


“When Billy Met Alasdair” At The Scottis...

Edinburgh Festival Fringe 2025: Provisio...

“No Apologies” by Emma Frank...

“The Ego” by Anemone Valcke ...

“Riot Days” by Pussy Riot, E...

“Thanks for Being Here” by O...

“Aether”, Edinburgh Festival...

“Little Bulb: Listen Dance”,...

“The Butterfly Who Flew Into The R...

“A Poem And A Mistake,” Edin...

“Works And Days” By The Fc B...

“Wild Thing!” By Mechanimal, Edinburgh F...

Sam Kissajukian’s “Three Hundred Paintin...

“Make It Happen,” Edinburgh ...

“Suburbia,” Written And Performed By Jon...

“Cassandra,” Written And Performed By Ai...

Karis Kelly’s “Consumed” At The Traverse...

“A Gambler’s Guide To Dying” Set In Glas...

“Athens Of The North” at the...

“Buen Camino,” Edinburgh Fes...
“From Dust.” Another Review. Holland Festival 2025.
by Róisín Daly | Aug 6, 2025 | Holland Festival 2025, Netherlands, Review, Theatre and AI
Stepping into From Dust feels less like attending a performance and more like consciously entering...
-
-
The Theater of Metaverse
by Hayel Ali Al-Mathabi | May 10, 2025 | Essay, Festivals, Theatre and AI, Theatre and Science
-
-
LATEST NEWS FROM AROUND THE WORLD





“The Gilded Age” Season 3 Casting Secrets
-440x264.jpeg)
Curtain-Up in Taipei: A City Stages Its Own Tonys



On Kyoto Experiment’s Curatorial Vision

The Images of Me: 2024 Prologue New Play Festival














“Aether”, Edinburgh Festival Fringe 2025



Tampere Theatre Festival 2025: Worlds in Miniature


Mark Rosenblatt’s “Giant” in Barcelona
![Between Life And Death: A Festival’s Journey Through Tragedy [Part II]](https://thetheatretimes.com/wp-content/uploads/2025/07/Picture7-e1752848456230-440x264.jpg)
![Between Life And Death: A Festival’s Journey Through Tragedy [Part I]](https://thetheatretimes.com/wp-content/uploads/2025/07/Picture4-1-440x264.jpg)






The Theater of Metaverse


Theatre “Haunts” People
![2024 Dublin Theatre Festival – Subjective Report [Part II]](https://thetheatretimes.com/wp-content/uploads/2025/03/Picture5-440x264.jpg)
![2024 Dublin Theatre Festival – Subjective Report [Part I]](https://thetheatretimes.com/wp-content/uploads/2025/03/Picture2-440x264.jpg)



On Kyoto Experiment’s Curatorial Vision



The Images of Me: 2024 Prologue New Play Festival

“In The Name Of Profit” At Fringe Milano Off



“My Mother’s Funeral”

“L’Addition,” S’il Vous Plait

“The Amazing Doctor She Medicine Show”

Climate Change Shakespeare. “A Midsummer’s Tempest”

