Festivals
LATEST REPORTS FROM THEATRE FESTIVALS
FITPTI – International Festival For Young Audiences 2025 – A Northeastern Romanian Story
Posted by Teodora Medeleanu | Oct 31, 2025 | Festivals, Review, Romania
Debating Identity: Is It Time to Rename Cairo’s Experimental Theater Festival?
Posted by Ati Metwaly | Sep 26, 2025 | Egypt, Essay, Festivals
Violence and Therapy: 29th International Shakespeare Festival in Gdańsk, Poland, 2025
Posted by Marta Bryś | Sep 11, 2025 | Festivals, Poland, Review
Edinburgh Festival Fringe 2025 in 22 Shows
Posted by Mert Dilek | Aug 28, 2025 | Edinburgh 2025, Review, United Kingdom
German Summer Festival Theatre (2): Domfestspiele Verden, “Die Zündholzfrau”
Posted by Daniel Meyer-Dinkgräfe | Aug 25, 2025 | Festivals, Germany, Review
“No Apologies” by Emma Frankland, Edinburgh Festival Fringe 2025
Posted by Duška Radosavljević | Aug 25, 2025 | Edinburgh 2025, Festivals, Review, United Kingdom

Edinburgh Festival Fringe 2025 in 22 Shows






“Aether”, Edinburgh Festival Fringe 2025





“Ja Goryl, Ty Człowiek:” Understanding Koko

“PÚPÄTKO” from the Slovak Ján Palárik Theatre

“Drapando:” Scratching For A Connection


“Invisible Lands,” Bodies, Gods, and… People

“Pericles” – An Odyssey from Timișoara

“Youth Without God;” Unkind, Realistic Reminder



Tartuffe or the Hypocrite: Tartare of Tartuffe


“Leaning Church”: The Voices of a Vanished City

“Fear Eats The Soul”: Love In The Grip of Hate

“The Book of Ruth”: Kaddish For Peaceful Life


“Report to an Academy”: To Be or Not to Be Human?

“Nora”: Present Continuous Hell



Edinburgh Festivals, May Luck Be With You

Edinburgh Fringe 2023: Overview


Edinburgh Fringe 2023: #Danish Ed Fringe

Big In Belgium At The Edinburgh Fringe 2023



Glasses That Translate. How Is This Possible?
Avignon Festival 2019: “L’Amour Vainqueur”

