Interview Archives - Page 3 of 36

The Plasticity of Perception: “Babies on the Street: The Show” Brings Internet Drama to The Brick

Posted by Andrew Agress | 23rd Jun 2024 | Interview, New York, United States of America

Hillary Gao and Matthew Antoci adapt an internet tirade and examine perception and forgiveness with Babies on the Street, playing at The Brick in July.

Liu Xiaoyi’s Creative Revolution

Posted by Molly Grogan Zolima CityMag | 19th Jun 2024 | Directing, Hong Kong, Interview, Singapore

Liu Xiaoyi is a man on a mission. His juice is an imagined world where artists are in the driver’s...

Theatre as Confrontation: Catherine Filloux’s “How to Eat an Orange” at La MaMa

Posted by Rhiannon Ling | 4th Jun 2024 | Algeria, France, Interview, Theatre and Politics

Catherine Filloux is an internationally recognized French-Algerian playwright. Her work revolves...

How A New Play Reimagines Rural Hunan For The Modern Stage

Posted by Fan Yiying | 27th May 2024 | China, Interview, Israel

In the new stage adaptation of the iconic 1934 novel The Border Town, Israeli director Ruth Kanner...

“Miss Saigon”: Déjà vu. An exclusive interview with Claude-Michel Schönberg

Posted by Lisa Monde | 21st May 2024 | France, Interview, Musical Theatre

Dedicated to the 35th anniversary of the musical Miss Saigon, an exclusive interview with the...

Refugee Voices Take Centre Stage At UK Theatre Company

Posted by Ahram Online | 7th May 2024 | Interview, Theatre and Politics, United Kingdom

In a darkly lit arts studio in London, five young actors highlight their scripts and go over...

Marfa’s Mysterious Lights Come to Hong Kong

Posted by Zolima Citymag | 10th Apr 2024 | Hong Kong, Interview, Transmedia

AUTHOR: Christie Lee Wong Kit-yi has always been fascinated with myths. Her previous works have...

Towards New Theatre in Europe: What Roles Can Multilingual Dramaturgies Play in Europe’s Future(s)?

Posted by Kasia Lech | 8th Apr 2024 | Dramaturgy, Interview, Theatre and Politics

Europa jest wielojęzyczna. Europe – as a geopolitical concept, its residents, communities, and...

Between The REMBELIO OF POPOLARI (“Omilies”, Carnevals, Anonymous Poets) And No Stable Funding

Posted by Ivanka Apostolova Baskar | 4th Apr 2024 | Greece, Interview, Management

An Interview with Kostas Kapodistrias – Theatre actor and director, theatre manager/founder of...

Stage to Screen: Támara Torres on “Orange Is The New Black,” Netflix Shaping Streaming

Posted by Alexander Fatouros | 21st Mar 2024 | Acting, Interview, New York, Theatre and Film, United States of America

American actress of beauty and talent, Támara Torres is a legend of Orange is the New Black, the...

Musical “Evita”: 45 Years Later

Posted by Lisa Monde | 22nd Feb 2024 | Interview, Musical Theatre, New York, United States of America

Tim Rice became interested in the biography of Eva Perón – the wife of the famous dictator Juan...

Interview with Brilliant Les Dramaturx (Germany): Playfully, In the Sense of Autonomous Art, or Politically, In the Sense of Artivism.

Posted by Ivanka Apostolova Baskar | 26th Jan 2024 | Germany, Interview, Theatre and Art, Theatre and Gender

Christian Tschirner aka Soeren Voima (he/him – author, theater maker, Schauspielhaus...

Marilyn Monroe – The Family Babysitter: Luke Yankee and the Creation of “Marilyn, Mom & Me”

Posted by Colden Lamb | 16th Jan 2024 | Interview, Los Angeles, Playwriting, United States of America

This February, International City Theatre will present the world premiere of a new play, Marilyn,...

