gender, Theatre and Politics, United States of America, Worldwide
“I do not know how to write,” Agnieszka Kazimierska’s Katie tells her audience. At this...
Read MorePosted by Lisa Monde | 7th Dec 2023 | Interview, Musical Theatre, New York, United States of America
Little Shop of Horrors is a famous rock musical by Alan Menken, with the book and lyrics written...
Read MorePosted by Anne Hamilton | 30th Nov 2023 | Interview, New York, Transmedia, United States of America
Within the past six years, prominent Romanian playwright Saviana Stănescu has written two “AI...
Read MorePosted by Trevor Boffone | 24th Nov 2023 | Transmedia, United States of America
“Is it me? Am I the drama?” I’m going to be completely honest with you. Sometimes I am the drama....
Read MorePosted by Rhiannon Ling | 20th Nov 2023 | New York, Review, Theatre and Decolonization, United States of America
I stopped taking notes about halfway through Brittany K. Allen’s Redwood. I can think of no better...
Read MorePosted by Rhiannon Ling | 14th Nov 2023 | Adaptation, New York, Review, United States of America, Worldwide
The Sheen Center is, I find myself thinking, the perfect place to host Locus29’s Hell Dialogues....
Read MorePosted by Lisa Monde | 9th Nov 2023 | Interview, Musical Theatre, United Kingdom, United States of America
The musical Wicked premiered on Broadway twenty years ago and quickly earned the title of the very...
Read MorePosted by Rhiannon Ling | 1st Nov 2023 | New York, Playwriting, Review, Theatre and Gender, United States of America
To begin as we proceed, with full transparency, I have to admit how big a fan I am of SheNYC Arts...
Read MorePosted by Rhiannon Ling | 22nd Oct 2023 | Adaptation, New York, Review, Theatre and Gender, United States of America, Worldwide
Anat Gov’s Best Friends lives in a world of dichotomy. The title is both entirely true and...
Read MorePosted by Jenna Lourenco | 21st Oct 2023 | Boston, Interview, Theatre and Disability, United States of America
When Christopher Boone from A Curious Incident of the Dog in the Night-Time was first introduced...
Read MorePosted by Rhiannon Ling | 18th Oct 2023 | Interview, New York, Theatre and Gender, Theatre and Politics, United States of America, Worldwide
Agnieszka Kazimierska has always been an artist. From the age of six, she told as much to her...
Read MorePosted by Trevor Boffone | 9th Oct 2023 | Dramaturgy, Transmedia, United States of America
How do you market theatre on social media? What strategies can a social media manager use to...
Read MorePosted by Heather Waters | 6th Oct 2023 | Boston, Interview, United States of America
This is the third of a series of articles to discuss the Dialogue of Civilizations theater...
Read MorePosted by Andrew Agress | 27th Sep 2023 | Immersive Theatre, Interview, New York, United States of America
A long-running immersive horror production returns to New York with ‘Nightmare Dollhouse,’ exploring a surprisingly popular fear.
Read MorePosted by Lisa Monde | 24th Sep 2023 | Musical Theatre, New York, Review, United States of America
Up to the present moment a debate has been going on – whether the demon-barber of Fleet Street had...
Read MorePosted by Jingyi Zhang | 21st Sep 2023 | News, Theatre and Opera, United States of America
Grammy winner Renée Fleming recently appeared in the two-part immersive opera series Cities That...
Read More