Roxy Cook’s A Woman Walks into a Bank at Theatre 503: Sublimely Beguiling Account of Everyday Life in Twenty-First Century Moscow
The recent news that Russia’s Supreme Court has banned the “international LGBT movement”,...
Read Moreby Aleks Sierz | Dec 7, 2023 | Playwriting, Review, Russia, Theatre and Age, United Kingdom | 0
The recent news that Russia’s Supreme Court has banned the “international LGBT movement”,...
Read Moreby Lisa Monde | Dec 7, 2023 | Interview, Musical Theatre, New York, United States of America | 0
Little Shop of Horrors is a famous rock musical by Alan Menken, with the book and lyrics written...
Read Moreby S.E. Gontarski | Dec 5, 2023 | Collaborating Across Cultures, Poland, Theatre and Film, Translation | 0
For some of us, the critical process, our practice – that is, what we do – is a continuous and...
Read Moreby Margaret Rose | Dec 1, 2023 | Essay, Italy, Theatre and Age | 0
Since 2015 my theatre studies colleague, Cristina Cavecchi, and I have been leading Shakespeare...
Read Moreby Anne Hamilton | Nov 30, 2023 | Interview, New York, Transmedia, United States of America | 0
Within the past six years, prominent Romanian playwright Saviana Stănescu has written two “AI...
Read Moreby Martin Blaszk | Nov 29, 2023 | Brazil, Poland, Review | 0
Waiting for Lucky and Quê Onde [1] were presented on the evening of Friday May 19, 2023 in Teatr...
Read Moreby Verity Healey | Nov 28, 2023 | Interview, Kosovo, Ukraine | 0
Orest Pastukh is a theatre and film actor, director, playwright and educator. He was born in the...
Read Moreby Soo Ryon Yoon | Nov 26, 2023 | Review, South Korea, Theatre and Dance | 0
In this day and age, the word data evokes preconceived images of algorithms, artificial...
Read Moreby Aleks Sierz | Nov 25, 2023 | London, Review, Theatre and Politics, United Kingdom, Worldwide | 0
Journalism is a despised profession. And when you consider the story behind the interview that...
Read Moreby Trevor Boffone | Nov 24, 2023 | Transmedia, United States of America | 0
“Is it me? Am I the drama?” I’m going to be completely honest with you. Sometimes I am the drama....
Read Moreby Sruti Bala and Rashna D. Nicholson | Nov 22, 2023 | Education, India, Theatre and Politics | 0
What is the task of a humanities education? The following incident, which recently took place in...
Read Moreby Rhiannon Ling | Nov 20, 2023 | New York, Review, Theatre and Decolonization, United States of America | 0
I stopped taking notes about halfway through Brittany K. Allen’s Redwood. I can think of no better...
Read Moreby Verity Healey | Nov 19, 2023 | Kosovo, Review, Theatre and Politics | 0
A persistent theme in this year’s Kosovo Theatre Showcase has been remembrance. A takeaway from...
Read Moreby Rhiannon Ling | Nov 14, 2023 | Adaptation, New York, Review, United States of America, Worldwide | 0
The Sheen Center is, I find myself thinking, the perfect place to host Locus29’s Hell Dialogues....
Read Moreby Verity Healey | Nov 13, 2023 | Kosovo, Review, Theatre and Politics | 0
The Shadow Garden, part of this year’s Kosovo Theatre Showcase, seems an almost impossible task to...
Read Moreby Victoria Chen | Nov 10, 2023 | Review, United Kingdom | 0
One of the first questions anyone would ask after looking at a poster of Jonathan Maitland’s...
Read Moreby Lisa Monde | Nov 9, 2023 | Interview, Musical Theatre, United Kingdom, United States of America | 0
The musical Wicked premiered on Broadway twenty years ago and quickly earned the title of the very...
Read Moreby Verity Healey | Nov 8, 2023 | Kosovo, Review, Theatre and Politics | 0
There are wars, and then there are post wars, the kind of which take place around the negotiating...
Read Moreby Verity Healey | Nov 6, 2023 | Dramaturgy, Kosovo, Review | 0
Some years ago, I discussed my love of buckwheat with the co-artistic director of Belarus Free...
Read Moreby Verity Healey | Nov 2, 2023 | Kosovo, Review, Theatre and Politics | 0
Everywhere’s a stage, but not all stages are equal. Some stages are empty of story and empathy,...
Read Moreby Rhiannon Ling | Nov 1, 2023 | New York, Playwriting, Review, Theatre and Gender, United States of America | 0
To begin as we proceed, with full transparency, I have to admit how big a fan I am of SheNYC Arts...
Read Moreby Maria Delgado | Oct 30, 2023 | Review, Spain | 0
It is not an easy prospect to adapt into opera one of the most acclaimed social realist novels of...
Read Moreby Maria Delgado | Oct 28, 2023 | Review, Spain | 0
There is something beguiling, provocative and timely in Andrés Lima’s staging of Antonio San...
Read Moreby Maria Delgado | Oct 27, 2023 | Review, Spain | 0
Agrupación Señor Serrano go where other theatre-makers fear to tread. They are always one step...
Read Moreby Emilija Kvočka | Oct 26, 2023 | Festivals, Review, Serbia | 0
The Belgrade International Theater Festival was founded in 1967 and to this day represents one of...
Read Moreby Sarah Austin | Oct 25, 2023 | Adaptation, Australia, Review | 0
Emerging from one of Australia’s most enduring and significant theatrical partnerships between...
Read Moreby Emiliia Dementsova | Oct 25, 2023 | Directing, Festivals, Hungary, Review, Theatre Olympics 2023 | 0
One of the most popular dishes in French cuisine is tartare. Diced beef with egg yolk and lots of...
Read Moreby Aleks Sierz | Oct 24, 2023 | London, Review, Theatre and Gender, United Kingdom | 0
Famous sex scandals don’t always make good plays. Although the tabloid nature of such events...
Read Moreby Aleks Sierz | Oct 23, 2023 | Adaptation, Books, London, Review, United Kingdom | 0
Why are stage adaptations of bestselling novels so disappointing? Okay, I appreciate the...
Read Moreby Rhiannon Ling | Oct 22, 2023 | Adaptation, New York, Review, Theatre and Gender, United States of America, Worldwide | 0
Anat Gov’s Best Friends lives in a world of dichotomy. The title is both entirely true and...
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