Bologna To Edinburgh Non-Stop



“Freak Out!” A Heady Cocktail About Climate Change

“In Two Minds.” Female Led Irish Storytelling



“Penthesilea” After Von Kleist. Let’s Rock

“Hamstrung.” Yorick’s Untold Story

Isabella Rossellini at Rubix Festival in Montenegro

“The Outrun”
- Acting
- Directing
- Dramaturgy
- Design
- Management
- Playwriting
Conor McPherson’s “The Weir” at the Harold Pinter Theatre: Beautifully Acted Revival Of A 1990s New Writing Classic
by Aleks Sierz | Sep 26, 2025 | Acting, Dramaturgy, London, Review, United Kingdom
Perhaps it’s an indicator of the feebleness of new writing after the pandemic that so many of the...
Lessing’s “Emilia Galotti” As Directorial Debut In Bremen
by Daniel Meyer-Dinkgräfe | Sep 9, 2025 | Directing, Germany, Review
At German theatres, some assistant directors are employed for the duration of a production, from...
-
I Hold On To The Beautiful Side Of Theatre
by Ivanka Apostolova Baskar | Aug 27, 2025 | Directing, Interview, Macedonia
-
-
-
Conor McPherson’s “The Weir” at the Harold Pinter Theatre: Beautifully Acted Revival Of A 1990s New Writing Classic
by Aleks Sierz | Sep 26, 2025 | Acting, Dramaturgy, London, Review, United Kingdom
Perhaps it’s an indicator of the feebleness of new writing after the pandemic that so many of the...
-
-
-
Annie Jin Wang on Opera Dramaturgy
by Anne Hamilton | Jul 10, 2025 | Dramaturgy, Interview, Theatre and Opera, United States of America
-
Ambiguous Space: A Review of the Chinese Play “L’histoire d’un Accident” at Avignon 2025
by Xunnan Li | Jul 26, 2025 | Avignon 2025, China, Chinese Theatre Abroad, Design, Review
Feng Lu’s “L’histoire d’un Accident”, presented in Avignon 2025, offers a layered exploration of theatrical space inspired by Henri Lefebvre’s theory of spatial production. The play unfolds through a play-within-a-play structure, blending backstage conflict, parody, and audience disruption to challenge the boundary between fiction and reality. A planted “spectator” blurs the line between performance and life, turning spatial ambiguity into a central aesthetic strategy. Rather than seeking clarity, the production invites audiences to dwell in uncertainty, where ambiguity becomes an essential part of how space is experienced, performed, and emotionally understood.
Unbound Curation – The Freedom Of Programming Without Frames
by Ivanka Apostolova Baskar | Sep 5, 2025 | Belgium, Interview, Management
An Interview with Mr. Guy Coolen, art director, producer, manager, Antwerp, Belgium/Rotterdam,...
-
-
-
On Kyoto Experiment’s Curatorial Vision
by Ilinca Todoruţ | Dec 5, 2024 | Festivals, Japan, Kyoto Experiment 2024, Management, News
-
Duncan Macmillan’s Every Brilliant Thing at @Sohoplace: Moving Mixture Of Joyous Theatricality And Serious Mental Health Themes
by Aleks Sierz | Aug 23, 2025 | Playwriting, Review, United Kingdom
Slowly, very slowly, the audience begins to arrive. Taking their seats, shedding jackets,...




“Ja Goryl, Ty Człowiek:” Understanding Koko

“PÚPÄTKO” from the Slovak Ján Palárik Theatre

“Drapando:” Scratching For A Connection




“My Mother’s Funeral”

“The Popess” Visits The Edinburgh Fringe Festival


Edinburgh Festival Fringe 2024 Overview

“L’Addition,” S’il Vous Plait



“The Amazing Doctor She Medicine Show”

Climate Change Shakespeare. “A Midsummer’s Tempest”

Bologna To Edinburgh Non-Stop



“Freak Out!” A Heady Cocktail About Climate Change

“In Two Minds.” Female Led Irish Storytelling

“Penthesilea” After Von Kleist. Let’s Rock

“Hamstrung.” Yorick’s Untold Story

“The Outrun”

