Julia Secklehner

author

Czech Centre London Presents: “Velvet Havel”

Posted by Julia Secklehner | 11th Oct 2019 | Czech Republic, London, Musical Theatre, Review

To commemorate the 30th anniversary of the 1989 Velvet revolution the Czech Centre brings to...

Read More

New Russian Drama Week: 4 contemporary Russian plays

Posted by Julia Secklehner | 7th Sep 2018 | News, Playwriting, Russia, Russian Theatre Abroad

New Russian Drama Week by Xameleon Theatre Plays from the Russian speaking world. Series of...

Read More

“Voices From Chernobyl”–Ténéré Arte’s Brilliant, Ghostly Retelling Of The World’s Worst Nuclear Disaster

Posted by Julia Secklehner | 3rd Dec 2017 | Adaptation, Belarus, Review

Svetlana Alexievich’s Voices From Chernobyl collected the testimonies of survivors from the...

Read More

Theatre Replika: “We Are The Rubbish From Eastern Europe”

Posted by Julia Secklehner | 18th Nov 2016 | Bulgaria, Review

“Close your eyes, we are traveling to Sofia now,” we’re told as we stand outside GRAD,...

Read More

“Eastern European For Dummies” By There There Theatre Company

Posted by Julia Secklehner | 22nd Mar 2016 | Review, Romania

The provocative title Eastern European For Dummies, an “interactive immigration piece”...

Read More

Like Us On Facebook

Facebook Pagelike Widget

Advertisement

Most Popular Posts

Refugees in Berlin (Excerpts From a Sort of Berlin Diary) by Dmitry Troyanovsky 11th November 2022
Imagine/: Artificial Intelligence Comes to Theatrical Design by Michael Schweikardt 17th September 2022
Theatre Audience Etiquette and Norms Have Always… by Kelsey Jacobson And Kelsey Blair 9th December 2021
“The Handke Project,” Kosovo Theatre Showcase by Verity Healey 13th November 2022
Registration Now Open: The International Mentorship… by The Theatre Times 16th November 2022
Women and War: a Staged Reading of Two New Plays… by The Theatre Times 2nd December 2022
Happy Birthday, Dracula! by Lisa Monde 14th November 2022
In “Shaka Zulu: The Gaping Wound”, the… by Tonderai Chiyindiko 28th December 2021
Interview with Kosovo Theatremaker and Human Rights… by Verity Healey 1st December 2022
“Husino’s Miner” at Dodona Theatre,… by Verity Healey 9th November 2022

Recent Posts

James Graham’s “Best of Enemies” at the Noël Coward Theatre 8th December 2022
Tamil Theatre’s New Voice: Chennai Audiences Cheer for Fresh Ideas and New Faces 7th December 2022
“A Drop of Midnight” 5th December 2022
“In a World Without Roe,” Hedgepig Ensemble Theatre Fosters Theatrical Parity 4th December 2022
Women and War: a Staged Reading of Two New Plays From Ukrainian Playwrights 2nd December 2022
Interview with Kosovo Theatremaker and Human Rights Activist Kushtrim Koliqi—“In Kosovo Men are Bulls**t, We are like Criminals…” 1st December 2022
Joe White’s “Blackout Songs” at Hampstead Theatre: Powerful Account of Mutual Dependency on Drink 30th November 2022
Coming Soon: The 1st International Symposium on Contemporary Asian Theatre, University of Göttingen (Hybrid) 28th November 2022
How I Reunited the Most Important Documents in English Theater History for the First Time in 200 Years 27th November 2022
4 Plays that Dramatize the Kidnapping of Children During Wars 23rd November 2022

SEARCH OUR ARCHIVES

Pin It on Pinterest