Perspectives on the Internationalization of Theatre: An Interview with Thomas Irmer
Thomas Irmer is a scholar, dramaturg, and critic regularly contributing to Theater der Zeit,...
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Interview
Interview: Disabled Artists Reinterpreting the Wellcome Collection
From ancient tattooed skin to dental mouth gags, Unlimited’s latest collaboration with the...
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The Art and Skills of Theater Festival Selections: An Interview with Slobodan Savic
Slobodan Savić (born in Požarevac in 1964) is an author, theatre critic, writer, and journalist....
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Interview with Charlotte Boimare & Magali Solignat
Conversation with the two authors Charlotte Boimare and Magali Solignat, co-writers of the...
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For Youth, Theatre is Action
Over the past two years, I have had the privilege of inviting a group of teenagers in Canada, ages...
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Every Character is a Responsibility: Kumud Mishra
The actor, who plays his first lead role as a circus artist in the recent film Ram Singh Charlie,...
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Creative Freedom and the Craft of Acting: Interview with Scott Fielding, Founder of Michael Chekhov Actor Studio in Boston.
Michael Chekhov Actor Studio Boston, or MCASB, has been one of the leading New England acting...
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Adapting Gianni Rodari in Improv Theatre: an Interview with Luca Rizzuti on “Grammatica Della Fantasia”
Gianni Rodari is a cult writer and, probably, one of the most influential in the Italian...
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The Annoyance’s “Splatter Theater:” Sharing a Chicago Halloween Tradition with an Online Audience
While theaters around the United States typically produce The Rocky Horror Picture Show around...
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“It’s OK to be Naked”: An Interview with Tim Norwood
Tim Norwood describes himself as an emerging theatre-maker from Sheffield. He’s queer, disabled,...
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Raw, Revolutionary, and Painfully Honest: “Insulted. Belarus(sia)”
The new play Insulted. Belarus(sia) was written in September 2020 by Andrei Kureichik, a prominent...
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“Twelve Angry Men”; 1950’s Courtroom Drama about Confronting Prejudice Still Rings True
Back in January, when English director Lindsay Posner visited Tokyo for preparatory meetings to...
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Will Theatre Go Back to the Open?
As Agnipankh is televised, Mita Vashisht reflects on the shifts in theatre due to the pandemic....
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Interview with French Theater Director Paul Desveaux
Paul Desveaux is the director of Compagnie L’Héliotrope. In the United States, he recently...
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The Intercultural Journey of An Iranian Performing Artist
Niayesh Nahavandian is a young, Iranian female performing artist that has lived and worked in...
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Toyooka Theater Festival Brings French Flair to Japan’s Theater Scene
Performing arts festivals and opportunities to enjoy live entertainment have been few and far...
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The Best of All Possible Costumes: An Interview with Costume Designer Judith Dolan
In March 2020, Colden Lamb had the opportunity to sit down with award-winning costume designer...
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Translating Central and Eastern Europe’s Drama: Interview with Andrei Moskwin
In the post-Soviet area, the play’s path to the stage has always been a thorny one, so the drama...
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Dzigan and Shumacher: Before “Cabaret” and “Schindler’s List.” An Interview with Diego Rotman
My family is not Jewish and therefore I never celebrated Jewish holidays at home. However, I have...
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Self-Organizing Systems, Stickiness and Mental Resistance… An Interview with Mette Ingvartsen on Moving in Concert (2019)
SEEDS Bojana Cvejić: In your solo 21 Pornographies, the last scene, in which you are relentlessly...
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