“Invisible Lands,” Bodies, Gods, and… People

“Pericles” – An Odyssey from Timișoara

“Youth Without God;” Unkind, Realistic Reminder


Decolonizing Iraqi Theatre: Why We Need to Stop Quoting the West
by Amir Al-Azraki | Aug 3, 2025 | Essay, Iraq, Theatre and Decolonization
Inherited Voices: A Theatre of Borrowed Authority Recently, I’ve found myself drawn to a popular...
- Africa
- Asia
- Europe
- North America
- South America
- Oceania
Debating Identity: Is It Time to Rename Cairo’s Experimental Theater Festival?
by Ati Metwaly | Sep 26, 2025 | Egypt, Essay, Festivals
The Cairo International Festival for Experimental Theater (CIFET) has long been a vital platform for the boundary-pushing theatrical voices in the Arab world, and beyond. Recently, debates have emerged over whether to keep “experimental” in its name, as the festival faces pressure to broaden its scope and attract wider audiences. The question now is how to balance honoring the festival’s experimental roots while evolving to meet the changing theatrical landscape of the 21st century.
-
-
-
-
“My Father’s Fable,” Bush Theatre
by Aleks Sierz | Jun 25, 2024 | Nigeria, Review, United Kingdom
International Project – Dramaturgy Lab: Exploring West Balkan Plays – “Big Deal” By Mia Efremova
by Ivanka Apostolova Baskar | Sep 17, 2025 | Dramaturgy, Hong Kong, Interview, Macedonia, Transcultural Collaborations
Collective interview with Amy Sze (Theatre maker and arts producer, London, UK-Hong Kong), Mia...
-
We Passed Through The Wall Of Sorrow Together
by Mehdi Shahedi | Aug 26, 2025 | Essay, Iran, Theatre and Politics
-
-
-
James Graham’s “Punch” at the Apollo Theatre: Compelling And Emotionally Intense Account Of Restorative Justice
by Aleks Sierz | Sep 30, 2025 | Documentary Theatre, Review, Theatre and Politics, United Kingdom
Broken Britain has a big problem with youth. About a million of those aged 16 to 24 are NEETs (not...
Cruelty, Guilt, And Redemption Intertwine In “The Mutt” At IATI Theater
by Victoria Zavyalova | Sep 19, 2025 | Adaptation, New York, Review, United States of America
With minimal décor and symbolism in every gesture, The Mutt — an adaptation of Dostoevsky’s The...
-
-
“Buen Camino,” Edinburgh Festival Fringe 2025
by Margaret Rose | Aug 13, 2025 | Edinburgh 2025, Review, Scotland, United States of America
-
-
Oscar Barney Finn and Paulo Brunetti Interview
by Jack Wernick | Aug 20, 2024 | Adaptation, Argentina, Interview
I had the opportunity to interview frequent collaborators, writer-director Oscar Barney Finn and...
“The Butterfly Who Flew Into The Rave”, Edinburgh Festival Fringe 2025
by Duška Radosavljević | Aug 24, 2025 | Edinburgh 2025, Festivals, New Zealand, United Kingdom
Oli Mathiesen’s dance piece The Butterfly Who Flew Into The Rave has been described by this...
-
-
-
-
Bell Shakespeare’s New “King Lear” Understands The Joy Of A Good Tragedy
by Kirk Dodd | Jul 20, 2024 | Australia, Dramaturgy, Review, Sydney
Philip Ridley’s Tarantula at the Arcola Theatre: Blazingly Emotive And Beautifully Poetic Account Of Trauma From A Master Penman
by Aleks Sierz | Jan 22, 2025 | Covid-19, London, Playwriting, Review, United Kingdom
Even the best streamed theatre can’t compete with the live version. It’s simple — with this art...
-
The Digital Spectator. Romanian Experiences During the Pandemic
by Călin Ciobotari | Feb 17, 2023 | Covid-19, Essay, Festivals, Romania, Transmedia
-
-
-
SECTIONS
Visit Performap.com - an Interactive Digital Map of Global Theatre and Performance Festivals developed by TheTheatreTimes.com. With hundreds of festivals browsable and searchable by festival location, type, and date, Performap is the first extensive digital index of its kind in the field, built expressly for artists, audiences, critics, scholars, festival organizers, curators, and presenters from around the world.
ESSAYS