“Aftermath:” An Interview with Piper Theatre’s Daniel McKamey, Pance Pony, James Clements, and Bailey Nassetta.

Posted by Emily Cordes | 4th Jan 2024 | Interview, Musical Theatre, New York, Theatre and Politics, United States of America

Presented by NYC’s Piper Theatre, Aftermath is a new pop musical-in-development written by Daniel...

“The Maids” by Genet: The Logic of the Paradox

Posted by Lisa Monde | 2nd Jan 2024 | France, Interview, Theatre and Gender, United States of America

Dedicated to the 70th anniversary of the first publication and production of Jean Genet’s unique...

Great Acting: Training Your Mind and Body to be Perceptive – Learning About Yourself and Your Surroundings. An Interview with Zdravko Stojmirov

Posted by Ivanka Apostolova Baskar | 21st Dec 2023 | Acting, Interview, Macedonia

Zdravko Stojmirov worked on many theater projects, TV series and short films. He participated in...

History Experienced In VR

Posted by Zip Scene Magazine | 9th Dec 2023 | Bosnia, Immersive Theatre, Interview

Interview with Selma Rizvic, the founder of the Sarajevo Group Laboratory and the digital cultural...

“Feed Me, Seymour!” An Exclusive Interview with Corbin Bleu from “Little Shop of Horrors”

Posted by Lisa Monde | 7th Dec 2023 | Interview, Musical Theatre, New York, United States of America

Little Shop of Horrors is a famous rock musical by Alan Menken, with the book and lyrics written...

AI, Sci-Fi, Neuroscience and ChatGPT – An Interview with Playwright Saviana Stănescu

Posted by Anne Hamilton | 30th Nov 2023 | Interview, New York, Transmedia, United States of America

Within the past six years, prominent Romanian playwright Saviana Stănescu has written two “AI...

Akarsh Khurana’s Play “The F Word” Is A Darkly Comic And Relatable Dive Into Family Complexities

Posted by Praveen Sudevan | 30th Nov 2023 | India, Interview, Playwriting

The F Word, according to Akarsh, is a deeply personal conversation about parents, children,...

Interview

The Plasticity of Perception: “Babies on the Street: The Show” Brings Internet Drama to The Brick

Liu Xiaoyi’s Creative Revolution

Theatre as Confrontation: Catherine Filloux’s “How to Eat an Orange” at La MaMa

How A New Play Reimagines Rural Hunan For The Modern Stage

“Miss Saigon”: Déjà vu. An exclusive interview with Claude-Michel Schönberg

Refugee Voices Take Centre Stage At UK Theatre Company

Marfa’s Mysterious Lights Come to Hong Kong

Towards New Theatre in Europe: What Roles Can Multilingual Dramaturgies Play in Europe’s Future(s)?

Between The REMBELIO OF POPOLARI (“Omilies”, Carnevals, Anonymous Poets) And No Stable Funding

Stage to Screen: Támara Torres on “Orange Is The New Black,” Netflix Shaping Streaming

Musical “Evita”: 45 Years Later

Interview with Brilliant Les Dramaturx (Germany): Playfully, In the Sense of Autonomous Art, or Politically, In the Sense of Artivism.

Marilyn Monroe – The Family Babysitter: Luke Yankee and the Creation of “Marilyn, Mom & Me”

“Aftermath:” An Interview with Piper Theatre’s Daniel McKamey, Pance Pony, James Clements, and Bailey Nassetta.

“The Maids” by Genet: The Logic of the Paradox

Great Acting: Training Your Mind and Body to be Perceptive – Learning About Yourself and Your Surroundings. An Interview with Zdravko Stojmirov

History Experienced In VR

“Feed Me, Seymour!” An Exclusive Interview with Corbin Bleu from “Little Shop of Horrors”

AI, Sci-Fi, Neuroscience and ChatGPT – An Interview with Playwright Saviana Stănescu

Akarsh Khurana’s Play “The F Word” Is A Darkly Comic And Relatable Dive Into Family Complexities

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