The Show Must Go On: How Cirque de Soleil Survived China’s Lockdown
Zhejiang, East China — Even by circus standards, the past 12 months have been a wild ride for...
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Interview
Embodying Inclusion Through Vulnerability Of Dance And Multimedia Performance: Heidi Latsky Dance Company
Heidi Latsky is a dancer and a choreographer who puts her vision of an inclusive integrated world...
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International Theater Project By Turkish Actors To Raise Awareness On Diversity, Value Of Life
Sometimes a small event, a work of art or a life story can inspire us, unexpectedly change our...
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“The Atlantis Project:” Creator Chris Harris on the Intersection of Culture and Climate Change in His New Audio Series for Young Audiences
It’s no secret that climate change is a universal topic, a subject that has only just begun to...
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Eva Mullaley On The Pandemic And Post-Pandemic Theatre
The Yirra Yaakin Theatre Company is the Australia’s biggest Aboriginal-led theatre company. Yirra...
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Theatre in a COVID-19 World: The Rise of New Formats
As live play performances and readings crowd virtual platforms, theatre is going through a...
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John Rwoth-Omack Bears The Torch Of African Theatre In The Diaspora
John Rwoth-Omack is a Ugandan-born theatre artist, bred and based in the UK. A lover of African...
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What Immigrant Theatre Can Teach Us About Perseverance and Adaptation During Challenging Times: State vs Natasha Banina at the Arlekin Players Theatre, Zoom Edition
Creating live theatre performance during the COVID-19 pandemic is tremendously complicated. At...
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Star Cycles: Composer/Performer Karl Saint Lucy and Their Production, “Different Stars: A Reckoning with Time, Trauma, and Circumstance”
On August 15, 2020 composer and performer Karl Saint Lucy, director Raquel Cion, and ChamberQueer...
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An Interview with Tim Minchin, Writer and Star of the New Australian Television Series: “Upright”
Upright, a new Australian television drama, co-written by and starring the multitalented Tim...
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To Be (Online) Or Not To Be (Online), That Is The Question For Japan’s Theaters
This past week, health officials called for more than 800 theatergoers to be tested for COVID-19...
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Listening in Detail – Alma Söderberg
Theatres remain closed, so instead of publishing reviews of new pieces, Etcetera asked artists to...
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A Global, Colorful Community: An Interview with Éva Fodor About the Relationship of CEU and the End of Socialism
The idea of creating the Central European University was conceived in 1989, and its foundation...
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“Koothu” Comes Home: How Group Of Shadow Puppeteers In Salem Streamed A Play Live On Facebook
There was a new energy about Mu Harikrishnan’s terrace. In the village of Yervadi near Salem that...
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Mother and the Other and a Dialogue Among Civilizations
M(O)ther is an international online collaboration to be shown August 9, 2020: 2pm EST, 8pm South...
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Interview with Playwright Espi Tomičić. Part II: ‘Boy From the Neighborhood’
We continue our conversation with Espi Tomičić, a Croatian playwright and “boy from the...
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Interview with Playwright Espi Tomičić. Part I: Earning an Identity
Espi Tomičić is a new playwright on the Croatian theatre scene but already garnered attention for...
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An Interview with Grzegorz Bral Director of Anty-Gone Triptych Part II
Anty-gone Triptych Part II is a melange of movement, song, poetry, and emotion. Giving the viewer...
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The Tragedy of Social Distancing in Physical Theatre
As the name implies, physical theatre is more like a contact sport. Actors have to constantly...
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Nils Haarmann On The Pandemic And Post-Pandemic Theatre
Nils Haarmann – dramaturg at the Schaubühne – responds to Grzegorz Jarzyna. The discussion focuses...
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