A Fish Swimming Across Tanks: An Interview with Taiwanese Playwright Yu-Hsuan Chou
Even with solid training in xiqu, or Chinese opera, Yu-Hsuan Chou tried to leave traditions behind...
Read MoreEven with solid training in xiqu, or Chinese opera, Yu-Hsuan Chou tried to leave traditions behind...
Read MoreAn interview with Laouni Bellil, a gentle and inspiring Algerian storyteller and theatre maker....
Read MoreRudolf Steiner (1861-1925) is recognized internationally as the founder of anthroposophy, which,...
Read MoreAn Interview with deeply inspiring Tanja Tzarovska – musician, singer (for film/theatre projects),...
Read MoreOn 11 and 12 July, in Spoleto (Italy), there was the European premiere of a significant...
Read MoreThe Chinese musical The Story of the Stone was staged at the 600-seat ARKO (Arts Council Korea)...
Read MoreArab Canadian theatre is frequently discussed through the language of war, displacement, exile,...
Read MoreIn terms of linguistics, Low German (Plattdeutsch) is a language of its own, not a dialect, and...
Read MoreIraqi theatre did not remain in Iraq. Over the past several decades, Iraqi playwrights, actors,...
Read MoreIs there a crisis in British new writing? The comparative paucity of new work in mainstream...
Read MoreDedicated to the 45th anniversary of the world premiere of the musical “Cats” The concept...
Read More(Read the first part of the interview here.) Chen: In your plays, or the ways you answer...
Read More(Read the second part of the interview here.) Outside the bright, modern meeting room on the 10th...
Read MoreThat day, I aimed to view a production of The Tempest through a difficult flood. Prepared to pique an interest in the larger “theater is life” argument, I got my notebook ready. The hours passed. I sought to leave my apartment, and my transit app reported possible subway interruption. Ugh! Cancel culture, after three days of extraordinary weather, somehow won the play card again. Why hadn’t I seen the opera on opening night on Thursday?
Read MoreAs a dance artist, you are, at a young age, bestowed with the supposed gift to make people feel....
Read MoreJonathan Spector’s new play Birthright—just opened at MCC Theater in a sharp, superbly acted...
Read MoreOnce again, the forsythias are in bloom, and that means new openings are arriving way too fast for...
Read MoreWe were wrapping rehearsal for the reading of my play Seeing Maya, a Tel Aviv love story, at the...
Read MoreIn nearly all productions of Brecht’s The Threepenny Opera I had seen up to this one, I was struck...
Read MoreCheng-Chun Lee was an underperforming student in his high school composition classes. It was...
Read MoreFor the second time in two years, a flashy, big-budget Romeo and Juliet has opened in New York...
Read MoreI’m trying to sell my theatre show to my neighbour, a retired farmer. He’s out walking his...
Read MoreSinfonia is a play in which older people of the local community take to the stage to share fragments of their lives. We may not often stop to imagine what growing old will feel like. Will we become trapped within bodies that no longer move as they once did? Will everyday tasks become more difficult? Will we lose the energy and freedom of youth? Sinfonia does not answer these questions directly but gently invites us to reflect on them.
Read MoreTaiwanese playwright Chien-Cheng Chen is set to release A Chronicle of Consciousness, his second...
Read MoreFor the last full production of his first season as artistic director of Packhaustheater in...
Read MoreSTONE DESIGN Architects – Authors of the project No Man’s Land (2015/2016). Connected by a...
Read MoreSeats have long been sold out for this production of Shakespeare’s The Tempest, which brings...
Read MoreThis year’s theatre Biennale (7 to 21 June), with Willem Dafoe at the helm, has the intriguing...
Read MoreThis year’s theatre Biennale (7 to 21 June), with Willem Dafoe at the helm, has the intriguing...
Read MoreAnissa Naji is a Moroccan-German multilingual actor, comedian, singer, writer, and teaching artist...
Read MoreAn interview with Mrs. Gabriela Abrasowicz (Slavist, translator, and theatre scholar, Poland)....
Read MoreKlaus Mann’s novel Mephisto, published in 1936, deals with the opportunistic rise of its main...
Read MoreThis year’s theatre Biennale (7 to 21 June), with Willem Dafoe at the helm, has the intriguing...
Read More4/5 Stars Coming from a glimpse of a barren thought of the sense of being presented with the...
Read MoreThe Finborough Theatre is one of the smallest in London, yet it has a great track record in...
Read MoreThe stage, designed by Thomas Rupert, was vast and predominantly empty, the floor mainly even and...
Read MoreJuan Mayorga began writing El jardín quemado (The Scorched Garden) in 1996, completing it the...
Read MoreWhen Florian Battermann founded the Komödie am Altstadtmarkt in Braunschweig in 2003 at the age of...
Read MoreOn a cold Saturday afternoon this past winter, retired director Laura Jones drove me around the...
Read MoreAn Interview with Mr. Ivica Matičević, president of the Fellowship Miroslav Krleza Fund, literary...
Read MoreIn his biography of Federico García Lorca, Ian Gibson observes that the writer’s assassination...
Read MoreSpirit and the Dust is a play by American dramatist Noah Haidle. The world premiere of the play,...
Read MoreAmerican women of a certain vintage can be sorted into haves and have-nots based on possession of...
Read MoreRocks and rolling, in a most literal sense, is probably the closest it gets to describing the...
Read MoreAnnie Baker’s Circle Mirror Transformation is currently enjoying a highly acclaimed tour to major...
Read MoreAn Interview with Žaneta Vangeli, visual artist, professor, and set designer for the theatre...
Read MoreBelarus Free Theatre, which currently operates in exile in London, recently presented its...
Read MoreThe latest production in Dirk Böhling’s inaugural season as artistic director of the...
Read MoreDedicated to the 40th anniversary of the world premiere The idea for the musical Chess belongs to...
Read MoreThere was something almost suspiciously neat about the programming. MİTEM opened with Richard III...
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