Marketing, Sales And Production Are Crucial For The Survival And Success Of Any Project
An Interview with Mr. Meir Bar-Giora (Hungary/Israel/China), theatre and performing arts agent...
by Ivanka Apostolova Baskar | Mar 16, 2026 | China, Interview, Israel, Management | 0
An Interview with Mr. Meir Bar-Giora (Hungary/Israel/China), theatre and performing arts agent...












by Ilinca Todoruţ | Dec 31, 2024 | Immersive Theatre, Indonesia, Japan, Kyoto Experiment 2024, Review | 0
Ocean Cage engulfs its audience for almost two hours in a multi-sensorial, immersive performative...

by Ilinca Todoruţ | Dec 12, 2024 | Indonesia, Italy, Japan, Kyoto Experiment 2024, Review | 0
by Kuan-Ting Lin | Jan 6, 2026 | Interview, Playwriting, Taiwan | 0
It’s very hard to define Chiao-Jung Chen as one kind of artist, for she is someone who works...

by Yi-Ming Chen | Jun 28, 2025 | News, Taiwan, Theatre and Politics | 0
by François Audet, Alexandre P. Bédard, and Caroline Coulombe | Nov 17, 2020 | Cambodia, Essay, Theatre and Art | 0
Even though history has seen different disasters and humanitarian crises, one fact remains: we try...
by Walter Byongsok Chon | Oct 9, 2024 | Adaptation, Festivals, Interview, Singapore | 0
The 6th biennial Singapore Literature Festival is held in New York City on October 19 and 20,...
by Yana Meerzon | Jul 23, 2017 | Festivals, France, Vietnam | 0
In Saigon, Caroline Guiela Nguyen has created a four-hour theatrical tale based on the history of...
by May Tran | Apr 10, 2017 | Australia, Musical Theatre, Theatre and Politics, Vietnam | 0
by Shilpa Anandraj | Jul 20, 2024 | Festivals, India, News | 0
Four plays will be staged on July 20 as part of SmaranniK Theatre Festival 2024. “The plays will...


by Charumathi Supraja | Jun 23, 2024 | Acting, India, Review | 0

by Suganthy Krishnamachari | Apr 30, 2024 | India, Playwriting, Review | 0

by The Theatre Times | Feb 12, 2017 | Bangladesh, Directing, Interview | 0
Showing Kunti’s first born in a different light, young Bangladeshi director Jayita Mahahlanobish...
by Ilinca Todoruţ | Dec 26, 2025 | Congo, Festivals, Japan, Review, Theatre and Dance | 0
Laying Historical Ground, Wide-angle Towards the end of Faustin Linyekula’s theatrical dance piece...



by Ilinca Todoruţ | Dec 19, 2024 | Japan, Kyoto Experiment 2024, LGBTQ+ Theatre, Review, Taiwan | 0

by Ilinca Todoruţ | Dec 13, 2024 | France, Japan, Kyoto Experiment 2024, Review | 0
by International Ibsen Award Committee 2026 | Mar 27, 2026 | News, Norway, South Korea, Transmedia | 0
A week ago today, the winner of the 2026 Ibsen International Award was announced by the Norwegian...



by Hansol Oh | Mar 21, 2024 | Musical Theatre, Review, South Korea | 0
by L. Peter Callender | Jan 3, 2026 | Iran, Review, Theatre and Politics, United States of America | 0
We all know the iconic closing lines: “For never was a story of more woe / Than this of...
by Mehdi Shahedi | Aug 26, 2025 | Essay, Iran, Theatre and Politics | 0

by Niloofar Mohtadi | Jul 10, 2025 | Iran, News, Theatre and Politics | 0


by Ani Harutyunyan | Mar 31, 2017 | Armenia, Management | 0
The development of independent theatres in Yerevan has become an important topic for discussion as...
by Ani Harutyunyan | Dec 31, 2016 | Armenia, Asia, Essay, Management | 0
by Ani Harutyunyan | Sep 30, 2016 | Armenia, Directing, Essay | 0
by Ivanka Apostolova Baskar | Mar 16, 2026 | China, Interview, Israel, Management | 0
An Interview with Mr. Meir Bar-Giora (Hungary/Israel/China), theatre and performing arts agent...

