Sanaz Toossi’s English at the Kiln Theatre: Pulitzer Prize-Winning Play Shows the Impacts of a Second Language on Identity
Sanaz Toossi’s English at the Kiln Theatre: Pulitzer Prize-winning play shows the impacts of a second language on identity
by Aleks Sierz | Jun 10, 2024 | London, Review, Theatre and Politics, United Kingdom, United States of America | 0
Sanaz Toossi’s English at the Kiln Theatre: Pulitzer Prize-winning play shows the impacts of a second language on identity
by Aleks Sierz | Mar 13, 2023 | London, Norway, Playwriting, Review, Translation, United Kingdom | 0
Bjørg Vik’s The Journey to Venice at the Finborough Theatre: Norwegian memory play is tender if slight
by Bojana Cvejić | May 11, 2022 | Acting, Norway, Review, Theatre and Gender | 0
by Jeune Théâtre Européen Jeunes Publics | Feb 29, 2024 | Essay, France, Germany, Greece, Ireland, Producing, Serbia, Tunisia | 0
The Jeune Théâtre Européen Jeunes Publics (Young European Theatre for Young Audiences) (JTEJP)...
by Rhiannon Ling and Kasia Lech | Apr 22, 2023 | Dramaturgy, Interview, Netherlands, Theatre for Young Audiences | 0
Paulien Geerlings is the head dramaturg at Amsterdam’s The Toneelmakerij, a theatre company...
by Duška Radosavljević | Sep 16, 2022 | Adaptation, Design, London, Netherlands, Review, United Kingdom | 0
by Duška Radosavljević | May 19, 2022 | Adaptation, Netherlands, Review, United Kingdom | 0
by Antonio Hernández Nieto | Mar 18, 2024 | Germany, Review, Theatre and Opera | 0
There are some myths about the opera that are not true. Firstly, that young people do not like...
by Duška Radosavljević | Aug 8, 2022 | Adaptation, Austria, Dramaturgy, Festivals, Review | 0
Just over a hundred years since its founding (by impresario and theatre director Max Reinhardt),...
by Ágnes Bakk | Apr 22, 2020 | Austria, Interview, Transmedia | 0
by Bryce Lease | Sep 20, 2023 | Review, Sweden | 0
In the Lilla scenen of Uppsala Stadsteater (City Theatre), a haunting echo of the past emerged,...
by Duška Radosavljević | Jun 26, 2023 | Review, Sweden | 0
by Toni Hildebrandt and Zainabu Jallo | Jan 22, 2023 | Adaptation, Review, Switzerland, Theatre and Gender, Theatre and Science | 0
Sonne, los jetzt!, Elfriede Jelinek’s new theater piece, is imperative with an unknown addressee....
by Florida Kastrati | May 6, 2022 | Devised Theatre, Kosovo, Review, Switzerland, Theatre and Politics | 0
by Margaret Rose | May 14, 2024 | Festivals, Italy, Theatre and Art | 0
Together with Wayne McGregor’s dance piece, UniVerse: A Dark Crystal Odyssey, Romeo Castellucci’s...
by Margaret Rose | Apr 7, 2024 | Festivals, Immersive Theatre, Italy | 0
by Margaret Rose | Mar 1, 2024 | Italy, Review, Theatre and Religion | 0
by Ariadne Mikou | Feb 14, 2024 | Italy, Review, Theatre and Dance, Theatre and Opera | 0
by Margaret Rose | Dec 1, 2023 | Essay, Italy, Theatre and Age | 0
by Maria Delgado | Jun 16, 2024 | Review, Spain | 0
La Zaranda are one of Spain’s best kept theatrical secrets. Not because they are not well known or...
by Maria Delgado | Jun 11, 2024 | Acting, News, Spain | 0
by Teodora Medeleanu | May 22, 2024 | Poland, Review, Theatre for Young Audiences | 0
In spite of all open-mindedness, attending family performances as an adult can be, initially at...
by S.E. Gontarski | Dec 5, 2023 | Collaborating Across Cultures, Poland, Theatre and Film, Translation | 0
by Kasia Lech | Sep 7, 2023 | Essay, Ireland, Management, Poland, Theatre and Politics | 4
by Jozefina Komporaly and Katalin Demeter | Jun 24, 2024 | Romania, TESZT 2024 | 0
Within the rich landscape of Romanian theatre festivals, TESZT has carved out a niche as an...
