Christina Ham Talks The Blues And Black Women With Dominic-Madori Davis
Strange Fruit They were pronounced dead on the scene. Sunday morning, September 15th, 1968,...
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Interview
The Presence Of Others In A World Without Boundaries: An Interview With teamLab
teamLab, founded by Toshiyuki Inoko and several of his friends in 2001, is an art collective, an...
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We Complement One Another: Gabriela Carrizo, a Founding Member of Peeping Tom
An interview with Gabriela Carrizo, a founding member of Peeping Tom After ten years we had the...
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David Henry Hwang On Theatre, Trump, And Asian-American Identity
American writers don’t get much bigger than David Henry Hwang. The award-winning playwright’s...
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Where There Is Cowardice, Winking Returns: A Conversation with Hungarian Director Róbert Alföldi
Fear Eats the Soul (Átrium), The Crucible (Szombathely) and Richard III (Radnóti Színház) – these...
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Finding Something To Hold Onto: A Conversation About Art+Community
Playwright Chisa Hutchinson‘s Surely Goodness And Mercy follows 12-year-old Tino, an orphan...
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“KING” – An Interview With Shaun Parker
For Mardi Gras 2019, Shaun Parker & Company will present the world premiere of KING, an...
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On The Power Of Poetic Voice: A Conversation With The Multidisciplinary Artist Rafael Casal
The weekend of February 21-24 provided the audiences of the Paramount Center (Boston) with a...
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Russian Actor Aleksei Guskov: An Actor Without A Stereotype
Sergey Elkin interviews Russian actor of stage and screen Aleksei Guskov, who stars in Stage Russia HD’s filmed version of “Smile Upon Us, Lord” at Moscow’s Vakhtangov Theatre.
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Basma Hamed, A Remarkable Star Of Egypt’s Arts Management
A unique cultural player, Hamed’s work in the PR and marketing of the arts, helped launch,...
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Intersectional Fabulousity Of Work In Progress: Conversation With Ayesha Jordan And Justin Hicks
Ayesha Jordan and Justin Hicks have been collaborators for many years. Their work transcends...
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On Ibsen and Strindberg: A Conversation with Franco Perrelli
The recent publication of the volume On Ibsen and Strindberg: The Reversed Telescope (Newcastle...
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Decor Is Not Decor Anymore: Bruno Latour and Frédérique Aït-Touati on Theatre and The New Climate Regime
What do we humans have in common with wales, mushrooms, bacteria or the internet? We are all...
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Cultural Education: “We Do Not Dispense School Knowledge”
“Politik im Freien Theater” is a free theatre festival where youngsters address...
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Navigating Korea and America: Meet Hansol Jung, Playwright of “Wild Goose Dreams” and “Cardboard Piano”
Hansol Jung is a playwright and director from South Korea. Her plays include Wild Goose Dreams (La...
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Transforming Society Through Documentary Theatre: Peter Eckersall In Conversation With Lebanese Director Sahar Assaf
Peter Eckersall: How did you come into theatre and how did you start working around this idea of...
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Interview With Olivier Comte, Les Souffleurs
Les Souffleurs, a collective of more than 60 artists mostly based in France, are known for their...
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Post-Apocalyptic Ambiguity Of The Inner Light: A Conversation With The Creators Of “When Angels Fall”
ArtsEmerson is honored to host the New England premiere of When Angels Fall, a riveting tale of...
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Interview with Festival Director Sarah Purdue: Short + Sweet Sydney Launches 18th Season
The biggest little theatre festival in the world is all grown up! The popular staple of the Sydney...
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The Patriarchy Won’t Smash Itself: Interview with Kryssi Jeaux Miller, Founder of the Northern Colorado Jousting Troupe Knights of the Tempest
Kryssi Jeaux Miller is a young woman full of surprises. Kryssi wears many hats: she performs,...
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