“Without a State:” a Collision Between Migration and the Perpetual Pursuit of Identity and Belonging
Southern Rhodesia (now Zimbabwe) is still in the hands of Britain, the colonial power, and several...
Read MorePosted by Tawanda Mupatsi | 23rd Apr 2024 | Review, Theatre and Politics, Zimbabwe
Southern Rhodesia (now Zimbabwe) is still in the hands of Britain, the colonial power, and several...
Read MorePosted by David O'Donnell | 19th Apr 2024 | Adaptation, New Zealand, Review, Worldwide
The southern city of Ōtepoti/Dunedin has played an important role in the history of Samuel Beckett...
Read MorePosted by Maria Delgado | 12th Apr 2024 | Review, Spain
Juan Mayorga might have been a crime writer in another life, he loves to set up complex, menacing...
Read MorePosted by Maria Delgado | 9th Apr 2024 | Review, Spain
Seeing a play you much admired five years ago for a third time isn’t always sensible. Will it be...
Read MorePosted by Rhiannon Ling | 2nd Apr 2024 | New York, Review, Theatre and Gender, United States of America
“What kind of service do submarines provide?” asks the machine’s captain, Ricky Martin. “Silent...
Read MorePosted by Morgan Skolnik | 31st Mar 2024 | New York, Review, Theatre and Gender, United States of America
Last year I went to the dentist for a toothache and was told that somehow, to my extreme...
Read MorePosted by Teodora Medeleanu | 25th Mar 2024 | India, Review, Theatre and Gender
The question of universality faces entire series of utterly new answers, but not all of them find...
Read MorePosted by Maria Delgado | 25th Mar 2024 | Review, Spain, Theatre and Opera
There are a number of firsts in the new Teatro Real production triple bill that brings together...
Read MorePosted by Maria Delgado | 25th Mar 2024 | Review, Spain
The 2023/2024 season has proved the year of Bernarda Albas. Lorca’s 1936 drama was completed only...
Read MorePosted by Tawanda Mupatsi | 22nd Mar 2024 | Review, Theatre and Science, Zimbabwe
When Chenura Trust a Zimbabwean media company announced that they were working on a theatrical...
Read MorePosted by Maria Delgado | 22nd Mar 2024 | Directing, Review, Spain
Susanne Kennedy doesn’t do things by half. When she creates a world, it has its own logic, its own...
Read MorePosted by Hansol Oh | 21st Mar 2024 | Musical Theatre, Review, South Korea
It is 1930s Kyeongseong (what Seoul was called during the Japanese occupation), and the colonial...
Read MorePosted by Antonio Hernández Nieto | 18th Mar 2024 | Germany, Review, Theatre and Opera
There are some myths about the opera that are not true. Firstly, that young people do not like...
Read MorePosted by Aleks Sierz | 14th Mar 2024 | London, Review, Theatre and Politics, United Kingdom
For me, this is the most emotional show on the London stage. Why’s that? Because it’s about Nye...
Read MorePosted by Teodora Medeleanu | 7th Mar 2024 | Review, Transmedia, Ukraine
The performance follows four women in different parts of Ukraine, at various distances from the...
Read MorePosted by Aleks Sierz | 6th Mar 2024 | Review, Theatre and Politics, United Kingdom
It’s election year so the gaze of British theatre turns towards the National Health Service. But,...
Read MorePosted by Aleks Sierz | 4th Mar 2024 | Germany, London, Review, Theatre and Politics, United Kingdom
We’ve all heard of the metaphorical madwoman in the attic, but what about the symbolic unexploded...
Read MorePosted by Jonathan Kalb | 3rd Mar 2024 | Review, Transmedia, United States of America
Call me clueless, but I wasn’t aware, before seeing Mona Pirnot’s new play I Love You So Much I...
Read MorePosted by Margaret Rose | 1st Mar 2024 | Italy, Review, Theatre and Religion
Writer, actor, and director Ascanio Celestini is one of Italy’s most celebrated theatrical...
Read MorePosted by Jonathan Kalb | 1st Mar 2024 | Musical Theatre, Review, United States of America
I almost didn’t go see Days of Wine and Roses: The Musical because my memories of the highly...
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