by Emiliia Dementsova | Oct 9, 2023 | Festivals, Romania, Theatre Olympics 2023 | 0
by Călin Ciobotari | Feb 17, 2023 | Covid-19, Essay, Festivals, Romania, Transmedia | 0
by Aleks Sierz | Dec 7, 2023 | Playwriting, Review, Russia, Theatre and Age, United Kingdom | 0
The recent news that Russia’s Supreme Court has banned the “international LGBT movement”,...
by Emiliia Dementsova | Oct 17, 2023 | Czech Republic, Festivals, Review, Theatre and Politics, Theatre Olympics 2023 | 0
This is the story of the Big Bang. Not the explosion that gave birth to the universe. But an...
by Verity Healey | Nov 28, 2023 | Interview, Kosovo, Ukraine | 0
Orest Pastukh is a theatre and film actor, director, playwright and educator. He was born in the...
by Verity Healey | Nov 19, 2023 | Kosovo, Review, Theatre and Politics | 0
by Verity Healey | Nov 13, 2023 | Kosovo, Review, Theatre and Politics | 0
The second Novi Sad Theater Festival again provided an exciting seven-day festival repertoire for...
by Erin B. Mee | Jun 16, 2019 | Festivals, Lithuania, Napoli Teatro Festival 2019, Review | 0
A Wounded Soldier pushes pawns across a chess board while a Mother tells Svetlana the story of her...
by Bryce Lease | Mar 17, 2019 | Lithuania, Review, Theatre and Politics | 0
He lived for 33 years, and then he left us. He had his first professional direction in the...
by Plamen Radev | Sep 1, 2021 | Between.Pomiędzy 2021, Bulgaria, Festivals, Interview, Poland | 0
The Isle of Youth 2021 was a two-day (PhD) student conference held on 11-12 May 2021 as part of...
by Ina Doublekova | Apr 30, 2021 | Bulgaria, Review, Theatre and Dance | 0
by Emilija Kvočka | Jun 16, 2024 | Festivals, Review, Serbia | 0
The (Post)apocalyptic Light of the Stage – is the slogan of the 69th Sterijno pozorje, a festival...
by Zip Scene Magazine | Dec 5, 2022 | Interview, Slovakia, Theatre and Science | 0
Boris Vitázek is a new media artist based in Bratislava, but his work can be seen at various international festivals. He gave a workshop on coding in VR at the 4th Zip-Scene Conference and with this occasion we asked him about...
by Iveta Ditte Jurčova and Michal Ditte | Oct 19, 2017 | Dramaturgy, Festivals, Producing, Slovakia | 0
by Milo Juráni | Oct 5, 2017 | Dramaturgy, Festivals, Slovakia | 0
by Emiliia Dementsova | Oct 25, 2023 | Directing, Festivals, Hungary, Review, Theatre Olympics 2023 | 0
One of the most popular dishes in French cuisine is tartare. Diced beef with egg yolk and lots of...
by Emiliia Dementsova | Oct 18, 2023 | Georgia, Review, Theatre Olympics 2023 | 0
The 10th MITEM Theatre Festival continues to showcase the theatre achievements of Hungarian...
by Tom Mustroph | Mar 6, 2022 | Interview, Moldova, Theatre and Politics | 0
Moldovan playwright and director Nicoleta Esinencu is known for her provocative monologue FUCK...
by John Freedman | Jun 25, 2024 | Interview, Playwriting, Theatre and Politics, Ukraine
An interview with Ukrainian playwright and theater-maker Dmytro Ternoviy. Dmytro Ternoviy’s...
Read Moreby John Freedman | Jun 25, 2024 | Interview, Playwriting, Theatre and Politics, Ukraine
To read PART I of this interview, go to this link. An interview with Ukrainian playwright and...
Read Moreby Jozefina Komporaly and Katalin Demeter | Jun 24, 2024 | Romania, TESZT 2024
Within the rich landscape of Romanian theatre festivals, TESZT has carved out a niche as an...
Read Moreby Duška Radosavljević | Jun 18, 2024 | Denmark, Festivals, Review
The 12th annual edition of CPH Stage Festival has come to a close. The cultural highlight that...
Read Moreby Maria Delgado | Jun 16, 2024 | Review, Spain
La Zaranda are one of Spain’s best kept theatrical secrets. Not because they are not well known or...
Read Moreby Emilija Kvočka | Jun 16, 2024 | Festivals, Review, Serbia
The (Post)apocalyptic Light of the Stage – is the slogan of the 69th Sterijno pozorje, a festival...
Read Moreby Maria Delgado | Jun 11, 2024 | Acting, News, Spain
Nuria Espert turns 89 today. Hers has been an extraordinary career and it’s not over yet. She has...
