Interview Archives - Page 2 of 28

FIRE THEATRE Mime Company: On a Quest for Fire Drama

Posted by Plamen Radev | 1st Sep 2021 | Between.Pomiędzy 2021, Bulgaria, Festivals, Interview, Poland

The Isle of Youth 2021 was a two-day (PhD) student conference held on 11-12 May 2021 as part of...

Interview with Ellen Pearlman about AIBO, an “Emotionally Intelligent” Artificial Intelligent Brainwave Opera. Part 2.

Posted by Allison Berkoy | 29th Aug 2021 | Estonia, Interview, Theatre and Opera, Theatre and Science

This is PART 2 of the interview. To read PART 1, click here. AB: What questions were you exploring...

Interview with Ellen Pearlman about AIBO, an “Emotionally Intelligent” Artificial Intelligent Brainwave Opera. Part 1.

Posted by Allison Berkoy | 24th Aug 2021 | Estonia, Interview, Theatre and Opera, Theatre and Science

Conducted 2/17/20 by Allison Berkoy, Assistant Professor City Tech, CUNY New York. This interview...

Cry Havoc Theater Company Lets Slip the Dogs of War

Posted by Rhiannon Ling | 19th Aug 2021 | Devised Theatre, Interview, Theatre and Politics, United States of America

In the midst of the vibrant Dallas theatre scene, there lies a company of prize-winning political...

Designing for Tuacahn Amphitheater (A Three Part Series): Part Three – An Interview With Lighting Designer Cory Pattak

Posted by Colden Lamb | 17th Aug 2021 | Design, Interview, United States of America

This is PART 3 of the series. To read PART 1 and PART 2, click the links. I complete my three-part...

Interview with Ayham Majid Agha: On Shifting From Interactive Theater at Home into Creating a New Performing Form in Exile

Posted by Najwa Kondakji | 11th Aug 2021 | Dramaturgy, Germany, Interview, Syria

Ayham Majid Agha is a Syrian actor, dramaturge, and director. After studying theater arts at...

Kalina Stefanova and Marvin Carlson in conversation on Directors from Eastern Europe. Part 3.

Posted by Tomasz Wiśniewski and Katarzyna Kręglewska | 9th Aug 2021 | Between.Pomiędzy 2021, Festivals, Interview, Poland

This is PART 3 of the interview. To read PART 1 and PART 2, click the links. Tomasz Wiśniewski:...

Kalina Stefanova and Marvin Carlson in Conversation on Directors from Eastern Europe. Part 2.

Posted by Tomasz Wiśniewski and Katarzyna Kręglewska | 8th Aug 2021 | Between.Pomiędzy 2021, Festivals, Interview, Poland

This is Part 2 of the interview. To read Part 1 and Part 3, click the links. Tomasz Wiśniewski:...

Kalina Stefanova and Marvin Carlson in Conversation on Directors from Eastern Europe. Part 1.

Posted by Tomasz Wiśniewski and Katarzyna Kręglewska | 7th Aug 2021 | Between.Pomiędzy 2021, Festivals, Interview, Poland

A zoom conversation conducted on 13th May 2021 as part of the Twelfth Between.Pomiędzy Festival....

Italian Choreographer Roberto Castello on Dance, Politics and Dance as Labour

Posted by Ariadne Mikou | 6th Aug 2021 | Interview, Italy, Theatre and Dance

During the second edition of the artist-led Mercurio Festival in Palermo, the Italian...

Africa’s Oldest Dance Festival Evolves to Overcome the Pandemic

Posted by Lliane Loots | 2nd Aug 2021 | Covid-19, Festivals, Interview, South Africa, Theatre and Dance

Now in its 23rd year, JOMBA! is a contemporary dance festival housed at the University of...

Designing for Tuacahn Amphitheater (A Three Part Series): Part Two – An Interview With Projection Designer Steven Royal

Posted by Colden Lamb | 1st Aug 2021 | Design, Interview, United States of America

For Part 1 see here. “I think that’s sort of the line I’m always hovering around; Does it feel...

Designing for Tuacahn Amphitheater (A Three Part Series): Part One – An Interview With Set Designer Adam Koch

Posted by Colden Lamb | 29th Jul 2021 | Design, Interview, United States of America

For Part 2 see here. Located in Southern Utah, the majestic Tuacahn Amphitheater has been the...