“Trade/Motorhead” at PROTOTYPE 2023 Festival

“Undine” at PROTOTYPE 2023 Festival

“In Our Daughter’s Eyes” at PROTOTYPE 2023 Festival

“note to a friend” at PROTOTYPE 2023 Festival

“Morning//Mourning” at PROTOTYPE 2023 Festival
Edinburgh Fringe 2019: “Interbeing – Stories Of A Current War”, Cockpit Theatre: Putting A Forgotten War Back Into The Spotlight
by Juno Schwarz | Sep 7, 2019 | Edinburgh 2019, Festivals, Review, Theatre and Dance, Ukraine, United Kingdom
“There are bombardments constantly on the outskirts of Donetsk, while in central Donetsk they...
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Edinburgh Fringe 2019: Solo Performances
by Mert Dilek | Sep 6, 2019 | Edinburgh 2019, Festivals, Review, United Kingdom
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Edinburgh Fringe 2019: After the Fact
by Mert Dilek | Sep 5, 2019 | Edinburgh 2019, Festivals, Review, United Kingdom
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Edinburgh Fringe 2019: Female-Led Narratives
by Mert Dilek | Sep 1, 2019 | Edinburgh 2019, Festivals, Review, United Kingdom
PQ 2019: Noise Music
by Abigail Weil | Jun 22, 2019 | Czech Republic, Festivals, Prague Quadrennial 2019, Review
The Rudolfinum is the main classical music performance hall in Prague. The house of the Czech...
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PQ 2019: Puppet Masters
by Abigail Weil | Jun 21, 2019 | Czech Republic, News, Prague Quadrennial 2019, Puppetry, Theatre for Young Audiences
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PQ 2019: An A+ B-Movie
by Abigail Weil | Jun 20, 2019 | Adaptation, Czech Republic, Festivals, Prague Quadrennial 2019, Theatre and Film, Transmedia
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PQ 2019: Paradise City
by Abigail Weil | Jun 19, 2019 | Czech Republic, Design, Devised Theatre, News, Prague Quadrennial 2019
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PQ 2019: A Dove is a Pigeon
by Abigail Weil | Jun 18, 2019 | Czech Republic, Festivals, Musical Theatre, Prague Quadrennial 2019, Review
Hollywood Fringe Festival – “To Richard!”
Hollywood Fringe Festival – “Saving Cain”
Hollywood Fringe Festival – “Anna St. Hesia Dreams”
Hollywood Fringe Festival – “Son of a Bitch”
A Review of “Notes From Exile” from the 2018 Boska Komedia Festival: Reverberations of Antisemitism
by Rem Myers | Jan 13, 2019 | Divine Comedy Festival 2018, Festivals, Poland, Review
Zapiski Z Wygnania [Notes from Exile] directed by Magda Umer. Presented at Narodowy Stary...
ALL LATEST FESTIVAL REPORTS
Tom Block Sparks Arts Activists
by Marcina Zaccaria | Dec 11, 2025 | Festivals, LGBTQ+ Theatre, New York
“It’s completely organic. We take the best work from the United States, New York City, and around the world. We’ve worked with artists from 117 countries, 30 tribal nations. Every year in our Festival, you’re going to see, we have somewhere between 20 and 25 countries represented by maybe 30 states.”
Read MoreThe 12th Dangdai Xiao Juchang Xiqu Jie (Contemporary Black Box Xiqu Festival当代小剧场戏曲节) by Star Theatres (繁星戏剧村) in Beijing 2025
by Xunnan Li and Yuan Du | Dec 2, 2025 | China, Festivals, News
The Dangdai Xiao Juchang Xiqu Jie (Contemporary Black Box Xiqu Festival), operated at Star Theatres, has been a significant engine for contemporary experimentation of Xiqu (Chinese traditional theatre) since its establishment in 2014. Now entering its 12th year in 2025, the festival has supported more than 200 experimental Xiqu projects, drawing millions of audience members from across China. It remains one of the earliest and most influential cultural clusters where emerging Xiqu artists can articulate their creative voices in a flexible, low-cost, and artist-centred environment. Reading the slogan “He He” (和合harmony and collaboration) of this year’s festival and speaking with its founder and CEO, Mr. Fan Xing, I argue that this longstanding initiative has grown into a hybrid cultural space and the meaning of “He He” performatively means a harmonious collaboration between the futurist experimentation and the deep-rooted nostalgia.
