Something flitters among the green leaves of bramble and the brown leaves of a previous autumn....
Theatre for broadly understood young audiences (0-16 years) is one of the most important cultural...
Imagine Ibsen’s A Doll’s House, staged as a sort of salon game, in a real couple’s home serving as...
My colleague Jonathan and I were walking towards Leidseplein and the Internationaal Theater...
Since August 2019, I have owned and run the chamber theatre, piccolo teatro Haventheater, in...
An Interview with Ana Ristoska Trpenoska, a playwright, dramaturg, Vienna/Skopje, Austria/R.N....
In the Lilla scenen of Uppsala Stadsteater (City Theatre), a haunting echo of the past emerged,...
Sonne, los jetzt!, Elfriede Jelinek’s new theater piece, is imperative with an unknown addressee....
Director and writer Romeo Castellucci decided not to use one of the usual venues of the Theatre...
The 2025 Grec festival, the first under the new directorship of Leticia Martín Ruiz, opened on 26...
Since he started out as an actor, 20 years ago, Tiago Rodrigues has always looked at theater as a...
Something flitters among the green leaves of bramble and the brown leaves of a previous autumn....
In Romanian culture, a vital coming-of-age moment for every teenager is their eighteenth birthday,...
Soviet nonconformist art was emerged in the 1950s when artists dared to transcend the official...
Theatre for broadly understood young audiences (0-16 years) is one of the most important cultural...
Six Against Turkey, at The Kosovo Albania Showcase, is a new satire from playwright Jeton Neziraj...
An Interview with Ms. Zeljka Turcinovic – dramaturg, editor of magazines: Croatian Theatre and...
A Wounded Soldier pushes pawns across a chess board while a Mother tells Svetlana the story of her...
Collective interview with Amy Sze (Theatre maker and arts producer, London, UK-Hong Kong), Mia...
![Between Life And Death: A Festival’s Journey Through Tragedy [Part II]](https://thetheatretimes.com/wp-content/uploads/2025/07/Picture7-e1752848456230-627x376.jpg)
To read PART I of this report, go to this link. Two “in yr face” Tragedies: Double...
![Between Life And Death: A Festival’s Journey Through Tragedy [Part I]](https://thetheatretimes.com/wp-content/uploads/2025/07/Picture4-1-150x150.jpg)
Before the audience of the play 3sisters, with their eyes wide open, a music box, the girls on...
Theatre for broadly understood young audiences (0-16 years) is one of the most important cultural...
One of the most popular dishes in French cuisine is tartare. Diced beef with egg yolk and lots of...
The 10th MITEM Theatre Festival continues to showcase the theatre achievements of Hungarian...
Moldovan playwright and director Nicoleta Esinencu is known for her provocative monologue FUCK...
Since August 2019, I have owned and run the chamber theatre, piccolo teatro Haventheater, in...
Read MoreSomething flitters among the green leaves of bramble and the brown leaves of a previous autumn....
Read MoreBefore the audience of the play 3sisters, with their eyes wide open, a music box, the girls on...
Read More
Thatcher, and the image of Thatcher’s Britain, continues to cast a long shadow over contemporary...
Read More
In Romanian culture, a vital coming-of-age moment for every teenager is their eighteenth birthday,...
Read More
In 2023, Malaysian actor Michelle Yeoh won the Best Actress Oscar for her performance in...
Read More
Sein oder nicht sein is a play by Nick Whitby (b.1963), premiered on Broadway in 2008, and first...
Read More
Weird scenes inside the farmhouse; weird scenes in Northern Ireland; weird scenes of the 1980s....
Read More
This six-hour production of Hamlet took Shakespeare’s play as the starting and end point, in...
Read More
The Flowers of Srebrenica should be impossible to stage. Irish academic Aidan Hehir’s book, a...
Read More
The Royal Court, Britain’s premiere new writing venue, celebrates its platinum anniversary next...
Read More
In All Right. Good Night., German docu-theater artist Helgard Haug turns loss into a language. The...
Read More
The small district of Schnoor in the northern German city of Bremen, consisting of some 100...