Debating Identity: Is It Time to Rename Cairo’s Experimental Theater Festival?
by Ati Metwaly | Sep 26, 2025 | Egypt, Essay, Festivals
The Cairo International Festival for Experimental Theater (CIFET) has long been a vital platform for the boundary-pushing theatrical voices in the Arab world, and beyond. Recently, debates have emerged over whether to keep “experimental” in its name, as the festival faces pressure to broaden its scope and attract wider audiences. The question now is how to balance honoring the festival’s experimental roots while evolving to meet the changing theatrical landscape of the 21st century.
-
We Passed Through The Wall Of Sorrow Together
by Mehdi Shahedi | Aug 26, 2025 | Essay, Iran, Theatre and Politics
-
INTERVIEWS
International Project – Dramaturgy Lab: Exploring West Balkan Plays – “Big Deal” By Mia Efremova
by Ivanka Apostolova Baskar | Sep 17, 2025 | Dramaturgy, Hong Kong, Interview, Macedonia, Transcultural Collaborations
Collective interview with Amy Sze (Theatre maker and arts producer, London, UK-Hong Kong), Mia...
REVIEWS
James Graham’s “Punch” at the Apollo Theatre: Compelling And Emotionally Intense Account Of Restorative Justice
by Aleks Sierz | Sep 30, 2025 | Documentary Theatre, Review, Theatre and Politics, United Kingdom
Broken Britain has a big problem with youth. About a million of those aged 16 to 24 are NEETs (not...
READ ALL LATEST
James Graham’s “Punch” at the Apollo Theatre: Compelling And Emotionally Intense Account Of Restorative Justice
by Aleks Sierz | Sep 30, 2025 | Documentary Theatre, Review, Theatre and Politics, United Kingdom
Broken Britain has a big problem with youth. About a million of those aged 16 to 24 are NEETs (not...
Read More“Full Moon” by Josef Nadj at the Festival of International Alternative Theatre (FIAT) in Montenegro
by Emilija Kvočka | Sep 30, 2025 | Montenegro, Review, Theatre and Dance
“By the term theatre we do not only mean its expressive linguistic side, but also the cultural,...
Read MoreDebating Identity: Is It Time to Rename Cairo’s Experimental Theater Festival?
by Ati Metwaly | Sep 26, 2025 | Egypt, Essay, Festivals
The Cairo International Festival for Experimental Theater (CIFET) has long been a vital platform for the boundary-pushing theatrical voices in the Arab world, and beyond. Recently, debates have emerged over whether to keep “experimental” in its name, as the festival faces pressure to broaden its scope and attract wider audiences. The question now is how to balance honoring the festival’s experimental roots while evolving to meet the changing theatrical landscape of the 21st century.
Read MoreConor McPherson’s “The Weir” at the Harold Pinter Theatre: Beautifully Acted Revival Of A 1990s New Writing Classic
by Aleks Sierz | Sep 26, 2025 | Acting, Dramaturgy, London, Review, United Kingdom
Perhaps it’s an indicator of the feebleness of new writing after the pandemic that so many of the...
Read MoreCruelty, Guilt, And Redemption Intertwine In “The Mutt” At IATI Theater
by Victoria Zavyalova | Sep 19, 2025 | Adaptation, New York, Review, United States of America
With minimal décor and symbolism in every gesture, The Mutt — an adaptation of Dostoevsky’s The...
Read MoreInternational Project – Dramaturgy Lab: Exploring West Balkan Plays – “Big Deal” By Mia Efremova
by Ivanka Apostolova Baskar | Sep 17, 2025 | Dramaturgy, Hong Kong, Interview, Macedonia, Transcultural Collaborations
Collective interview with Amy Sze (Theatre maker and arts producer, London, UK-Hong Kong), Mia...
Read MoreTheatre Is A University, A Lifelong Study Of Human Nature
by Ivanka Apostolova Baskar | Sep 15, 2025 | Acting, Interview, Macedonia
Interview with Sandra Gribovska Ilievska, theatre actress, Bitola, R. Macedonia Sandra Gribovska...
Read MoreViolence and Therapy: 29th International Shakespeare Festival in Gdańsk, Poland, 2025