by Fan Yiying | May 27, 2024 | China, Interview, Israel | 0

by Najwa Kondakji | Aug 11, 2021 | Dramaturgy, Germany, Interview, Syria | 0
Ayham Majid Agha is a Syrian actor, dramaturge, and director. After studying theater arts at...
by Amir Al-Azraki | Feb 19, 2026 | Essay, Iraq, Theatre and Politics | 0
Basra is shaped by louder forces such as oil, politics, and the constant negotiation of visible...

by Amir Al-Azraki | Dec 31, 2024 | Essay, Iraq, Theatre and Politics | 0

by Amir Al-Azraki | Nov 9, 2024 | Interview, Iraq, Theatre and Politics | 1





by Ahram Online | Aug 3, 2023 | Festivals, Jordan, News | 0
Egypt is represented by one play and a jury member at the second edition of Jordan’s...
by Tim Hamilton | Apr 10, 2023 | Chicago, Palestine, Review, Theatre and Decolonization, Theatre and Politics, United States of America | 0
Hummus is not appropriated hipster dip, it’s Palestinian food. So argues Wally, a...
by Ahram Online | Jul 20, 2020 | News, Saudi Arabia, Theatre and Art | 0
Saudi Arabia’s Minister of Culture, Badr bin Abdullah bin Mohammed bin Farhan Al Saud,...
by Ahram Online | Mar 19, 2021 | Management, News, United Arab Emirates | 0
Held under the theme “The Cultural Economy and the Economy of Culture” the Culture...
by International Ibsen Award Committee 2026 | Mar 27, 2026 | News, Norway, South Korea, Transmedia
A week ago today, the winner of the 2026 Ibsen International Award was announced by the Norwegian...
Read Moreby Ivanka Apostolova Baskar | Mar 16, 2026 | China, Interview, Israel, Management
An Interview with Mr. Meir Bar-Giora (Hungary/Israel/China), theatre and performing arts agent...
Read Moreby Amir Al-Azraki | Feb 19, 2026 | Essay, Iraq, Theatre and Politics
Basra is shaped by louder forces such as oil, politics, and the constant negotiation of visible...
Read Moreby Kuan-Ting Lin | Jan 6, 2026 | Interview, Playwriting, Taiwan
It’s very hard to define Chiao-Jung Chen as one kind of artist, for she is someone who works...
Read Moreby L. Peter Callender | Jan 3, 2026 | Iran, Review, Theatre and Politics, United States of America
We all know the iconic closing lines: “For never was a story of more woe / Than this of...
Read Moreby Ilinca Todoruţ | Dec 26, 2025 | Congo, Festivals, Japan, Review, Theatre and Dance
Laying Historical Ground, Wide-angle Towards the end of Faustin Linyekula’s theatrical dance piece...
Read Moreby Xunnan Li and Yuan Du | Dec 2, 2025 | China, Festivals, News
The Dangdai Xiao Juchang Xiqu Jie (Contemporary Black Box Xiqu Festival), operated at Star Theatres, has been a significant engine for contemporary experimentation of Xiqu (Chinese traditional theatre) since its establishment in 2014. Now entering its 12th year in 2025, the festival has supported more than 200 experimental Xiqu projects, drawing millions of audience members from across China. It remains one of the earliest and most influential cultural clusters where emerging Xiqu artists can articulate their creative voices in a flexible, low-cost, and artist-centred environment. Reading the slogan “He He” (和合harmony and collaboration) of this year’s festival and speaking with its founder and CEO, Mr. Fan Xing, I argue that this longstanding initiative has grown into a hybrid cultural space and the meaning of “He He” performatively means a harmonious collaboration between the futurist experimentation and the deep-rooted nostalgia.
Read Moreby Seda Ilter | Nov 23, 2025 | Review, Theatre and Politics, Turkey, United Kingdom
In October 2025, Battersea Arts Centre hosted Aşınma (Corrosion) – a multi-award-winning theatre...