Ali Al-Zaidi: A Playwright Who Lives Through His Characters

Posted by Amir Al-Azraki | 28th Jun 2021 | Interview, Iraq, Playwriting

Based on a recent phone interview with Al-Zaidi, the most prominent Iraqi playwright. Ali Al-Zaidi...

From Daily to Beckett: Godot in Wuhan. Wang Chong and Peng Tao in Conversation with Tomasz Wiśniewski and Katarzyna Kręglewska. Part 2.

Posted by Tomasz Wiśniewski and Katarzyna Kręglewska | 26th Jun 2021 | Between.Pomiędzy 2021, China, Covid-19, Interview

This is PART 2 of the interview. To read PART 1, click here. Wiśniewski: When I watched your...

From Daily to Beckett: Godot in Wuhan. Wang Chong and Peng Tao in Conversation with Tomasz Wiśniewski and Katarzyna Kręglewska. Part 1.

Posted by Tomasz Wiśniewski and Katarzyna Kręglewska | 26th Jun 2021 | Between.Pomiędzy 2021, China, Covid-19, Interview

Godot in Wuhan was a special session at the Twelfth Between.Pomiędzy Festival conducted within the...

Artists’ Entry: Lia Rodrigues

Posted by Etcetera | 2nd Jun 2021 | Brazil, Interview, Theatre and Dance, Theatre and Politics

Every month, Etcetera gazes into the soul of a performer. Artistic interest instead of human...

Our Experiments: Democratizing The Creative Process

Posted by Christy Romer | 23rd May 2021 | Interview, Italy, Transmedia

In December 2020, Teatro Stabile di Torino worked with 63 theatre artists on seven radical,...

Experimenting with Virtual Theatre: An Interview with Igor Golyak

Posted by Victoria Isotti | 21st May 2021 | Adaptation, Boston, Interview, Transmedia, United States of America

Igor Golyak is the Artistic Director of Arlekin Players Theatre. Arlekin Players Theatre has...

XR | AR | VR: CultureHub on La MaMa’s Coffeehouse Aesthetic, Immersive Art, and Tech-Integrated Theatre

Posted by Alexander Fatouros | 20th May 2021 | Interview, New York, Theatre and Art, Transmedia, United States of America

Located in graffiti-laden downtown Manhattan where the East Village and NoHo meet at 47 Great...

Interview

FIRE THEATRE Mime Company: On a Quest for Fire Drama

Interview with Ellen Pearlman about AIBO, an “Emotionally Intelligent” Artificial Intelligent Brainwave Opera. Part 2.

Interview with Ellen Pearlman about AIBO, an “Emotionally Intelligent” Artificial Intelligent Brainwave Opera. Part 1.

Cry Havoc Theater Company Lets Slip the Dogs of War

Designing for Tuacahn Amphitheater (A Three Part Series): Part Three – An Interview With Lighting Designer Cory Pattak

Interview with Ayham Majid Agha: On Shifting From Interactive Theater at Home into Creating a New Performing Form in Exile

Kalina Stefanova and Marvin Carlson in conversation on Directors from Eastern Europe. Part 3.

Kalina Stefanova and Marvin Carlson in Conversation on Directors from Eastern Europe. Part 2.

Kalina Stefanova and Marvin Carlson in Conversation on Directors from Eastern Europe. Part 1.

Italian Choreographer Roberto Castello on Dance, Politics and Dance as Labour

Africa’s Oldest Dance Festival Evolves to Overcome the Pandemic

Designing for Tuacahn Amphitheater (A Three Part Series): Part Two – An Interview With Projection Designer Steven Royal

Designing for Tuacahn Amphitheater (A Three Part Series): Part One – An Interview With Set Designer Adam Koch

Ali Al-Zaidi: A Playwright Who Lives Through His Characters

From Daily to Beckett: Godot in Wuhan. Wang Chong and Peng Tao in Conversation with Tomasz Wiśniewski and Katarzyna Kręglewska. Part 2.

From Daily to Beckett: Godot in Wuhan. Wang Chong and Peng Tao in Conversation with Tomasz Wiśniewski and Katarzyna Kręglewska. Part 1.

Our Experiments: Democratizing The Creative Process

Experimenting with Virtual Theatre: An Interview with Igor Golyak

XR | AR | VR: CultureHub on La MaMa’s Coffeehouse Aesthetic, Immersive Art, and Tech-Integrated Theatre

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