Lisa Harper Campbell

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A Skillful and Stirring One-Man Treatment of George Orwell’s “Animal Farm”

Posted by Lisa Harper Campbell | 31st Mar 2019 | Acting, Australia, Review

In a new one-man production, Renato Musolino brings George Orwell’s classic novella, Animal...

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1980s Berlin Comes To Life In “Welcome The Bright World’s” Quest For “Truth”

Posted by Lisa Harper Campbell | 11th Oct 2018 | Australia, Review

Performance group House of Sand, in collaboration with the State Theatre Company of South...

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“In the Club”: Tackling Sexual Assault, Gender, and a Male Dominated Sports Culture

Posted by Lisa Harper Campbell | 29th Mar 2018 | Australia, Review, Theatre and Gender

A new play by award-winning playwright Patricia Cornelius tackles the prevalence of sexual...

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David Yazbek: The Master of Adapting Films into… by Lisa Monde 2nd April 2026
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A Theatre Like Society In The Fundamentalist… by Ivanka Apostolova Baskar 23rd May 2026
“Broken Melody” at MITEM: A Music That Finds Its Way Home by Emiliia Dementsova 13th May 2026
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From A Basketball Athlete To A Political Dissident by Azadeh Kangarani 22nd May 2026
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Recent Posts

In Pleasant Company: “Girl Dolls” 30th May 2026
“Chroniques” by Peeping Tom at Østre Gasværk Teater Copenhagen 28th May 2026
“Circle Mirror Transformation” 27th May 2026
A Theatre Like Society In The Fundamentalist Capitalism Could Not Survive Without Self-Curated Neomania 23rd May 2026
From A Basketball Athlete To A Political Dissident 22nd May 2026
Bremen’s Packhaustheater Turns To Artist Paula Modernsohn-Becker 21st May 2026
Chess The Musical: About Human Nature, Not Politics. An Exclusive Interview with Tim Rice 20th May 2026
Richard III at MITEM: When the Monster Is Not Alone 19th May 2026
Theatre – Creating Conditions For What Has Been Silenced To Emerge 16th May 2026
“The Copenhagen Trilogy” by Tove Ditlevsen, adapted by Tom Silkeberg, directed by Anja Suša at Malmö City Theatre 16th May 2026

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