Interview Archives - Page 3 of 30

Towards Fairer Contractual Practices for Freelance Dramaturgs: A Conversation Facilitated by Catriona Craig

Posted by Catriona Craig, David Harris, Ken Cerniglia, Jarkko Lehmus and Katalin Trencsényi | 16th Oct 2021 | Dramaturgy, Interview, United Kingdom

On 21 June 2021, the Dramaturgs Network (a volunteer arts organization by and for dramaturgs...

Lance Weiler on the Future of Storytelling and the Film “The Last Broadcast”

Posted by Alexander Fatouros | 8th Oct 2021 | Interview, New York, Theatre and Film, Transmedia, United States of America

A connoisseur of new art forms and emergent technology, Lance Weiler is a highly sought-after...

Campania Teatro Festival 21: A Conversation with Ruggero Cappuccio at the Real Bosco di Capodimonte

Posted by Maria Pia Pagani | 2nd Oct 2021 | Festivals, Interview, Italy

The Real Bosco di Capodimonte is more than a public park in Naples: it is a Paradise, not far from...

Family Drama Hits Close to Home for Keito Okamoto

Posted by Nobuko Tanaka | 28th Sep 2021 | Interview, Japan, Translation

When Keito Okamoto was offered the title role in French dramatist Florian Zeller’s latest work,...

If You See a Dragon Coming, You Pull a Sword: Interview with Robert Wilson

Posted by Panni Néder | 26th Sep 2021 | Festivals, Hungary, Interview, Theatre and Politics

He supports the Freeszfe Association and condemns the curtailment of artistic freedom. We asked...

Yuri Ng Has Big Plans for Contemporary Dance in Hong Kong

Posted by Simon Cartledge | 12th Sep 2021 | Hong Kong, Interview, Theatre and Dance

It’s hard to think of a more awkward time for Yuri Ng to have become the City Contemporary Dance...

FIRE THEATRE Mime Company: On a Quest for Fire Drama

Posted by Plamen Radev | 1st Sep 2021 | Between.Pomiędzy 2021, Bulgaria, Festivals, Interview, Poland

The Isle of Youth 2021 was a two-day (PhD) student conference held on 11-12 May 2021 as part of...

Interview with Ellen Pearlman about AIBO, an “Emotionally Intelligent” Artificial Intelligent Brainwave Opera. Part 2.

Posted by Allison Berkoy | 29th Aug 2021 | Estonia, Interview, Theatre and Opera, Theatre and Science

This is PART 2 of the interview. To read PART 1, click here. AB: What questions were you exploring...

Interview with Ellen Pearlman about AIBO, an “Emotionally Intelligent” Artificial Intelligent Brainwave Opera. Part 1.

Posted by Allison Berkoy | 24th Aug 2021 | Estonia, Interview, Theatre and Opera, Theatre and Science

Conducted 2/17/20 by Allison Berkoy, Assistant Professor City Tech, CUNY New York. This interview...

Cry Havoc Theater Company Lets Slip the Dogs of War

Posted by Rhiannon Ling | 19th Aug 2021 | Devised Theatre, Interview, Theatre and Politics, United States of America

In the midst of the vibrant Dallas theatre scene, there lies a company of prize-winning political...

Designing for Tuacahn Amphitheater (A Three Part Series): Part Three – An Interview With Lighting Designer Cory Pattak

Posted by Colden Lamb | 17th Aug 2021 | Design, Interview, United States of America

This is PART 3 of the series. To read PART 1 and PART 2, click the links. I complete my three-part...

Interview with Ayham Majid Agha: On Shifting From Interactive Theater at Home into Creating a New Performing Form in Exile

Posted by Najwa Kondakji | 11th Aug 2021 | Dramaturgy, Germany, Interview, Syria

Ayham Majid Agha is a Syrian actor, dramaturge, and director. After studying theater arts at...

Kalina Stefanova and Marvin Carlson in conversation on Directors from Eastern Europe. Part 3.

Posted by Tomasz Wiśniewski and Katarzyna Kręglewska | 9th Aug 2021 | Between.Pomiędzy 2021, Festivals, Interview, Poland

This is PART 3 of the interview. To read PART 1 and PART 2, click the links. Tomasz Wiśniewski:...