Read MoreFITPTI – International Festival For Young Audiences 2025 – A Northeastern Romanian Story
by Teodora Medeleanu | Oct 31, 2025 | Festivals, Review, Romania
In Romanian culture, a vital coming-of-age moment for every teenager is their eighteenth birthday,...
Read MoreDebating Identity: Is It Time to Rename Cairo’s Experimental Theater Festival?
by Ati Metwaly | Sep 26, 2025 | Egypt, Essay, Festivals
The Cairo International Festival for Experimental Theater (CIFET) has long been a vital platform for the boundary-pushing theatrical voices in the Arab world, and beyond. Recently, debates have emerged over whether to keep “experimental” in its name, as the festival faces pressure to broaden its scope and attract wider audiences. The question now is how to balance honoring the festival’s experimental roots while evolving to meet the changing theatrical landscape of the 21st century.
Read MoreViolence and Therapy: 29th International Shakespeare Festival in Gdańsk, Poland, 2025
by Marta Bryś | Sep 11, 2025 | Festivals, Poland, Review
The International Shakespeare Festival in Gdańsk is not the festival of masterpieces and it never...
Read MoreEdinburgh Festival Fringe 2025 in 22 Shows
by Mert Dilek | Aug 28, 2025 | Edinburgh 2025, Review, United Kingdom
This year’s Edinburgh Festival Fringe was as sprawling and invigorating as ever, and expectedly...
Read More“When Billy Met Alasdair” At The Scottish Storytelling Centre, Edinburgh Festival Fringe 2025
by Margaret Rose | Aug 27, 2025 | Edinburgh 2025, Review, United Kingdom
Writer-actor Alan Bissett’s When Billy met Alasdair imagines what happened when Alasdair Gray...
Read MoreEdinburgh Festival Fringe 2025: Provisional Futures in a World on Fire
by Duška Radosavljević | Aug 25, 2025 | Edinburgh 2025, Essay, Theatre and Politics, United Kingdom
For the last thirty years of my attendance, the Edinburgh Festival Fringe has always been too big...
Read MoreGerman Summer Festival Theatre (2): Domfestspiele Verden, “Die Zündholzfrau”
by Daniel Meyer-Dinkgräfe | Aug 25, 2025 | Festivals, Germany, Review
In 1997, an association was founded in the German city of Verden on the river Aller, located...
Read More“No Apologies” by Emma Frankland, Edinburgh Festival Fringe 2025
by Duška Radosavljević | Aug 25, 2025 | Edinburgh 2025, Festivals, Review, United Kingdom
Emma Frankland’s No Apologies achieves something genuinely rare: a radical reimagining that...
Read More“The Ego” by Anemone Valcke and Verona Verbakel, Edinburgh Festival Fringe 2025
by Duška Radosavljević | Aug 25, 2025 | Edinburgh 2025, Festivals, Review, United Kingdom
Anemone Valcke and Verona Verbakel’s The Ego emerges from Ontroerend Goed’s theatrical...
Read More“Riot Days” by Pussy Riot, Edinburgh Festival Fringe 2025
by Duška Radosavljević | Aug 25, 2025 | Edinburgh 2025, Festivals, Review, United Kingdom
What is the purpose of performing arts when the stakes are literally life and death? Pussy...
Read More“Thanks for Being Here” by Ontroerend Goed, Edinburgh Festival Fringe 2025
by Duška Radosavljević | Aug 25, 2025 | Edinburgh 2025, Festivals, Review, United Kingdom
The Belgian Company Ontroerend Goed have been coming to the Edinburgh Fringe for so long that I...
Read MoreGerman Summer Festival Theatre (1): Theatersommer Wismar, Brecht/Weill The Threepenny Opera
by Daniel Meyer-Dinkgräfe | Aug 24, 2025 | Festivals, Germany, Review
Over the summer months, all of the publicly funded state and municipal theatres, as well as...
Read More“Aether”, Edinburgh Festival Fringe 2025
by Duška Radosavljević | Aug 24, 2025 | Edinburgh 2025, Festivals, Review, United Kingdom
Emma Howlett’s Aether arrives with impressive academic credentials—consultations with...
Read More“Little Bulb: Listen Dance”, Edinburgh Festival Fringe 2025
