Roxy Cook’s A Woman Walks into a Bank at Theatre 503: Sublimely Beguiling Account of Everyday Life in Twenty-First Century Moscow
The recent news that Russia’s Supreme Court has banned the “international LGBT movement”,...
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“Feed Me, Seymour!” An Exclusive Interview with Corbin Bleu from “Little Shop of Horrors”
Little Shop of Horrors is a famous rock musical by Alan Menken, with the book and lyrics written...
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A Theatre of Elsewhere
For some of us, the critical process, our practice – that is, what we do – is a continuous and...
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Prison Shakespeare at Milan’s Young Offenders Institute
Since 2015 my theatre studies colleague, Cristina Cavecchi, and I have been leading Shakespeare...
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AI, Sci-Fi, Neuroscience and ChatGPT – An Interview with Playwright Saviana Stănescu
Within the past six years, prominent Romanian playwright Saviana Stănescu has written two “AI...
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“Waiting for Lucky” and “Quê Onde” – A Brazilian Beckett Double Bill Presented at the Between.Pomiędzy Dispersed Festival 2023
Waiting for Lucky and Quê Onde [1] were presented on the evening of Friday May 19, 2023 in Teatr...
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“Interview with Ukrainian Actor Orest Pastukh”
Orest Pastukh is a theatre and film actor, director, playwright and educator. He was born in the...
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Sensing Others through Dancing Bodies as Data: Review of Sense Datum by UBIN DANCE
In this day and age, the word data evokes preconceived images of algorithms, artificial...
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“The Interview,” Park Theatre
Journalism is a despised profession. And when you consider the story behind the interview that...
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“Is It Me? Am I the Drama?”: Marketing “Switzerland” on Social Media
“Is it me? Am I the drama?” I’m going to be completely honest with you. Sometimes I am the drama....
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Reflections On Teaching Israel/Palestine in The Theatre Studies Classroom
What is the task of a humanities education? The following incident, which recently took place in...
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They Were People: Brittany K. Allen’s “Redwood” at EST
I stopped taking notes about halfway through Brittany K. Allen’s Redwood. I can think of no better...
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“Antigones” Kosovo Theatre Showcase
A persistent theme in this year’s Kosovo Theatre Showcase has been remembrance. A takeaway from...
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In Conversation with Sartre and Plato: Locus29’s “Hell Dialogues”
The Sheen Center is, I find myself thinking, the perfect place to host Locus29’s Hell Dialogues....
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“The Shadow Garden” Kosovo Theatre Showcase
The Shadow Garden, part of this year’s Kosovo Theatre Showcase, seems an almost impossible task to...
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“The Interview” Review: A Blend of Fact and Speculation
One of the first questions anyone would ask after looking at a poster of Jonathan Maitland’s...
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Wicked the Musical Celebrates Its 20th Anniversary On Stage. An Exclusive Interview With Adam Garcia – the Original Fiyero of the West End.
The musical Wicked premiered on Broadway twenty years ago and quickly earned the title of the very...
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“Negotiating Peace”, Kosovo Theatre Showcase 2023
There are wars, and then there are post wars, the kind of which take place around the negotiating...
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“A Short History of Burgers and Other Stories” Kosovo Theatre Showcase 2023
Some years ago, I discussed my love of buckwheat with the co-artistic director of Belarus Free...
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“Gadjo (The Young Europeans)” Kosovo Theatre Showcase 2023
Everywhere’s a stage, but not all stages are equal. Some stages are empty of story and empathy,...
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SheNYC Takes the Stage: “Fort Huachuca” and “Bloodshot” at A.R.T./NY
To begin as we proceed, with full transparency, I have to admit how big a fan I am of SheNYC Arts...
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“La Regenta” as Opera: a Coruscating Portrait of Smalltown Community Abuse
It is not an easy prospect to adapt into opera one of the most acclaimed social realist novels of...
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The Danger Within: “Asesinato y adolescencia” / “Assassination and Adolescence” Opens the Español’s Season at Madrid’s Matadero
There is something beguiling, provocative and timely in Andrés Lima’s staging of Antonio San...
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Floating Islands of AI: Agrupación Señor Serrano’s “La isla/The Island” in Madrid
Agrupación Señor Serrano go where other theatre-makers fear to tread. They are always one step...
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“Strength, Don’t Let Yourself Be Anyone’s” – BITEF, Belgrade, Serbia
The Belgrade International Theater Festival was founded in 1967 and to this day represents one of...
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“My Sister Jill:” Patricia Cornelius’ New Play is a Blistering Post-War Social and Cultural Commentary
Emerging from one of Australia’s most enduring and significant theatrical partnerships between...
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Tartuffe or the Hypocrite: Tartare of Tartuffe
One of the most popular dishes in French cuisine is tartare. Diced beef with egg yolk and lots of...
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James Fritz’s The Flea at the Yard Theatre: History Play Gives a Queer Reading of the Cleveland Street Scandal of 1889
Famous sex scandals don’t always make good plays. Although the tabloid nature of such events...
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Lolita Chakrabarti’s Hamnet at the Garrick Theatre: Pedestrian Adaptation of Maggie O’Farrell’s Bestseller About Shakespeare’s Wife and Son
Why are stage adaptations of bestselling novels so disappointing? Okay, I appreciate the...
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The Life of Three “Best Friends:” Anat Gov’s Feminism at the 14th Street Y
Anat Gov’s Best Friends lives in a world of dichotomy. The title is both entirely true and...
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