Read Moreby Kuan-Ting Lin | Nov 19, 2025 | Interview, Playwriting, Taiwan, Theatre and Decolonization
Ihot Sinlay Cihek is a Taiwan-based Pangcah theatre artist whose work confronts the intersecting...
Read Moreby Ivanka Apostolova Baskar | Sep 17, 2025 | Dramaturgy, Hong Kong, Interview, Macedonia, Transcultural Collaborations
Collective interview with Amy Sze (Theatre maker and arts producer, London, UK-Hong Kong), Mia...
Read Moreby Mehdi Shahedi | Aug 26, 2025 | Essay, Iran, Theatre and Politics
We are an avant-garde theatre group, and after our successful performance of The History Boys by...
Read Moreby Soo Ryon Yoon | Aug 4, 2025 | Featured, Management, News, South Korea, Theatre and Gender, Theatre and Politics
“Can we just disband the Seoul Foundation for the Arts and Culture entirely and start over?” A...
Read Moreby Amir Al-Azraki | Aug 3, 2025 | Essay, Iraq, Theatre and Decolonization
Inherited Voices: A Theatre of Borrowed Authority Recently, I’ve found myself drawn to a popular...
Read Moreby Xunnan Li | Jul 26, 2025 | Avignon 2025, China, Chinese Theatre Abroad, Design, Review
Feng Lu’s “L’histoire d’un Accident”, presented in Avignon 2025, offers a layered exploration of theatrical space inspired by Henri Lefebvre’s theory of spatial production. The play unfolds through a play-within-a-play structure, blending backstage conflict, parody, and audience disruption to challenge the boundary between fiction and reality. A planted “spectator” blurs the line between performance and life, turning spatial ambiguity into a central aesthetic strategy. Rather than seeking clarity, the production invites audiences to dwell in uncertainty, where ambiguity becomes an essential part of how space is experienced, performed, and emotionally understood.
Read Moreby Xunnan Li | Jul 24, 2025 | China, Chinese Theatre Abroad, News, Theatre and Opera
In 2025, the UK Chinese Opera Association marks its 10th anniversary, celebrating a decade of bridging tradition and innovation in Chinese opera. Founded by Joanna Zenghui Qiu, a former performer with the Mei Lanfang Opera Troupe, the Association has become a cornerstone of Chinese cultural life in the UK. Inspired by her lead performance at the British Museum’s first Chinese New Year event during the 2015 UK-China Year of Cultural Exchange, Qiu established the Association to preserve and promote Chinese opera on British soil. Through performances at venues such as Buckingham Palace and grassroots programs like “Chinese Opera Fans’ Home” the Association has flourished as both an artistic platform and a diasporic community hub.
Read Moreby Niloofar Mohtadi | Jul 10, 2025 | Iran, News, Theatre and Politics
“The homeland is not only a piece of land, it’s a memory, it’s love, it’s pain” is a line of...
Read Moreby Yi-Ming Chen | Jun 28, 2025 | News, Taiwan, Theatre and Politics
In New York City, the window between May and June signals the arrival of Tony Awards season....
Read Moreby Kuan-Ting Lin | Jun 24, 2025 | Interview, Playwriting, Taiwan
The World Sinophone Drama Competition for Young Playwrights is the largest playwriting contest in...
Read Moreby Kuan-Ting Lin | Jun 23, 2025 | Interview, Playwriting, Taiwan
Yu-Chia Wei is a Taiwanese playwright whose work has earned numerous accolades. Her two plays, A...
Read Moreby Kyungjin Jo | Apr 24, 2025 | Review, South Korea, Transcultural Collaborations
In the intimate setting of a small black box theatre, audience members find themselves not in the...
Read Moreby Berna Ataoğlu | Apr 3, 2025 | Playwriting, Theatre and Gender, Turkey
