A Celebration Of Bremen Past And Present: “Schnoor-Geschichten Mit Heini Holtenbeen – Bremen In 90 Minuten” At The Packhaustheater Bremen
For the last full production of his first season as artistic director of Packhaustheater in...
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“No Man’s Land:” Architecture As Collective Enactment – From Scenography Toward Activated Space
STONE DESIGN Architects – Authors of the project No Man’s Land (2015/2016). Connected by a...
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A Magical “Tempest” In Stratford-Upon-Avon
Seats have long been sold out for this production of Shakespeare’s The Tempest, which brings...
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Venice Theatre Biennale 2026 – “Memorandum”
This year’s theatre Biennale (7 to 21 June), with Willem Dafoe at the helm, has the intriguing...
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Venice Theatre Biennale 2026 – A Japanese “Othello”
This year’s theatre Biennale (7 to 21 June), with Willem Dafoe at the helm, has the intriguing...
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Performing Between Six Languages: An Interview With Anissa Naji
Anissa Naji is a Moroccan-German multilingual actor, comedian, singer, writer, and teaching artist...
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“Translators As The Most Attentive And Analytical Readers: Knowing Every Corner, Strength, And Weakness Of A Text”
An interview with Mrs. Gabriela Abrasowicz (Slavist, translator, and theatre scholar, Poland)....
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Oldenburg’s Production Of “Mephisto” Continues And Expands The Important Debate Of The Artistic Response To Adverse Political Circumstances
Klaus Mann’s novel Mephisto, published in 1936, deals with the opportunistic rise of its main...
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Venice Theatre Biennale 2026 – Mario Banushi’s “Romance Familiare”
This year’s theatre Biennale (7 to 21 June), with Willem Dafoe at the helm, has the intriguing...
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Shell…Shocked?
4/5 Stars Coming from a glimpse of a barren thought of the sense of being presented with the...
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Itai Erdal’s Soldiers of Tomorrow at the Finborough Theatre: An Uninhibited Account Of The Conflict Between Israel And The Palestinians
The Finborough Theatre is one of the smallest in London, yet it has a great track record in...
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Sadness And Mourning Dominate Theater Bremen’s “Hamlet”
The stage, designed by Thomas Rupert, was vast and predominantly empty, the floor mainly even and...
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Historical Memory On the Stage: Juan Mayorga’s “El Jardín Quemado” (The Scorched Garden)
Juan Mayorga began writing El jardín quemado (The Scorched Garden) in 1996, completing it the...
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Now In Its 23rd Year, “Komödie Am Altstadtmarkt” In Braunschweig Is Still Going Strong
When Florian Battermann founded the Komödie am Altstadtmarkt in Braunschweig in 2003 at the age of...
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The Precipitation Of Performance: Braddy And Burns On Beckett
On a cold Saturday afternoon this past winter, retired director Laura Jones drove me around the...
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“Today, Krleža Would Go Straight For The Throat Of Project-Based Logic”
An Interview with Mr. Ivica Matičević, president of the Fellowship Miroslav Krleza Fund, literary...
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Me+Lorca: Juan Diego Botto’s Mesmeric “Una noche sin luna” (A Moonless Night)
In his biography of Federico García Lorca, Ian Gibson observes that the writer’s assassination...
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Corinna Harfouch’s Showpiece Of The Art Of Acting In Haidle’s “Spirit And The Dust”
Spirit and the Dust is a play by American dramatist Noah Haidle. The world premiere of the play,...
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In Pleasant Company: “Girl Dolls”
American women of a certain vintage can be sorted into haves and have-nots based on possession of...
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“Chroniques” by Peeping Tom at Østre Gasværk Teater Copenhagen
Rocks and rolling, in a most literal sense, is probably the closest it gets to describing the...
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“Circle Mirror Transformation”
Annie Baker’s Circle Mirror Transformation is currently enjoying a highly acclaimed tour to major...
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A Theatre Like Society In The Fundamentalist Capitalism Could Not Survive Without Self-Curated Neomania
An Interview with Žaneta Vangeli, visual artist, professor, and set designer for the theatre...
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From A Basketball Athlete To A Political Dissident
Belarus Free Theatre, which currently operates in exile in London, recently presented its...
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Bremen’s Packhaustheater Turns To Artist Paula Modernsohn-Becker
The latest production in Dirk Böhling’s inaugural season as artistic director of the...
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Chess The Musical: About Human Nature, Not Politics. An Exclusive Interview with Tim Rice
Dedicated to the 40th anniversary of the world premiere The idea for the musical Chess belongs to...
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Richard III at MITEM: When the Monster Is Not Alone
There was something almost suspiciously neat about the programming. MİTEM opened with Richard III...
