“Notre Dame de Paris”: Frollo’s Inner Struggle. An Exclusive Interview with Daniel Lavoie
It has become a beautiful annual tradition: welcoming the musical Notre Dame de Paris at New York...
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Interview
“All About Making Things”: An Exclusive Interview with Matthew C. Yee (Part II)
For Part I of the interview, click here. Susanna: The play deals with the Asian American topic,...
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“All About Making Things”: An Exclusive Interview with Matthew C. Yee (Part I)
A personal interview with the visionary and multi-talented Matthew C. Yee reveals exclusive...
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The Art Of Small Steps
Dedicated to the 80th anniversary of the very first publication of Antoine de Saint-Exupéry’s...
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Digital Theatre Across Europe: Interview With Dr Katie Hawthorne
European Theatre Convention published a new study, Digital Theatre – Strategies and Business...
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A Hindu Epic Takes the Stage in Hong Kong
If Hong Kong was the setting for a hero’s journey — the storytelling arc of trials and temptations...
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An Interview with Alexey Strelnicov, Belarusan Director
Alexey Strelnicov was a Belarusian theatre critic, director, actor, and tutor. He is considered to...
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Play on Poet Sylvia Plath Trains the Spotlight on Clinical Depression
Sylvia, a play scripted and directed by Athira Nikathil, is an intimate portrayal of the life of...
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Drag Queens in Musical Theatre
Dedicated to the 40th anniversary of the first publication of the play by Jean Poiret La Cage Aux...
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A Question of Diversity: In Conversation with Paulien Geerlings
Paulien Geerlings is the head dramaturg at Amsterdam’s The Toneelmakerij, a theatre company...
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The House Where Phantom Lived. Part II – Her Majesty’s Theatre, London.
Аn Exclusive Interview with James Paterson who was part of the original cast of the legendary...
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“TRACES:” An Interview With Co-Creators James Clements and Sam Hood Adrain of What Will the Neighbors Say?
TRACES is a new devised documentary theater piece presented by the investigative theatre group...
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Interview: The “Best Time to Be Alive” and The Reclamation of Identity
On March 17, 2023, New York City’s Bedlam hosted the first industry reading of Best Time to Be...
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Broadway Bodies: An Interview with Ryan Donovan
Productions of Broadway musicals have body issues. Full stop. From casting norms for Broadway...
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Art and Tech Imaginings of Kat Mustatea
Creating art that reflects our time, Kat Mustatea is a playwright and technologist whose...
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Speaking from Outside: Interview with Olga Voronkova
Olga Voronkova is a London-based, Belarusian video editor, scriptwriter, copywriter, and producer...
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Breaking Down Barriers through Cultural Policies: A Conversation with Artistic Director and Producer Jesús Cimarro
Jesús Cimarro is the current President of the Spanish Academy of Performing Arts (Academia de las...
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Sitting Down with Emerging Artist Thalia Ranjbar
The work of Thalia Ranjbar may be challenging– pushing beyond norms and expectations, but at its...
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The House Where Phantom Lived—Part I: The Majestic Theatre, New York
Dedicated to the 35th anniversary of the Broadway musical “The Phantom of the Opera.” It is known...
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Toronto’s Next Gen Theatre Makers are Looking for Answers to Big Questions
When I thought about why I wanted to write this article, a simple, almost childlike thought came...
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