by Marta Bryś | Sep 11, 2025 | Festivals, Poland, Review
The International Shakespeare Festival in Gdańsk is not the festival of masterpieces and it never...
Read MoreLessing’s “Emilia Galotti” As Directorial Debut In Bremen
by Daniel Meyer-Dinkgräfe | Sep 9, 2025 | Directing, Germany, Review
At German theatres, some assistant directors are employed for the duration of a production, from...
Read MoreUnbound Curation – The Freedom Of Programming Without Frames
by Ivanka Apostolova Baskar | Sep 5, 2025 | Belgium, Interview, Management
An Interview with Mr. Guy Coolen, art director, producer, manager, Antwerp, Belgium/Rotterdam,...
Read More“Tired” Of Consuming Postdramatic Theatre (Contemporary Theatre Often Lacks Strong Dialogue)
by Ivanka Apostolova Baskar | Aug 31, 2025 | Austria, Dramaturgy, Interview, Macedonia
An Interview with Ana Ristoska Trpenoska, a playwright, dramaturg, Vienna/Skopje, Austria/R.N....
Read MoreShakespeare In The Park At The New Delacorte Theater: Love Is Gender Fluid
by Cristina Modreanu | Aug 30, 2025 | New York, Review, Theatre and Politics, United States of America
In a world where the rule is to make huge efforts to attain an “effortless, relaxed” look, the new...
Read MoreTo Embrace Vulnerability As One Of My Greatest Strengths (Stronger, Braver, Vulnerable)
by Ivanka Apostolova Baskar | Aug 28, 2025 | Acting, Interview, Macedonia
An Interview with wonderful talented actresses Jovana Miladinova, Skopje, R.N. Macedonia....
Read MoreEdinburgh Festival Fringe 2025 in 22 Shows
by Mert Dilek | Aug 28, 2025 | Edinburgh 2025, Review, United Kingdom
This year’s Edinburgh Festival Fringe was as sprawling and invigorating as ever, and expectedly...
Read More“When Billy Met Alasdair” At The Scottish Storytelling Centre, Edinburgh Festival Fringe 2025
by Margaret Rose | Aug 27, 2025 | Edinburgh 2025, Review, United Kingdom
Writer-actor Alan Bissett’s When Billy met Alasdair imagines what happened when Alasdair Gray...
Read MoreI Hold On To The Beautiful Side Of Theatre
by Ivanka Apostolova Baskar | Aug 27, 2025 | Directing, Interview, Macedonia
Interview with theatre director Tamara Stojanoska, Skopje/Prilep, R.N. Macedonia. Interviewer...
Read MoreWe Passed Through The Wall Of Sorrow Together
by Mehdi Shahedi | Aug 26, 2025 | Essay, Iran, Theatre and Politics
We are an avant-garde theatre group, and after our successful performance of The History Boys by...
Read MoreEdinburgh Festival Fringe 2025: Provisional Futures in a World on Fire
by Duška Radosavljević | Aug 25, 2025 | Edinburgh 2025, Essay, Theatre and Politics, United Kingdom
For the last thirty years of my attendance, the Edinburgh Festival Fringe has always been too big...
Read MoreGerman Summer Festival Theatre (2): Domfestspiele Verden, “Die Zündholzfrau”
by Daniel Meyer-Dinkgräfe | Aug 25, 2025 | Festivals, Germany, Review
In 1997, an association was founded in the German city of Verden on the river Aller, located...
Read More“No Apologies” by Emma Frankland, Edinburgh Festival Fringe 2025
by Duška Radosavljević | Aug 25, 2025 | Edinburgh 2025, Festivals, Review, United Kingdom
Emma Frankland’s No Apologies achieves something genuinely rare: a radical reimagining that...
Read More“The Ego” by Anemone Valcke and Verona Verbakel, Edinburgh Festival Fringe 2025
by Duška Radosavljević | Aug 25, 2025 | Edinburgh 2025, Festivals, Review, United Kingdom
Anemone Valcke and Verona Verbakel’s The Ego emerges from Ontroerend Goed’s theatrical...
Read More“Riot Days” by Pussy Riot, Edinburgh Festival Fringe 2025
by Duška Radosavljević | Aug 25, 2025 | Edinburgh 2025, Festivals, Review, United Kingdom
What is the purpose of performing arts when the stakes are literally life and death? Pussy...
Read More“Thanks for Being Here” by Ontroerend Goed, Edinburgh Festival Fringe 2025
by Duška Radosavljević | Aug 25, 2025 | Edinburgh 2025, Festivals, Review, United Kingdom
