François Audet, Alexandre P. Bédard, and Caroline Coulombe

Recent Posts

• “Broken Melody” at MITEM: A Music That Finds Its Way Home 13th May 2026
• “Mothers: A Song for Wartime” by Marta Górnicka at Gothenburg City Theatre 13th May 2026
• In “The Aquarium” Nina Plavanjac Turns Family Memory Into a Transparent Cage 12th May 2026
• Pinocchio. What Is a Person? at MITEM: Who Gets to Be Seen as Fully Human? 8th May 2026
• At The Düsseldorfer Schauspielhaus, “Gott ‘By Ferdinand Von Schirach Presents Its Tough Ethical Dilemma For The Audience To Vote On 5th May 2026
• Guilt And Resilience, And “The Fear Of 13” 3rd May 2026
• Birmingham Royal Ballet’s “Don Quixote” Slowly Finds Its Sunshine 2nd May 2026
• “Managed Approach” – Two Contrasting Stories – Open Aire Theatre, Riverside Studios, London 1st May 2026
• Maxim Sukhanov – About The “Brew” Of A Performance, Krymov Rehearsals, “Dramatic Provocations” And The “Hope For The Good”. 1st May 2026
• Bound To Start Again, Again, Again… 27th April 2026