The Social Theater of Ambulatory Care in Poland. Part 3.
For Part 1 and 2 go here. Revolution: A Response to a Systemic Crisis Those theaters of ambulatory...
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Polish Theatre Essays
The Social Theater of Ambulatory Care in Poland. Part 2.
For Part 1 go here. Responding to The Crisis of The Individual: Therapy or Conjuring “Let’s stay...
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The Social Theater of Ambulatory Care in Poland. Part 1
As the Węgajty Theater [1] was launching an appeal for Easter food donations for homeless people...
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Privileges of the Imagination
When, nearly three years ago, I wrote about the first Teatroteka (Didaskalia, No. 142), I looked...
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CORONATHEATRE: Polish Theatre in the Plague Year. Part II: Two Months Later
For the first part of this article go here. No coherent government program has been put in place...
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CORONATHEATRE: Polish Theatre in the Plague Year. Part I: March and April 2020
For part II of this essay, click here. The coronavirus pandemic is laying bare the ills gnawing at...
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Evidence and/or Performance?
It all starts innocently enough. Two actors (Damian Sosnowski and Alan Al-Murtatha) and an actress...
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Translating Theatre/Trans-lating Theatre
David Malcolm has been one of the key organizers of the Between. Pomiędzy festival ever since it...
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Kosmopolis – The Between-Pomiędzy Festival of Literature and Theatre
Unusual times need unusual solutions. We certainly live in times that are challenging, but they...
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Kosmopolis Rebound: Sopot, 2020
Professor S.E. Gontarski is the honorary patron of Beckett Research Group in Gdańsk, created and...
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Feminisation, Democracy, Labour: Towards a Socialised Cultural Institution
The below essay is the programme document of a research project Porozumienie (Agreement) at the...
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Between Freedom and Manipulation: The Situation of Actors in “Factory 2
Since I will be recalling many other voices, I will start, somewhat pretentiously, with my own, in...
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“Unknown, I Live With You”: Oppression and Song
Opera is filled with tales of violence. Its whole history relies on great passions tragically...
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In Memoriam: Bogusław Schaeffer, Poland’s Renaissance Man
We are republishing this article from 2012 to remember Boguslaw Schaeffer who died today….He...
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Report from The 11th Divine Comedy International Theatre Festival, Kraków, Poland: Reflections of a Strange Strange World
The 11th iteration of the Boska Komedia (Divine Comedy, think Dante) International Theater...
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Words On The Street: The 36th Edition Of The International Street Theatre Festival In Jelenia Góra
One of the most vivid memories of my childhood is sitting on the ground in a parking lot of my...
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Body As Medium. Between Theory And Technology Of Theatre
Peggy Phelan in her famous text Ontology of Performance asserts that: “Performance cannot be...
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The Context of Contemporary Polish Theatre: Spotlight on Poland
Today, we are launching The Spotlight on Poland. Here’s the context….. Following the fall of the...
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REGIONAL MANAGING EDITORS FOR POLAND
KASIA LECH
LAUREN DUBOWSKILATEST FROM POLAND
- What Will You Do This Summer? On An Interdisciplinary Summer Camp In Warsaw
- The Social Theater of Ambulatory Care in Poland. Part 3.
- The Social Theater of Ambulatory Care in Poland. Part 2.
- The Social Theater of Ambulatory Care in Poland. Part 1
- 5 Reasons Why Verse Is the Language for Theatre in 2020s
- Feedback Loop: “No One’s Gonna Believe Me Anyway” at the Gniezno Theatre
- Who Let the “Lady of Pestilence” In?
- Inside Virtual Rooms
- “The Dybbuk” Or a Play Possessing Audiences for a Century
- Polishness And Its Place in Europe: Polish National Theatre Streams “Kordian” By Juliusz Słowacki.
- A Big Small Story
- Privileges of the Imagination
- Notes from the Generation After 4 Showcase
- Translating Central and Eastern Europe’s Drama: Interview with Andrei Moskwin
- Dzigan and Shumacher: Before “Cabaret” and “Schindler’s List.” An Interview with Diego Rotman
- The Story Behind “LILIAN”: Interview with Kasia Głowicka
- “Generation After 4”: Connecting Above Borders With The Most Radical Stages Of Polish New Theatre
- “I Don’t Know What It Means To Be An Actor”: Mamadou Góo Bâ In Conversation With Monika Kwaśniewska
- Polish Shakespeare Online: Krzysztof Warlikowski’s “The Tempest”
- Season of Doom in Belarus