Kalina Stefanova and Marvin Carlson in Conversation on Directors from Eastern Europe. Part 2.

Posted by Tomasz Wiśniewski and Katarzyna Kręglewska | 8th Aug 2021 | Between.Pomiędzy 2021, Festivals, Interview, Poland

This is Part 2 of the interview. To read Part 1 and Part 3, click the links. Tomasz Wiśniewski:...

Kalina Stefanova and Marvin Carlson in Conversation on Directors from Eastern Europe. Part 1.

Posted by Tomasz Wiśniewski and Katarzyna Kręglewska | 7th Aug 2021 | Between.Pomiędzy 2021, Festivals, Interview, Poland

A zoom conversation conducted on 13th May 2021 as part of the Twelfth Between.Pomiędzy Festival....

Italian Choreographer Roberto Castello on Dance, Politics and Dance as Labour

Posted by Ariadne Mikou | 6th Aug 2021 | Interview, Italy, Theatre and Dance

During the second edition of the artist-led Mercurio Festival in Palermo, the Italian...

Africa’s Oldest Dance Festival Evolves to Overcome the Pandemic

Posted by Lliane Loots | 2nd Aug 2021 | Covid-19, Festivals, Interview, South Africa, Theatre and Dance

Now in its 23rd year, JOMBA! is a contemporary dance festival housed at the University of...

Designing for Tuacahn Amphitheater (A Three Part Series): Part Two – An Interview With Projection Designer Steven Royal

Posted by Colden Lamb | 1st Aug 2021 | Design, Interview, United States of America

For Part 1 see here. “I think that’s sort of the line I’m always hovering around; Does it feel...

Designing for Tuacahn Amphitheater (A Three Part Series): Part One – An Interview With Set Designer Adam Koch

Posted by Colden Lamb | 29th Jul 2021 | Design, Interview, United States of America

For Part 2 see here. Located in Southern Utah, the majestic Tuacahn Amphitheater has been the...

Ali Al-Zaidi: A Playwright Who Lives Through His Characters

Posted by Amir Al-Azraki | 28th Jun 2021 | Interview, Iraq, Playwriting

Based on a recent phone interview with Al-Zaidi, the most prominent Iraqi playwright. Ali Al-Zaidi...

Interview

Towards Fairer Contractual Practices for Freelance Dramaturgs: A Conversation Facilitated by Catriona Craig

Lance Weiler on the Future of Storytelling and the Film “The Last Broadcast”

Campania Teatro Festival 21: A Conversation with Ruggero Cappuccio at the Real Bosco di Capodimonte

Family Drama Hits Close to Home for Keito Okamoto

If You See a Dragon Coming, You Pull a Sword: Interview with Robert Wilson

Yuri Ng Has Big Plans for Contemporary Dance in Hong Kong

FIRE THEATRE Mime Company: On a Quest for Fire Drama

Interview with Ellen Pearlman about AIBO, an “Emotionally Intelligent” Artificial Intelligent Brainwave Opera. Part 2.

Interview with Ellen Pearlman about AIBO, an “Emotionally Intelligent” Artificial Intelligent Brainwave Opera. Part 1.

Cry Havoc Theater Company Lets Slip the Dogs of War

Designing for Tuacahn Amphitheater (A Three Part Series): Part Three – An Interview With Lighting Designer Cory Pattak

Interview with Ayham Majid Agha: On Shifting From Interactive Theater at Home into Creating a New Performing Form in Exile

Kalina Stefanova and Marvin Carlson in conversation on Directors from Eastern Europe. Part 3.

Kalina Stefanova and Marvin Carlson in Conversation on Directors from Eastern Europe. Part 2.

Kalina Stefanova and Marvin Carlson in Conversation on Directors from Eastern Europe. Part 1.

Italian Choreographer Roberto Castello on Dance, Politics and Dance as Labour

Africa’s Oldest Dance Festival Evolves to Overcome the Pandemic

Designing for Tuacahn Amphitheater (A Three Part Series): Part Two – An Interview With Projection Designer Steven Royal

Designing for Tuacahn Amphitheater (A Three Part Series): Part One – An Interview With Set Designer Adam Koch

Ali Al-Zaidi: A Playwright Who Lives Through His Characters

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