Stop the World, I Want to Get Off! In “Exit Strategies,” One Woman Leaves and Leaves Again
To perform an exit is not as simple as it sounds. In fact, exiting a situation can be almost...
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Sandra D'urso
“Anthem:” A portrait of Melbourne’s Working Class
What does it mean to be an “ordinary” Australian in anatomizing and globalized world economy?...
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In “Cloudstreet,” Nostalgia All Too Easily Redeems Australia’s Colonial Past
Set in a rambling and ageing house haunted by a colonial past, Cloudstreet is a theatrical...
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In Stephen Sewell’s Charming “Arbus and West,” Feminism Boils to the Surface
In the world premiere production of Arbus and West, Playwright Stephen Sewell appears to be...
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In “Trustees,” Belarus Free Theatre Mercilessly Demolishes Australia’s Cultural Debate
The Belarus Free Theatre, exiled from their home nation, has returned to Australia to collaborate...
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Denim And Revolution: Belarus Free Theatre’s “Generation Jeans” Resonates
Review: Generation Jeans in Melbourne. With two of their founding members in exile, it is little...
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“Melancholia” Artfully Brings The End Of The World To The Stage
Melancholia is based on Lars von Trier’s 2011 film of the same title but has been adapted for the...
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“The Curious Incident Of The Dog In The Night-Time” Trades Deadpan For High-octane
The National Theatre’s production of The Curious Incident Of The Dog In The Night-Time, currently...
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“Caravan” Delivers A Glimpse Of Women On The Edge With Sweet Comedy
Despite its forays into dark subject matter, Caravan, staged as part of the Melbourne Festival, is...
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Patricia Cornelius’ “Big Heart” Exposes Hypocrisy In Tale Of Multicultural Adoption
Playwright Patricia Cornelius is known for populating the stage with complex, working-class,...
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‘Who Knew the World Could be so Awful’: Alice Birch’s Apocalyptic Feminist Theatre
Alice Birch’s production, Revolt. She said. Revolt again., currently on at Melbourne’s Malthouse...
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