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Theatre – Creating Conditions For What Has Been Silenced To Emerge
An Interview with Lenerson Polonini, theatre director (Companhia Nova de Teatro, Sau Paulo,...
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“The Copenhagen Trilogy” by Tove Ditlevsen, adapted by Tom Silkeberg, directed by Anja Suša at Malmö City Theatre
Tove Ditlevsen was a Danish working-class poet, novelist and feminist icon. Her memoir The...
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“The Cherry Orchard”: The Comedy Of Ruins
Nikolai Kolyada’s The Cherry Orchard begins after loss has already become the furniture of the...
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“Broken Melody” at MITEM: A Music That Finds Its Way Home
There are productions that do not so much tell a biography as listen to it and Sardar Tagirovsky’s...
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“Mothers: A Song for Wartime” by Marta Górnicka at Gothenburg City Theatre
Marta Górnicka’s choral theatre has been wowing Europe for the last 15 years. At the age of 51,...
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In “The Aquarium” Nina Plavanjac Turns Family Memory Into a Transparent Cage
Nina Plavanjac’s The Aquarium, produced by the Subotica National Theatre in Serbia and presented...
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Pinocchio. What Is a Person? at MITEM: Who Gets to Be Seen as Fully Human?
Davide Iodice’s Pinocchio. What Is a Person?, created with Scuola Elementare del Teatro /...
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At The Düsseldorfer Schauspielhaus, “Gott ‘By Ferdinand Von Schirach Presents Its Tough Ethical Dilemma For The Audience To Vote On
Ferdinand von Schirach was born in 1964, studied law and became a noted criminal defense lawyer....
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Guilt And Resilience, And “The Fear Of 13”
What if the guilt one feels on the death row is not for what he has (allegedly) done? The Fear of...
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Birmingham Royal Ballet’s “Don Quixote” Slowly Finds Its Sunshine
There are ballets about death, betrayal and ghosts. Then there is Don Quixote, where people clap,...
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“Managed Approach” – Two Contrasting Stories – Open Aire Theatre, Riverside Studios, London
It’s been six years since the end of Managed Approach, a project in Holbeck, Leeds, which...
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Maxim Sukhanov – About The “Brew” Of A Performance, Krymov Rehearsals, “Dramatic Provocations” And The “Hope For The Good”.
The interview took place on January 17, 2026. Maxim, do you remember your first...
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Bound To Start Again, Again, Again…
Perhaps one of the strangest experiences one can have when moving to a new place is watching a...
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The Wooster Group’s “Nayatt School Redux” at the Coronet Theatre: Made-Over Experimental Classic Marks A Great Comeback
At a time when, in the post-Brexit years, British theatre is increasingly insular, a visit by the...
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“Jen Xponential,” A Story Of Potential
In a small town, where nothing really happens, K. works at VHS World, alongside her teenage...
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“Frankenstein (History Of Hate)”
Milan’s international festival, FOG, continues with productions from Italy and many parts of the...
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“Art Of Andalucia:” Rain Outside, Fire Within. Daniel Martinez Flamenco Company at The Haymarket, Basingstoke, Hampshire.
Outside, mid-April in Basingstoke was all drizzle and grey light. Inside The Haymarket, Art of...
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“Handle With Care” At Milan’s FOG Festival
In March, FOG – Milan’s annual performing arts festival – hosted Handle with Care, a...
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Developing Theatre And Performance Pedagogy Through Marae-based Wānanga In Aotearoa/New Zealand. Part II
To read PART I of this essay, go to this link. Having consulted with mana whenua[1]People...
Read MoreDeveloping Theatre And Performance Pedagogy Through Marae-based Wānanga In Aotearoa/New Zealand. Part I
In her article “The Limits of Cross-cultural Dialogue: Pedagogy, Desire, and Absolution in the...
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A Successfully Funny Perspective On Life Aspirations In State Theatre Oldenburg’s Production Of “Bondy Beach”
Bondi Beach was premiered on the 7th of October 2023 at the municipal theatre in Ingolstadt....
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Chekhov’s “Uncle Vanja”, directed by Yana Ross at the Royal Theatre, Copenhagen
Already active across a number of north European theatre contexts – from her base in Lithuania to...
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Michael Frayn’s “Copenhagen” at the Hampstead Theatre: Excellent Revival Of Iconic Play About The Ethics Of The Atom Bomb
Every day, for many weeks, we keep hearing about nuclear weapons. Part of the reason for the...
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From Richard To Richard: MITEM 2026 And a Europe in a State of Alarm
MITEM (Madách International Theatre Meeting), held annually at the National Theatre in Budapest,...
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