At the Barrow Group, “Perp” Is An Intimate, Challenging Look at Disability That Must Be Seen
We tend to think of disability as unlike other monuments of cultural identity, like race or...
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Review
“Love And Human Remains”: Excellent Production Explores Loneliness In The Modern World
Love And Human Remains explores the everlasting questions of human existence–who we are, what we...
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“La Reprise”: Startling Theatre And A Call To The Dead To Speak
Review: La Reprise: Histoire(s) du théâtre, Adelaide Festival By chance, I happened to overhear a...
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“Circa” at The Old Red Lion Theatre
There is a classic conflict in many gay plays: between characters who identify as gay (in the...
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“Alys, Always” at The Bridge Theatre
Okay, so this is the play that will be remembered for the character names that have unusual...
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“Behaviour” Is Essential And Traumatic-Socially Conscious Theatre At Its Peak!
It isn’t easy to review a play like Behaviour, written by Ottawa playwright Darrah Teitel and...
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A Feminist Documentary Play From Toronto: “Grace”
Grace is one of two daughters in an educated family living in Canada. She loves her parents and...
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“Secondhand” at the Örkény István Theater: Soviet Nostalgia
Every episode of the show called Secondhand is about the ingloriously deceased (?) Soviet Union,...
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“The Bourgeois Gentlemen” at the City Garage Theatre, Santa Monica CA
The City Garage once again shows its audiences in Santa Monica, CA how much Moliere’s work is both relevant and necessary with their revival of “The Bourgeois Gentleman”. Originally produced by the company in 2008 with a new English translation from the show’s director Frédérique Michel and the producer/production designer Charles A. Duncombe, the play centers on a wealthy merchant with dreams of becoming a member of the aristocracy.
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Without Language: Marius Ivaškevičius’s “Exile” at Moscow’s Vl. Mayakovsky Theatre
Pavel Rudnev reviews “Exile” at the Mayakovsky Theatre in Moscow.
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Goof Troupe: Little Lord’s “Skinnamarink”
Sport is sometimes defined as a task with arbitrary but necessary constraints. Education is never...
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Mechanical Reproduction: J.B. Priestley’s “An Inspector Calls” directed by Stephen Daldry at ArtsEmerson
In the theatre, it is rare to see a dramatist get second billing to a director. Usually,...
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Nuria Espert Returns To Lorca With “Gypsy Ballads”
2018 was a good year for veteran Spanish actress Nuria Espert. Two years after winning the...
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On Broadway, “Kiss Me, Kate” Is True To Fashion, For Better Or Worse
Anyone who tells you that Cole Porter’s Kiss Me, Kate isn’t, or can’t be, a kick in the teeth to...
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“For The Love Of , Or, The Roller Derby Play”: Block Party 2019 Off To A Strong Start At The Kirk Douglas
It is Block Party time again at the Center Theatre Group’s Kirk Douglas Theatre in Culver...
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Stéphanie Turple’s “Un-Countried”: How Regimes And Mindsets Change
Un-Countried, written by Stéphanie Turple, and directed by Kevin Orr shows what happens when a...
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“Skinnamarink” at Next Door at NYTW
Skinnamarink is a deliriously diverting new production by Little Lord, a performance ensemble that...
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Ravi Jain’s “Prince Hamlet” Breathes New Life Into The Bard
Just when you thought no one could possibly find a fresh interpretation of Hamlet, along come...
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Yngvild Aspeli’s “Ashes”: Puppets That Haunt And Kindle
When does desire give way to fixation, compulsion, addiction? In Yngvild Aspeli’s exquisite show...
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Ödön von Horváth’s “Tales From Vienna Woods,” Directed by Yana Ross
Directed by Yana Ross. Lithuanian State Youth Theatre, Vilnius, Lithuania. March 4, 2019. Tales...
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