CORONATHEATRE: Polish Theatre in the Plague Year. Part II: Two Months Later
For the first part of this article go here. No coherent government program has been put in place...
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Polish Theatre Essays
CORONATHEATRE: Polish Theatre in the Plague Year. Part I: March and April 2020
For part II of this essay, click here. The coronavirus pandemic is laying bare the ills gnawing at...
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Evidence and/or Performance?
It all starts innocently enough. Two actors (Damian Sosnowski and Alan Al-Murtatha) and an actress...
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Translating Theatre/Trans-lating Theatre
David Malcolm has been one of the key organizers of the Between. Pomiędzy festival ever since it...
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Kosmopolis – The Between-Pomiędzy Festival of Literature and Theatre
Unusual times need unusual solutions. We certainly live in times that are challenging, but they...
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Kosmopolis Rebound: Sopot, 2020
Professor S.E. Gontarski is the honorary patron of Beckett Research Group in Gdańsk, created and...
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Feminisation, Democracy, Labour: Towards a Socialised Cultural Institution
The below essay is the programme document of a research project Porozumienie (Agreement) at the...
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Between Freedom and Manipulation: The Situation of Actors in “Factory 2
Since I will be recalling many other voices, I will start, somewhat pretentiously, with my own, in...
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“Unknown, I Live With You”: Oppression and Song
Opera is filled with tales of violence. Its whole history relies on great passions tragically...
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In Memoriam: Bogusław Schaeffer, Poland’s Renaissance Man
We are republishing this article from 2012 to remember Boguslaw Schaeffer who died today….He...
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Report from The 11th Divine Comedy International Theatre Festival, Kraków, Poland: Reflections of a Strange Strange World
The 11th iteration of the Boska Komedia (Divine Comedy, think Dante) International Theater...
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Words On The Street: The 36th Edition Of The International Street Theatre Festival In Jelenia Góra
One of the most vivid memories of my childhood is sitting on the ground in a parking lot of my...
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Body As Medium. Between Theory And Technology Of Theatre
Peggy Phelan in her famous text Ontology of Performance asserts that: “Performance cannot be...
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The Context of Contemporary Polish Theatre: Spotlight on Poland
Today, we are launching The Spotlight on Poland. Here’s the context….. Following the fall of the...
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The Spotlight on Poland: Diverse Voices and Perspectives on Contemporary Polish Theatre
Premiering Spotlight on Poland Polish theatre has always drawn rich inspiration from Poland’s...
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Ten Years Of The Divine Comedy Festival In Kraków
In December 2017, the Divine Comedy International Theatre Festival (Międzynarodowy Festiwal...
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The Jewish Theatre In Warsaw: Tradition With A Modern Attitude
The Jewish Theatre in Warsaw is one of only two public theatres in Europe that regularly stage...
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Towards The Polski Theatre In The Underground
Protests against the new manager During the decade 2006–2016 the Polski Theatre in Wrocław became...
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REGIONAL MANAGING EDITORS FOR POLAND
KASIA LECH
LAUREN DUBOWSKILATEST FROM POLAND
- CORONATHEATRE: Polish Theatre in the Plague Year. Part II: Two Months Later
- CORONATHEATRE: Polish Theatre in the Plague Year. Part I: March and April 2020
- Grzegorz Jarzyna On The Pandemic And Post-Pandemic Theatre
- The Other Is Denied a Voice: Maja Kleczewska’s “Hamlet/Гамлет”
- Between.Pomiędzy Festival: Literary Criticism Now
- Between.Pomiędzy: A Festival That Believes in Europe
- Evidence and/or Performance?
- Translating Theatre/Trans-lating Theatre
- Kosmopolis – The Between-Pomiędzy Festival of Literature and Theatre
- Kosmopolis Rebound: Sopot, 2020
- Polish Shakespeare Online: Maja Kleczewska’s “Macbeth”
- VR, Theatre and the Importance of Immersion
- “The Conditions are Never Ideal:” In Conversation with Melanie Lomoff
- La Vie Sanatorienne: Cezary Tomaszewski’s “My Stay Is Almost Done and I Don’t Belong to Anyone”
- “Gardzienice:” Wesele – Wyspiański – Malczewski – Konieczny. Tomasz Wiśniewski in a Conversation with Włodzimierz Staniewski
- Feminisation, Democracy, Labour: Towards a Socialised Cultural Institution
- Between Freedom and Manipulation: The Situation of Actors in “Factory 2
- Teatr Brama’s “Ghost Dance”
- The Puppets Are Changing: “The Weak Year” at The Academy of Theatre Arts in Wrocław
- Dressing Room with a Bathrobe and a Gas Mask. “Trump and the Field of Maize” at the Polski Theatre, Bydgoszcz
