Feedback Loop: “No One’s Gonna Believe Me Anyway” at the Gniezno Theatre
“No one’s gonna believe me anyway,” says Barbara repeatedly. She knows there is no point in...
Read Moreby Piotr Dobrowolski | Mar 8, 2021 | Poland, Review, Theatre and Gender | 0
“No one’s gonna believe me anyway,” says Barbara repeatedly. She knows there is no point in...
Read Moreby Monika Kwaśniewska | May 20, 2020 | Essay, Poland, Theatre and Gender | 0
It all starts innocently enough. Two actors (Damian Sosnowski and Alan Al-Murtatha) and an actress...
Read Moreby Agata Łuksza | Sep 18, 2019 | Poland, Review, Theatre and Gender, Theatre and Politics | 0
“I sniff like a dog sniffs the wondrous,” says Lunatic in Anna Świrszczyńska’s...
Read Moreby Rem Myers | Jan 12, 2019 | Divine Comedy Festival 2018, Festivals, Poland, Review, Theatre and Gender | 0
Pod presją [Under the Influence], directed by Maja Kleczewska. Presented at Teatr Ludowy, ICE...
Read Moreby Michael Evans | Aug 17, 2018 | Adaptation, Norway, Poland, Review, Theatre and Gender | 0
The plays of the great Norwegian playwright Henrik Ibsen are a natural staple of the repertoire at...
Read Moreby Lauren Dubowski | Feb 23, 2018 | Divine Comedy Festival 2017, Festivals, Poland, Theatre and Gender, Theatre and Politics | 0
To probe the practices of both protest and theatre-making, Teatr Polski of Bydgoszcz looked to...
Read Moreby Lauren Dubowski | Feb 2, 2017 | Directing, News, Poland, Theatre and Gender | 0
The French-Polish director Anna Smolar, born in 1980, was awarded the 2016 Polityka Passport in...
Read Moreby KaiChieh Tu | Dec 5, 2016 | Acting, Adaptation, Essay, Poland, Theatre and Gender | 0
Devising their works in a 13th-century refractory and former monastery in Wrocław’s Old Town, Song...
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