Read More
Broken Britain has a big problem with youth. About a million of those aged 16 to 24 are NEETs (not...
Read More
“By the term theatre we do not only mean its expressive linguistic side, but also the cultural,...
Read More
Perhaps it’s an indicator of the feebleness of new writing after the pandemic that so many of the...
Read More
Collective interview with Amy Sze (Theatre maker and arts producer, London, UK-Hong Kong), Mia...
Read More
Interview with Sandra Gribovska Ilievska, theatre actress, Bitola, R. Macedonia Sandra Gribovska...
Read More
The International Shakespeare Festival in Gdańsk is not the festival of masterpieces and it never...
Read More
At German theatres, some assistant directors are employed for the duration of a production, from...
Read More
An Interview with Mr. Guy Coolen, art director, producer, manager, Antwerp, Belgium/Rotterdam,...
Read More
An Interview with Ana Ristoska Trpenoska, a playwright, dramaturg, Vienna/Skopje, Austria/R.N....
Read More
An Interview with wonderful talented actresses Jovana Miladinova, Skopje, R.N. Macedonia....
Read More
This year’s Edinburgh Festival Fringe was as sprawling and invigorating as ever, and expectedly...
Read More
Writer-actor Alan Bissett’s When Billy met Alasdair imagines what happened when Alasdair Gray...
Read More
Interview with theatre director Tamara Stojanoska, Skopje/Prilep, R.N. Macedonia. Interviewer...
Read More
For the last thirty years of my attendance, the Edinburgh Festival Fringe has always been too big...
Read More
In 1997, an association was founded in the German city of Verden on the river Aller, located...
Read More
Emma Frankland’s No Apologies achieves something genuinely rare: a radical reimagining that...
Read More
Anemone Valcke and Verona Verbakel’s The Ego emerges from Ontroerend Goed’s theatrical...
Read More
What is the purpose of performing arts when the stakes are literally life and death? Pussy...
Read More
The Belgian Company Ontroerend Goed have been coming to the Edinburgh Fringe for so long that I...
Read More
Over the summer months, all of the publicly funded state and municipal theatres, as well as...
Read More
Emma Howlett’s Aether arrives with impressive academic credentials—consultations with...
Read More
What does it take to get you up on your feet and into the groove? Whatever your disposition,...
Read More
Oli Mathiesen’s dance piece The Butterfly Who Flew Into The Rave has been described by this...
Read More
Slowly, very slowly, the audience begins to arrive. Taking their seats, shedding jackets,...
Read More
At the Edinburgh Fringe, the solo show, A Poem and a Mistake, is playing for the entire month of...
Read More
Works and Days the latest production of the FC Bergman collective, played at the Lyceum Theatre as...
Read More
Out of the many venues at the Edinburgh Fringe Festival, Summerhall Arts is one that shines for...
Read More
Summerhall, one of Edinburgh’s busiest venues, known for its innovative, cutting-edge programme,...
Read More
There are shows that may, on the surface, feel wafer thin, shows where nothing much seems to...
Read More
The Edinburgh International Festival this year, welcomes several international trailblazers like...
Read More
As I read the title of Jonny Woo’s latest show, Suburbia, I wondered how this celebrated...
Read More
Playing at the Scottish Storytelling Centre during the Edinburgh Fringe Festival, Cassandra,...
Read More
Here at the Edinburgh Fringe, as well as Gary McNair’s A Gambler’s Guide to Dying, I caught the...
Read More
For this year’s Edinburgh Fringe Festival, the Traverse Theatre has, as usual, put together a...
Read More
The expression ‘Athens of the North’, the title of the play in the present review, conjures up an...
Read More
‘Dare to Discover’ is the leitmotiv of the 2025 Edinburgh Fringe running from 1st to 25th August....
Read More
In the opening page of the 2025 Tampere Theatre Festival brochure, the artistic team (Hilkka-Liisa...
Read More
![Avignon 2019: Seeking Truth: On History, Memory and Fiction in Alexandra Badea’s Points de Non-Retour [Quais de Seine]](https://thetheatretimes.com/wp-content/uploads/2019/07/quais-440x264.jpg)