by Duška Radosavljević | Aug 24, 2025 | Edinburgh 2025, Festivals, Review, United Kingdom
What does it take to get you up on your feet and into the groove? Whatever your disposition,...
Read More“The Butterfly Who Flew Into The Rave”, Edinburgh Festival Fringe 2025
by Duška Radosavljević | Aug 24, 2025 | Edinburgh 2025, Festivals, New Zealand, United Kingdom
Oli Mathiesen’s dance piece The Butterfly Who Flew Into The Rave has been described by this...
Read More“A Poem And A Mistake,” Edinburgh Festival Fringe 2025
by Margaret Rose | Aug 19, 2025 | Edinburgh 2025, Review, Theatre and Gender, United Kingdom
At the Edinburgh Fringe, the solo show, A Poem and a Mistake, is playing for the entire month of...
Read More“Works And Days” By The Fc Bergman Collective, Edinburgh International Festival
by Margaret Rose | Aug 19, 2025 | Belgium, Edinburgh 2025, Review, United Kingdom
Works and Days the latest production of the FC Bergman collective, played at the Lyceum Theatre as...
Read More“Wild Thing!” By Mechanimal, Edinburgh Festival Fringe 2025
by Margaret Rose | Aug 19, 2025 | Edinburgh 2025, Review, Theatre and Science, United Kingdom
Out of the many venues at the Edinburgh Fringe Festival, Summerhall Arts is one that shines for...
Read MoreSam Kissajukian’s “Three Hundred Paintings,” Edinburgh Festival Fringe 2025
by Margaret Rose | Aug 19, 2025 | Australia, Edinburgh 2025, Review, United Kingdom
Summerhall, one of Edinburgh’s busiest venues, known for its innovative, cutting-edge programme,...
Read MoreMohamed El Khatib’s “La Vie Sècrete Des Vieux”: a Poetics of Attentive Listening
by Maria Delgado | Aug 18, 2025 | Finland, France, Review, Tampere Theatre Festival 2025
There are shows that may, on the surface, feel wafer thin, shows where nothing much seems to...
Read More“Make It Happen,” Edinburgh Festival Theatre 2025
by Margaret Rose | Aug 18, 2025 | Edinburgh 2025, Review, Scotland, United Kingdom
The Edinburgh International Festival this year, welcomes several international trailblazers like...
Read More“Suburbia,” Written And Performed By Jonny Woo, Edinburgh Festival Fringe 2025
by Margaret Rose | Aug 18, 2025 | Edinburgh 2025, Review, Theatre and Gender, United Kingdom
As I read the title of Jonny Woo’s latest show, Suburbia, I wondered how this celebrated...
Read More“Cassandra,” Written And Performed By Ailsa Dixon, Edinburgh Festival Fringe
by Margaret Rose | Aug 14, 2025 | Edinburgh 2025, Review, Scotland, Theatre and Gender
Playing at the Scottish Storytelling Centre during the Edinburgh Fringe Festival, Cassandra,...
Read MoreKaris Kelly’s “Consumed” At The Traverse Theatre, Edinburgh Festival Fringe
by Margaret Rose | Aug 14, 2025 | Edinburgh 2025, Review, United Kingdom
Here at the Edinburgh Fringe, as well as Gary McNair’s A Gambler’s Guide to Dying, I caught the...
Read More“A Gambler’s Guide To Dying” Set In Glasgow’s Gorbals, Edinburgh Festival Fringe
by Margaret Rose | Aug 14, 2025 | Edinburgh 2025, Review, Scotland
For this year’s Edinburgh Fringe Festival, the Traverse Theatre has, as usual, put together a...
Read More“Athens Of The North” at the Scottish Storytelling Centre, Edinburgh Festival Fringe
by Margaret Rose | Aug 13, 2025 | Edinburgh 2025, Review, Scotland
The expression ‘Athens of the North’, the title of the play in the present review, conjures up an...
Read More“Buen Camino,” Edinburgh Festival Fringe 2025
by Margaret Rose | Aug 13, 2025 | Edinburgh 2025, Review, Scotland, United States of America
‘Dare to Discover’ is the leitmotiv of the 2025 Edinburgh Fringe running from 1st to 25th August....
Read MoreTampere Theatre Festival 2025: Worlds in Miniature
by Maria Delgado | Aug 11, 2025 | Festivals, Finland, Review, Tampere Theatre Festival 2025
In the opening page of the 2025 Tampere Theatre Festival brochure, the artistic team (Hilkka-Liisa...
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