Turkish writer, theatre critic, and academic Zehra İpşiroğlu’s book Woman Plays features...
Read Moreby Ivanka Apostolova Baskar | Mar 4, 2025 | Interview, Theatre and Politics, Turkey
Interview with Handan Salta – co-founder of the Istanbul Theatre Showcase – TheatreIST, theatre...
Read Moreby Diana Fathi | Mar 3, 2025 | Books, Iran, Playwriting, Translation
In November, the American Society for Theatre Research (ASTR) awarded the 2024 Translation Prize...
Read Moreby Kuan-Ting Lin | Feb 14, 2025 | Essay, News, Playwriting, Taiwan
Playwriting awards have always been a promised land for playwrights. For emerging storytellers,...
Read Moreby Morgan Skolnik | Feb 7, 2025 | China, Directing, Musical Theatre, United States of America, Worldwide
Jill Ohayon grew up believing there were only two respectable career paths: doctor or lawyer. And...
Read Moreby Amir Al-Azraki | Dec 31, 2024 | Essay, Iraq, Theatre and Politics
Theatre in Iraq has some deep roots in ancient Mesopotamia, but its formal development was delayed...
Read Moreby Ilinca Todoruţ | Dec 31, 2024 | Immersive Theatre, Indonesia, Japan, Kyoto Experiment 2024, Review
Ocean Cage engulfs its audience for almost two hours in a multi-sensorial, immersive performative...
Read Moreby Ilinca Todoruţ | Dec 23, 2024 | Japan, Kyoto Experiment 2024, Review
How does a coming-of-age story look like today, at a time of a global ecological catastrophe and...
Read Moreby Ilinca Todoruţ | Dec 19, 2024 | Japan, Kyoto Experiment 2024, LGBTQ+ Theatre, Review, Taiwan
As part of Kyoto Experiment, I watched at the black box of Theatre E9 two performers interact with...
Read Moreby Ilinca Todoruţ | Dec 13, 2024 | France, Japan, Kyoto Experiment 2024, Review
The enthusiastic applause and standing ovations received by Room with a View from the large...
Read Moreby Ilinca Todoruţ | Dec 12, 2024 | Indonesia, Italy, Japan, Kyoto Experiment 2024, Review
Indonesian performance artist Melati Suryodarmo and Italian choreographer Alessandro Sciarroni...
Read Moreby Ilinca Todoruţ | Dec 5, 2024 | Festivals, Japan, Kyoto Experiment 2024, Management, News
The interdisciplinary theatre, dance, and performance art festival Kyoto Experiment (KEX) wowed me...
Read Moreby Milad Azarm | Dec 4, 2024 | Interview, Iran, Poland, Transcultural Collaborations
Milad Azarm in conversation with Mohammadreza Khaki Peter J. Chelkowski, an esteemed scholar and...
Read Moreby Gonca Yalçın | Dec 2, 2024 | Edinburgh 2024, Festivals, Review, Turkey, United Kingdom
Based on a well-loved Turkish novel by Latife Tekin, Dear Shameless Death – Dirmit by Tiyatro...
Read Moreby Kuan-Ting Lin | Nov 25, 2024 | Festivals, News, Taiwan
Staged readings are a liminal period for new plays in development. For rough ideas, they can be a...
Read Moreby Amir Al-Azraki | Nov 9, 2024 | Interview, Iraq, Theatre and Politics
Dr. Samir Talib is an Iraqi scholar specializing in Shakespeare and Renaissance studies. He earned...
Read Moreby Deniz Bașar | Oct 31, 2024 | Review, Theatre and Politics, Turkey
It is the 24th of September 2024 in İstanbul, and I’m finding my way through the curvy streets of...
Read Moreby Mika Eglinton | Oct 23, 2024 | Japan, Review, Theatre and Gender, United Kingdom
Tattooer is a playful yet critical adaptation of Junichiro Tanizaki’s (1886-1965) debut short...
Read Moreby Barbara Gabriel | Oct 19, 2024 | Canada, China, Review, Theatre and Politics
“My head feels like a bridge that all of Beijing has been walking over.” The stage is...
Read Moreby Walter Byongsok Chon | Oct 9, 2024 | Adaptation, Festivals, Interview, Singapore