The Belgian Company Ontroerend Goed have been coming to the Edinburgh Fringe for so long that I...
Read MoreGerman Summer Festival Theatre (1): Theatersommer Wismar, Brecht/Weill The Threepenny Opera
by Daniel Meyer-Dinkgräfe | Aug 24, 2025 | Festivals, Germany, Review
Over the summer months, all of the publicly funded state and municipal theatres, as well as...
Read More“Aether”, Edinburgh Festival Fringe 2025
by Duška Radosavljević | Aug 24, 2025 | Edinburgh 2025, Festivals, Review, United Kingdom
Emma Howlett’s Aether arrives with impressive academic credentials—consultations with...
Read More“Little Bulb: Listen Dance”, Edinburgh Festival Fringe 2025
by Duška Radosavljević | Aug 24, 2025 | Edinburgh 2025, Festivals, Review, United Kingdom
What does it take to get you up on your feet and into the groove? Whatever your disposition,...
Read More“The Butterfly Who Flew Into The Rave”, Edinburgh Festival Fringe 2025
by Duška Radosavljević | Aug 24, 2025 | Edinburgh 2025, Festivals, New Zealand, United Kingdom
Oli Mathiesen’s dance piece The Butterfly Who Flew Into The Rave has been described by this...
Read MoreDuncan Macmillan’s Every Brilliant Thing at @Sohoplace: Moving Mixture Of Joyous Theatricality And Serious Mental Health Themes
by Aleks Sierz | Aug 23, 2025 | Playwriting, Review, United Kingdom
Slowly, very slowly, the audience begins to arrive. Taking their seats, shedding jackets,...
Read More“A Poem And A Mistake,” Edinburgh Festival Fringe 2025
by Margaret Rose | Aug 19, 2025 | Edinburgh 2025, Review, Theatre and Gender, United Kingdom
At the Edinburgh Fringe, the solo show, A Poem and a Mistake, is playing for the entire month of...
Read More“Works And Days” By The Fc Bergman Collective, Edinburgh International Festival
by Margaret Rose | Aug 19, 2025 | Belgium, Edinburgh 2025, Review, United Kingdom
Works and Days the latest production of the FC Bergman collective, played at the Lyceum Theatre as...
Read More“Wild Thing!” By Mechanimal, Edinburgh Festival Fringe 2025
by Margaret Rose | Aug 19, 2025 | Edinburgh 2025, Review, Theatre and Science, United Kingdom
Out of the many venues at the Edinburgh Fringe Festival, Summerhall Arts is one that shines for...
Read MoreSam Kissajukian’s “Three Hundred Paintings,” Edinburgh Festival Fringe 2025
by Margaret Rose | Aug 19, 2025 | Australia, Edinburgh 2025, Review, United Kingdom
Summerhall, one of Edinburgh’s busiest venues, known for its innovative, cutting-edge programme,...
Read MoreMohamed El Khatib’s “La Vie Sècrete Des Vieux”: a Poetics of Attentive Listening
by Maria Delgado | Aug 18, 2025 | Finland, France, Review, Tampere Theatre Festival 2025
There are shows that may, on the surface, feel wafer thin, shows where nothing much seems to...
Read More“Make It Happen,” Edinburgh Festival Theatre 2025
by Margaret Rose | Aug 18, 2025 | Edinburgh 2025, Review, Scotland, United Kingdom
The Edinburgh International Festival this year, welcomes several international trailblazers like...
Read More“Suburbia,” Written And Performed By Jonny Woo, Edinburgh Festival Fringe 2025
by Margaret Rose | Aug 18, 2025 | Edinburgh 2025, Review, Theatre and Gender, United Kingdom
As I read the title of Jonny Woo’s latest show, Suburbia, I wondered how this celebrated...
Read More“Cassandra,” Written And Performed By Ailsa Dixon, Edinburgh Festival Fringe
by Margaret Rose | Aug 14, 2025 | Edinburgh 2025, Review, Scotland, Theatre and Gender
Playing at the Scottish Storytelling Centre during the Edinburgh Fringe Festival, Cassandra,...
Read MoreKaris Kelly’s “Consumed” At The Traverse Theatre, Edinburgh Festival Fringe
by Margaret Rose | Aug 14, 2025 | Edinburgh 2025, Review, United Kingdom
Here at the Edinburgh Fringe, as well as Gary McNair’s A Gambler’s Guide to Dying, I caught the...
