Korean Theatre at The Edinburgh Fringe 2018: “About Lady White Fox with Nine Tales . . .”
Korean theatre company YVUA ARTS makes their Edinburgh Festival Fringe debut with About Lady White...
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Interview
The Man Who Played With Fire
Cai Guoqiang is known for his explosive works, but the Chinese artist is now going back to his...
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Kyoto As A Stage For World Theatre – An Interview With Kyoto Experiment Program Director Yusuke Hashimoto
Kyoto Experiment is one of Japan’s major international theatre festivals, along with...
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Good Theatre Surpasses Language: An Interview with Mari-Liis Lill, Estonian Actress
Interviewers: Liisi Aibel, Heidi Aadma In our small country, the Estonian and Russian theatre...
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A Century Of Queer Performance With Serena Grasso
The Oberon Book Of Queer Monologues, just released, is an astonishing new collection which...
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Bernstein In Flight And T.S. Eliot In Motion At Bard Summerscape 2018: An Interview With Gideon Lester
Gideon Lester is Artistic Director for Theater and Dance at the Richard B. Fisher Center for the...
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Longread. Katie Mitchell On Chekhov, Stanislavsky, And Characters Of Flesh And Blood
Katie, or rather, Katrina Jane Mitchell, is a leading British theatre director whose creative...
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Curating LookOUT, The First Chinese Arts Festival On Gender: An Interview With Fabrizio Massini
The LookOUT Arts Festival, presented by Ibsen International, takes place in Beijing from July...
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Preview: OperaHub’s “DIVAS;” Calling Out The Opera Industry In A Love Letter To The Opera Art Form
This week, OperaHub’s original DIVAS, a “World Premier play with opera music” opens June 21st and...
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Interview With Thierry Thieû Niang on Theatre for Children
On June 16 and 17, Invisible Dog Art Center in Brooklyn will present To The Heart, a performance...
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Afro-Latinx Theatre, Front And Center: An Interview With Guadalís Del Carmen
Born and raised in Chicago by Dominican parents, Guadalís Del Carmen is a playwright, actress, and...
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Elizabeth Strout: “Nobody Was Even Remotely Interested In My Writing”
The story of Elizabeth Strout is one of creative faith and persistence. Growing up in Maine, “a...
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They Left Off Getting Carried Away: An Interview With Cássio Diniz Santiago And Till Wyler Von Ballmoos
Each day at 6 pm, performers Till Wyler von Ballmoos and Cássio Diniz Santiago opened the doors to...
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ATIA Guest Blog: Translating For Theatre As Performative Translation: Interview With Dr. Stefano Muneroni
Translating a play for the stage may often be considered a form of literary translation, but it is...
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The Dramaturg Has To Be Seen And Heard: Carmen Kovacs And Jeffrey Döring
Does good dramaturgy, as it was stated by Friedrich Schirmer, really need to be invisible? Jeffrey...
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“The Girl On The Train” Onstage: “We Wanted It To Have The Pace Of A Train Out Of Control”
So what attracted you to the multimillion-selling novel The Girl On The Train? That could be my...
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A Day In The Life Of The Royal Shakespeare Company’s Head Of Props–Featuring Swords, Fake Blood, And Stage Secrets
“It’s a little bit like Forrest Gump’s box of chocolates: you never know what you’re going to...
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When Playwriting Becomes Activism: An Interview With Nelson Diaz-Marcano
New York City-based Puerto Rican playwright Nelson Diaz-Marcano first came to the world of...
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Playwright Puts Gay Divorce In The Spotlight: Conversation with Ken Urban
Boston-based playwright Ken Urban has written the first major play about gay divorce, using the...
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Elizaveta Boyarskaya: Acting And Directing Is More Than A Job—It Is A Mission
Following the premiere of Vassily Grossman’s Life And Fate at the Theatre Royal Haymarket on May...
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