The 6th biennial Singapore Literature Festival is held in New York City on October 19 and 20,...
Read Moreby Milad Azarm | Oct 1, 2024 | Iran, News, Theatre and Gender
Pari Saberi, an influential Iranian playwright, director, novelist, translator, and actress, was...
Read Moreby Ali Mansouri | Sep 25, 2024 | Essay, Iran, Theatre and Politics
For many Iranians, the contemporary history of the country is divided into before and after...
Read Moreby Amir Al-Azraki | Sep 11, 2024 | Interview, Iraq, Theatre and Gender
Awatif Naeem is an award-winning TV and theatre actress, director, playwright, and critic. She...
Read Moreby Xunnan Li | Aug 30, 2024 | China, Review, Theatre and Politics
In 2024, National Theatre of China in Beijing showcased an experimental avant-garde theatre work “Apple Tree” to talk about the tension in the contemporary marriage between a young Chinese couple. Their tension in the marriage was reflected when the wife is suffering from the unexpected miscarriage.The play is such a transnational one. The director Feng was educated in France when he was young, with established exposure to the French film and theatre. In this play and his previous productions, there are huge amount of Roland’s style of using montage and space changing.
Read Moreby Xunnan Li | Aug 28, 2024 | China, Chinese Theatre Abroad, Edinburgh 2024, Review
Adapted from Lu Xun’s novel, the play takes the same name, “Zhu Jian” (Forging the Swords), and has become one of the most popular productions at the Edinburgh Festival Fringe 2024. The work was brought to Edinburgh by a group of student actors from the Central Academy of Drama in China. Director Fengrui Yang is currently pursuing his doctoral training at the Academy. The play is notable for its re-examination of the theme of vengeance, a central idea in Lu Xun’s novel. Lu Xun is one of the most influential authors in modern China featured with his social criticism writing style in the 1920s.
Read Moreby Xunnan Li | Aug 28, 2024 | China, Chinese Theatre Abroad, Edinburgh 2024, Interview
UK-China Performing Arts (UKCPA), one of the UK’s most prominent Chinese performing arts organizations, plays a crucial role in bridging Chinese and British performing arts cultures. Joanna Hangyu Zhou, the founder of UKCPA and a former national-level dancer with a permanent position at China National Opera & Dance Drama Theater, has emerged as a leading international dance artist in the UK. Following her graduation with a master’s degree from the University of Roehampton in 2016, where she specialized in dance studies, Joanna embarked on a journey of exploring innovations in intercultural Chinese and British performing arts through artistic practice and education.
Read Moreby Walter Byongsok Chon | Jul 22, 2024 | Canada, Lebanon, Review, South Korea, Theatre and Politics
Sejong Center for the Performing Arts (artistic director, Sun-Woong Koh) staged the play Littoral...
Read Moreby Shilpa Anandraj | Jul 20, 2024 | Festivals, India, News
Four plays will be staged on July 20 as part of SmaranniK Theatre Festival 2024. “The plays will...
Read Moreby Molly Grogan Zolima CityMag | Jul 19, 2024 | Hong Kong, Interview, Musical Theatre
Is Jordan Cheng for real? The 37-year-old actor, singer, and composer is everywhere these days....
Read Moreby Molly Grogan Zolima CityMag | Jul 17, 2024 | Hong Kong, Review, Theatre and Politics
Amy Ng has a problem. The Hong Kong-raised, London-based playwright is holed up in a Causeway Bay...
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