“Les Miserables”: A Great Theatrical Dream
Fifteen years after the premiere of the Mexican theatrical mise-en-scène of Les Miserables, it...
Read MorePosted by Lorena Meeser | 22nd Jun 2018 | Mexico, Musical Theatre, Review
Fifteen years after the premiere of the Mexican theatrical mise-en-scène of Les Miserables, it...
Read MorePosted by Willow White | 21st Jun 2018 | Canada, Review, Theatre and Gender
Montreal, Québec Willow White reviews Odd Stumble’s workshop presentation of Erin Lindsay’s new...
Read MorePosted by Ryan Pepper | 20th Jun 2018 | Canada, Festivals, Review
Some dramatists create love letters to the things they admire. …like nobody’s watching doesn’t...
Read MorePosted by Aleks Sierz | 20th Jun 2018 | London, Review, United Kingdom
Forget about dark alleys, deserted parks and slippery slopes: the most dangerous place in the...
Read MorePosted by Hayley Malouin | 20th Jun 2018 | Canada, Review
Hayley Malouin reviews Essential Collective Theatre’s world premiere of Our Lady Of Delicias:...
Read MorePosted by Joe Szekeres | 20th Jun 2018 | Canada, Festivals, Review
‘Tis a puzzlement, these plays of Oscar Wilde. They require audiences to pay careful attention as...
Read MorePosted by Joe Szekeres | 20th Jun 2018 | Canada, Festivals, Musical Theatre, Review
Admittedly, I’m probably the only person who has neither seen the Robert Preston/Shirley Jones...
Read MorePosted by Joe Szekeres | 19th Jun 2018 | Canada, Festivals, Review
Eugene O’Neill’s classic twentieth-century semi-autobiographical drama deals with the Tyrone...
Read MorePosted by Joe Szekeres | 18th Jun 2018 | Canada, Festivals, Review
Even after having taught this American classic to high school students for over thirty years, I...
Read MorePosted by Arts Equator | 18th Jun 2018 | Review, Singapore, Theatre and Art, Theatre and Gender
Corrie Tan: When Edith Podesta first told us during our Studios podcast interview that Leda And...
Read MorePosted by Rathsaran Sireekan | 18th Jun 2018 | Belgium, Brazil, Festivals, Review, Singapore, Theatre and Decolonization
The Kunstenfestivaldesarts (KFDA)’s commitment to promoting “cosmopolitan vision as an...
Read MorePosted by Rajka Stefanovska | 17th Jun 2018 | Canada, Festivals, Review, Theatre for Young Audiences
What an exciting piece of news for the Ottawa theatre community: Once Upon a Kingdom Theatre will...
Read MorePosted by Susan Berardini | 17th Jun 2018 | Argentina, Playwriting, Review
Pilgrimages have long served as expressions of both collective and individual faith, as well as...
Read MorePosted by Aleks Sierz | 17th Jun 2018 | Adaptation, London, Review, United Kingdom
Miss Jean Brodie, the larger-than-life Edinburgh schoolteacher that strides through Muriel Spark’s...
Read MorePosted by Jack Wernick | 16th Jun 2018 | New York, Review, United States of America
Repertorio Español, New York’s preeminent venue for Spanish language theatre, continues its 50th...
Read MorePosted by Claire Swyzen | 16th Jun 2018 | Directing, Review, South Korea, Transmedia
A shallow learning-play In Deep Present (2018) Seoul-based director Jisun Kim stages four...
Read MorePosted by Jessica Rizzo | 15th Jun 2018 | New York, Review, Russian Theatre Abroad, Transmedia, United States of America
An assemblage of intriguing aesthetic strategies, what Mallory Catlett’s This Was The End lacks in...
Read MorePosted by Aleks Sierz | 13th Jun 2018 | London, Review, Theatre and Politics, United Kingdom
Regular air travel is a hassle. All that queuing, all that security, all those hot halls, and then...
Read MorePosted by Jamie Portman | 13th Jun 2018 | Adaptation, Canada, Festivals, Review
STRATFORD, Ont.—It didn’t seem such a great idea 11 years ago when the Stratford Festival first...
Read MorePosted by Eugene Koch | 12th Jun 2018 | Review, Singapore
The Second Breakfast Company restaging Goh Poh Seng’s The Moon is Less Bright is akin to grabbing...
Read More