“The Bald Soprano,” French Absurd Theater Becomes a German Contemporary Opera Buffa
There are some myths about the opera that are not true. Firstly, that young people do not like...
Read Moreby Antonio Hernández Nieto | Mar 18, 2024 | Germany, Review, Theatre and Opera | 0
There are some myths about the opera that are not true. Firstly, that young people do not like...
Read Moreby Aleks Sierz | Mar 14, 2024 | London, Review, Theatre and Politics, United Kingdom | 0
For me, this is the most emotional show on the London stage. Why’s that? Because it’s about Nye...
Read Moreby Teodora Medeleanu | Mar 7, 2024 | Review, Transmedia, Ukraine | 0
The performance follows four women in different parts of Ukraine, at various distances from the...
Read Moreby Aleks Sierz | Mar 6, 2024 | Review, Theatre and Politics, United Kingdom | 0
It’s election year so the gaze of British theatre turns towards the National Health Service. But,...
Read Moreby Aleks Sierz | Mar 4, 2024 | Germany, London, Review, Theatre and Politics, United Kingdom | 0
We’ve all heard of the metaphorical madwoman in the attic, but what about the symbolic unexploded...
Read Moreby Margaret Rose | Mar 1, 2024 | Italy, Review, Theatre and Religion | 0
Writer, actor, and director Ascanio Celestini is one of Italy’s most celebrated theatrical...
Read Moreby Jeune Théâtre Européen Jeunes Publics | Feb 29, 2024 | Essay, France, Germany, Greece, Ireland, Producing, Serbia, Tunisia | 0
The Jeune Théâtre Européen Jeunes Publics (Young European Theatre for Young Audiences) (JTEJP)...
Read Moreby Kasia Lech | Feb 28, 2024 | Essay, France, Germany, Greece, Ireland, Theatre and Politics, Theatre for Young Audiences, Tunisia | 0
The growing levels of migration results in an increasing number of children across Europe growing...
Read Moreby Maria Delgado | Feb 27, 2024 | France, Review, Spain, Theatre and Opera | 1
Vincenzo Bellini’s penultimate opera, Beatrice di Tenda, rests between two more frequently...
Read Moreby Aleks Sierz | Feb 26, 2024 | London, Review, Theatre and Politics, United Kingdom | 0
It’s a sign of the times that German director Thomas Ostermeier’s West End debut is his production...
Read Moreby Liv Lanteri | Feb 24, 2024 | Dramaturgy, Education, News, United States of America | 0
What is a citizen-dramaturg? Could I study it at a university? Is it merely a state of mind? Would...
Read Moreby Lisa Monde | Feb 22, 2024 | Interview, Musical Theatre, New York, United States of America | 0
Tim Rice became interested in the biography of Eva Perón – the wife of the famous dictator Juan...
Read Moreby Mert Dilek | Feb 19, 2024 | London, Review, United Kingdom | 0
A solo performance in theatre may often trap us inside a single dramatic character, taking us deep...
Read Moreby Jenna Lourenco | Feb 18, 2024 | Essay, New York, Theatre and Disability, United States of America | 0
The Neurodivergent New Play Series, produced by Piccione Arts, is set to resume its regular third...
Read Moreby Maria Delgado | Feb 15, 2024 | Review, Spain | 0
Alberto Conejero’s trajectory as a playwright has been rooted in telling the stories that have...
Read Moreby Aleks Sierz | Feb 14, 2024 | Adaptation, London, Playwriting, Review, United Kingdom, Uruguay | 0
Nowadays it seems that it’s the fringe and Off-West End venues that are keeping the spirit of...
Read Moreby Ariadne Mikou | Feb 14, 2024 | Italy, Review, Theatre and Dance, Theatre and Opera | 0
For the corps de ballet of an Opera House, the place par excellence for the preservation of the...
Read Moreby Aleks Sierz | Feb 11, 2024 | London, Playwriting, Review, Theatre and Gender, United Kingdom | 0
In West End theatre, the cliché that nothing succeeds like success keeps the wheels of commerce...
Read Moreby Trevor Boffone | Feb 10, 2024 | Theatre and Gender, Theatre and Politics, United States of America | 0
Every day is a cunty day for Bekah Walsh. The Baltimore-based theatre nerd turned prolific...
Read Moreby Maria Delgado | Feb 8, 2024 | Review, Spain | 0
Shakespeare’s King Lear has defied composers who refused invitations to render this bleakest...
Read Moreby Maria Delgado | Feb 6, 2024 | Review, Spain | 0
There is a lot to admire in Denise Despeyroux’s newest play produced by the Centro Dramático...
Read Moreby Maria Delgado | Feb 6, 2024 | Chile, News, Santiago a Mil 2024 | 0
Santiago a Mil is an annual theatre and performing arts festival held in the Chilean capital in...
Read Moreby David O'Donnell | Feb 5, 2024 | Documentary Theatre, New Zealand, Theatre and Age | 0
In a year in which 77-year-old Dolly Parton recorded her first rock record, the octogenarian...
Read Moreby Rhiannon Ling | Feb 5, 2024 | Immersive Theatre, New York, Review, United States of America, Worldwide | 0
For lovers of the fantastical and the geeky, the scene at Under St. Mark’s is one of nostalgia and...
Read Moreby Mert Dilek | Feb 4, 2024 | London, Review, Theatre and Politics, United Kingdom | 0
“This play is a lie,” boldly declares the poster of Sam Holcroft’s new play A Mirror, now playing...
Read Moreby Morgan Skolnik | Feb 3, 2024 | New York, Review, Theatre and Disability, United States of America | 0
On Monday How to Dance in Ohio, one of the most hyped shows of the 2023 Broadway fall season,...
Read Moreby Aleks Sierz | Jan 31, 2024 | London, Review, United Kingdom | 0
Jane Austen is not just a classic novelist — she’s a cultural institution and a national treasure....
Read Moreby Magda Romanska and Kasia Lech | Jan 27, 2024 | Editorial, Essay, Worldwide | 0
Written by Magda Romanska and Kasia Lech All theatre is local. All theatre is global. Both...
Read MoreBeing on the edge is the place where I like to be no matter in what domain it is…and the edge is a...
Read Moreby Ivanka Apostolova Baskar | Jan 26, 2024 | Germany, Interview, Theatre and Art, Theatre and Gender | 0
Christian Tschirner aka Soeren Voima (he/him – author, theater maker, Schauspielhaus...
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