Read Moreby Aleks Sierz | Jun 10, 2024 | London, Review, Theatre and Politics, United Kingdom, United States of America
Sanaz Toossi’s English at the Kiln Theatre: Pulitzer Prize-winning play shows the impacts of a second language on identity
Read Moreby Rhiannon Ling | Jun 4, 2024 | Algeria, France, Interview, Theatre and Politics
Catherine Filloux is an internationally recognized French-Algerian playwright. Her work revolves...
Read Moreby Teodora Medeleanu | May 22, 2024 | Poland, Review, Theatre for Young Audiences
In spite of all open-mindedness, attending family performances as an adult can be, initially at...
Read Moreby Lisa Monde | May 21, 2024 | France, Interview, Musical Theatre
Dedicated to the 35th anniversary of the musical Miss Saigon, an exclusive interview with the...
Read Moreby Margaret Rose | May 14, 2024 | Festivals, Italy, Theatre and Art
Together with Wayne McGregor’s dance piece, UniVerse: A Dark Crystal Odyssey, Romeo Castellucci’s...
Read Moreby Emilija Kvočka | May 13, 2024 | Directing, Macedonia, Review, Serbia
He lived for 33 years, and then he left us. He had his first professional direction in the...
Read Moreby Xunnan Li | May 5, 2024 | Review, Theatre and Politics, United Kingdom
Amidst the bustling metropolis of London, a group of aspiring theatrical talents (Kelly Guibal, Flavia Di Saverio, Thelma Osorio Euan, Maria Luc, Hana Tamaru, Arianna Folini) took to the stage at The Hen & Chicken Theatre in March 2024 to present their musical production, “Don’t Get Me Wrong”. Through their performance, they delved into the intricate tapestry of challenges and joys experienced by those navigating life in the vibrant yet daunting urban landscape of the UK’s largest city.
Read Moreby Maria Delgado | Apr 12, 2024 | Review, Spain
Juan Mayorga might have been a crime writer in another life, he loves to set up complex, menacing...
Read Moreby Maria Delgado | Apr 9, 2024 | Review, Spain
Seeing a play you much admired five years ago for a third time isn’t always sensible. Will it be...
Read Moreby Margaret Rose | Apr 7, 2024 | Festivals, Immersive Theatre, Italy
Milan’s international multidisciplinary performance art festival FOG, featuring theatre, music,...
Read Moreby Ivanka Apostolova Baskar | Apr 4, 2024 | Greece, Interview, Management
An Interview with Kostas Kapodistrias – Theatre actor and director, theatre manager/founder of...
Read Moreby Maria Delgado | Mar 25, 2024 | Review, Spain, Theatre and Opera
There are a number of firsts in the new Teatro Real production triple bill that brings together...
Read Moreby Maria Delgado | Mar 25, 2024 | Review, Spain
The 2023/2024 season has proved the year of Bernarda Albas. Lorca’s 1936 drama was completed only...
Read Moreby Maria Delgado | Mar 22, 2024 | Directing, Review, Spain
Susanne Kennedy doesn’t do things by half. When she creates a world, it has its own logic, its own...
Read Moreby Antonio Hernández Nieto | Mar 18, 2024 | Germany, Review, Theatre and Opera
There are some myths about the opera that are not true. Firstly, that young people do not like...
Read Moreby Aleks Sierz | Mar 14, 2024 | London, Review, Theatre and Politics, United Kingdom
For me, this is the most emotional show on the London stage. Why’s that? Because it’s about Nye...
Read Moreby Teodora Medeleanu | Mar 7, 2024 | Review, Transmedia, Ukraine
The performance follows four women in different parts of Ukraine, at various distances from the...
Read Moreby Aleks Sierz | Mar 6, 2024 | Review, Theatre and Politics, United Kingdom
It’s election year so the gaze of British theatre turns towards the National Health Service. But,...
Read Moreby Aleks Sierz | Mar 4, 2024 | Germany, London, Review, Theatre and Politics, United Kingdom
We’ve all heard of the metaphorical madwoman in the attic, but what about the symbolic unexploded...
Read Moreby Margaret Rose | Mar 1, 2024 | Italy, Review, Theatre and Religion
Writer, actor, and director Ascanio Celestini is one of Italy’s most celebrated theatrical...
Read Moreby Jeune Théâtre Européen Jeunes Publics | Feb 29, 2024 | Essay, France, Germany, Greece, Ireland, Producing, Serbia, Tunisia
The Jeune Théâtre Européen Jeunes Publics (Young European Theatre for Young Audiences) (JTEJP)...