Read More“A Gambler’s Guide To Dying” Set In Glasgow’s Gorbals, Edinburgh Festival Fringe
by Margaret Rose | Aug 14, 2025 | Edinburgh 2025, Review, Scotland
For this year’s Edinburgh Fringe Festival, the Traverse Theatre has, as usual, put together a...
Read More“Athens Of The North” at the Scottish Storytelling Centre, Edinburgh Festival Fringe
by Margaret Rose | Aug 13, 2025 | Edinburgh 2025, Review, Scotland
The expression ‘Athens of the North’, the title of the play in the present review, conjures up an...
Read More“Buen Camino,” Edinburgh Festival Fringe 2025
by Margaret Rose | Aug 13, 2025 | Edinburgh 2025, Review, Scotland, United States of America
‘Dare to Discover’ is the leitmotiv of the 2025 Edinburgh Fringe running from 1st to 25th August....
Read MoreGotta Spoof ‘Em All: “Balls: The Monster-Catchin’ Musical Comedy” Parodies Pokémon in NYC
by Andrew Agress | Aug 13, 2025 | Musical Theatre, New York, United States of America
As a child of the 90s, I engaged in a popular post-school ritual growing up: plopping down in...
Read MoreTampere Theatre Festival 2025: Worlds in Miniature
by Maria Delgado | Aug 11, 2025 | Festivals, Finland, Review, Tampere Theatre Festival 2025
In the opening page of the 2025 Tampere Theatre Festival brochure, the artistic team (Hilkka-Liisa...
Read MoreFlightless, Caged “Angels In America”
by Teodora Medeleanu | Aug 10, 2025 | Poland, Review, Theatre and Science
Sitting through 5 and a half hours of performance might seem like an exercise of will and...
Read MoreBarcelona’s 2025 Grec Festival: “The Performing Arts as a Critical and Poetic Tool”
by Maria Delgado | Aug 6, 2025 | Festivals, Review, Spain
The 2025 Grec festival, the first under the new directorship of Leticia Martín Ruiz, opened on 26...
Read MoreThe TikTok-isation Of Theatre? – “Dziewczyna, Która Podeptała Chleb”
by Teodora Medeleanu | Aug 6, 2025 | Poland, Review, Theatre and Religion
Jumping from one story to another or from a specific timeline to an entirely different one seems,...
Read More“Trilogia Cadela Força – Capítulo II: The Brotherhood.” Review. Holland Festival 2025.
by Jenny Strataki | Aug 6, 2025 | Holland Festival 2025, Netherlands, Review
My colleague Jonathan and I were walking towards Leidseplein and the Internationaal Theater...
Read More“From Dust.” Another Review. Holland Festival 2025.
by Róisín Daly | Aug 6, 2025 | Holland Festival 2025, Netherlands, Review, Theatre and AI
Stepping into From Dust feels less like attending a performance and more like consciously entering...
Read More“From Dust.” Review. Holland Festival 2025.
by Javad Mohajeri | Aug 6, 2025 | Holland Festival 2025, Netherlands, Review, Theatre and AI
Arrival and Anticipation On Thursday, June 19, I participated in Michel van der Aa’s From Dust....
Read More“Welcome to Asbestos Hall.” Review. Part II. Holland Festival 2025.
by Unnur Hlíf Rúnarsdóttir | Aug 6, 2025 | Holland Festival 2025, Netherlands, Review
For Part I of this review, go here. Yet again, I find myself at the edge of Amsterdam, at the...
Read More“Welcome to Asbestos Hall.” Review. Part I. Holland Festival 2025.
by Unnur Hlíf Rúnarsdóttir | Aug 6, 2025 | Holland Festival 2025, Netherlands, Review
It is the third day of the Holland Festival, and I make my way to what feels like the edge of...
Read More
- 1
- ...
- 2
- 3
- 4
- 5
- 6
- 7
- 8
- 9
- 10
- 11
- 12
- 13
- 14
- 15
- 16
- 17
- 18
- 19
- 20
- 21
- 22
- 23
- 24
- 25
- 26
- 27
- 28
- 29
- 30
- 31
- 32
- 33
- 34
- 35
- 36
- 37
- 38
- 39
- 40
- 41
- 42
- 43
- 44
- 45
- 46
- 47
- 48
- 49
- 50
- 51
- 52
- 53
- 54
- 55
- 56
- 57
- 58
- 59
- 60
- 61
- 62
- 63
- 64
- 65
- 66
- 67
- 68
- 69
- 70
- 71
- 72
- 73
- 74
- 75
- 76
- 77
- 78
- 79
- 80
- 81
- 82
- 83
- 84
- 85
- 86
- 87
- 88
- 89
- 90
- 91
- 92
- 93
- 94
- 95
- 96
- 97
- 98
- 99
- 100
- 101
- 102
- 103
- 104
- 105
- 106
- 107
- 108
- ...
- 109
Like Us On Facebook

Most Popular Posts
Cruelty, Guilt, And Redemption Intertwine In… by Victoria Zavyalova 19th September 2025 Shakespeare In Iraq: An Interview With Dr. Samir Talib by Amir Al-Azraki 9th November 2024Rock Opera and Musical Theatre. An exclusive… by Lisa Monde 7th July 2025
“Tired” Of Consuming Postdramatic… by Ivanka Apostolova Baskar 31st August 2025
Mozart! The Gem of European Musical Theatre by Lisa Monde 8th October 2024
Unbound Curation – The Freedom Of Programming… by Ivanka Apostolova Baskar 5th September 2025 Violence and Therapy: 29th International Shakespeare… by Marta Bryś 11th September 2025 Edinburgh Festival Fringe 2025: Provisional Futures… by Duška Radosavljević 25th August 2025 Theatre Is A University, A Lifelong Study Of Human Nature by Ivanka Apostolova Baskar 15th September 202529th International Shakespeare Festival runs in… by Kasia Lech 10th July 2025
Recent Posts
- James Graham’s “Punch” at the Apollo Theatre: Compelling And Emotionally Intense Account Of Restorative Justice 30th September 2025
- “Full Moon” by Josef Nadj at the Festival of International Alternative Theatre (FIAT) in Montenegro 30th September 2025
- Debating Identity: Is It Time to Rename Cairo’s Experimental Theater Festival? 26th September 2025
- Conor McPherson’s “The Weir” at the Harold Pinter Theatre: Beautifully Acted Revival Of A 1990s New Writing Classic 26th September 2025
- Cruelty, Guilt, And Redemption Intertwine In “The Mutt” At IATI Theater 19th September 2025
- International Project – Dramaturgy Lab: Exploring West Balkan Plays – “Big Deal” By Mia Efremova 17th September 2025
- Theatre Is A University, A Lifelong Study Of Human Nature 15th September 2025
- Violence and Therapy: 29th International Shakespeare Festival in Gdańsk, Poland, 2025 11th September 2025
- Lessing’s “Emilia Galotti” As Directorial Debut In Bremen 9th September 2025
- Unbound Curation – The Freedom Of Programming Without Frames 5th September 2025
M | T | W | T | F | S | S |
---|---|---|---|---|---|---|
1 | 2 | 3 | 4 | 5 | ||
6 | 7 | 8 | 9 | 10 | 11 | 12 |
13 | 14 | 15 | 16 | 17 | 18 | 19 |
20 | 21 | 22 | 23 | 24 | 25 | 26 |
27 | 28 | 29 | 30 | 31 |