Read Moreby Kasia Lech | Feb 28, 2024 | Essay, France, Germany, Greece, Ireland, Theatre and Politics, Theatre for Young Audiences, Tunisia
The growing levels of migration results in an increasing number of children across Europe growing...
Read Moreby Maria Delgado | Feb 27, 2024 | France, Review, Spain, Theatre and Opera
Vincenzo Bellini’s penultimate opera, Beatrice di Tenda, rests between two more frequently...
Read Moreby Aleks Sierz | Feb 26, 2024 | London, Review, Theatre and Politics, United Kingdom
It’s a sign of the times that German director Thomas Ostermeier’s West End debut is his production...
Read Moreby Mert Dilek | Feb 19, 2024 | London, Review, United Kingdom
A solo performance in theatre may often trap us inside a single dramatic character, taking us deep...
Read Moreby Maria Delgado | Feb 15, 2024 | Review, Spain
Alberto Conejero’s trajectory as a playwright has been rooted in telling the stories that have...
Read Moreby Aleks Sierz | Feb 14, 2024 | Adaptation, London, Playwriting, Review, United Kingdom, Uruguay
Nowadays it seems that it’s the fringe and Off-West End venues that are keeping the spirit of...
Read Moreby Ariadne Mikou | Feb 14, 2024 | Italy, Review, Theatre and Dance, Theatre and Opera
For the corps de ballet of an Opera House, the place par excellence for the preservation of the...
Read Moreby Aleks Sierz | Feb 11, 2024 | London, Playwriting, Review, Theatre and Gender, United Kingdom
In West End theatre, the cliché that nothing succeeds like success keeps the wheels of commerce...
Read Moreby Maria Delgado | Feb 8, 2024 | Review, Spain
Shakespeare’s King Lear has defied composers who refused invitations to render this bleakest...
Read Moreby Maria Delgado | Feb 6, 2024 | Review, Spain
There is a lot to admire in Denise Despeyroux’s newest play produced by the Centro Dramático...
Read Moreby Mert Dilek | Feb 4, 2024 | London, Review, Theatre and Politics, United Kingdom
“This play is a lie,” boldly declares the poster of Sam Holcroft’s new play A Mirror, now playing...
Read Moreby Aleks Sierz | Jan 31, 2024 | London, Review, United Kingdom
Jane Austen is not just a classic novelist — she’s a cultural institution and a national treasure....
Read Moreby Miriam Haughton and Patricia O’Beirne | Jan 27, 2024 | Design, Essay, Ireland, Producing
Being on the edge is the place where I like to be no matter in what domain it is…and the edge is a...
Read Moreby Ivanka Apostolova Baskar | Jan 26, 2024 | Germany, Interview, Theatre and Art, Theatre and Gender
Christian Tschirner aka Soeren Voima (he/him – author, theater maker, Schauspielhaus...
Read Moreby Antonio Hernández Nieto | Jan 23, 2024 | Playwriting, Review, Spain
Sanchis Sinisterra is a Spanish playwright with a long career and many successes who is in the...
Read Moreby Maria Delgado | Jan 6, 2024 | Review, Spain, Theatre and Opera
I am going to be honest. I didn’t see Verdi’s Rigoletto at the Real. I had wanted and planned to...
Read Moreby Lisa Monde | Jan 2, 2024 | France, Interview, Theatre and Gender, United States of America
Dedicated to the 70th anniversary of the first publication and production of Jean Genet’s unique...
Read Moreby Aleks Sierz | Jan 1, 2024 | Acting, Playwriting, Review, United Kingdom
This transfer of Jack Thorne’s hit National Theatre play to the West End has been hailed as...
Read Moreby Maria Delgado | Dec 21, 2023 | Management, Review, Spain, Theatre and Politics
The relationship between theatre and life has been pervaded the work of dramatists from...
Read Moreby Ivanka Apostolova Baskar | Dec 21, 2023 | Acting, Interview, Macedonia
Zdravko Stojmirov worked on many theater projects, TV series and short films. He participated in...
Read Moreby Antonio Hernández Nieto | Dec 20, 2023 | Review, Spain, Theatre and Gender
There is nothing like going to a world premiere. Being one of the first to see something brand...
Read Moreby Mert Dilek | Dec 20, 2023 | London, Review, United Kingdom
How to render Macbeth anew—and how to do it well? It’s a question that has undoubtedly preoccupied...
Read More