Once Upon A Time In BIM: A Theatre Resuscitation In The Time Of COVID-19
Independence in Barbados is not without its many activities in celebration. We are accustomed to...
Read MorePosted by Alvina Ruprecht | 26th Dec 2020 | Barbados, Covid-19, Review
Independence in Barbados is not without its many activities in celebration. We are accustomed to...
Read MorePosted by Alvina Ruprecht | 19th Feb 2020 | Acting, Canada, Review
5 O’clock Bells, written and performed by Pierre Brault brings the artist back to the Gladstone...
Read MorePosted by Alvina Ruprecht | 13th Jan 2020 | Canada, Festivals, Review
Under the direction of Kevin Loring in collaboration with artistic associate Lindsay Lachance, the...
Read MorePosted by Alvina Ruprecht | 30th Oct 2019 | Canada, Review, Transcultural Collaborations
Mòshkamo: Finding Wolastoq Voice reveals the founding cosmogony of the East Coast peoples. This...
Read MorePosted by Alvina Ruprecht | 16th Oct 2019 | Canada, Review
The Shoah has a well defined meaning in contemporary history but clearly, choosing to produce such...
Read MorePosted by Alvina Ruprecht | 15th Oct 2019 | Canada, Immersive Theatre, Review, Theatre and Gender
Let’s be clear from the outset. This performance has absolutely nothing to do with Surrealism, nor...
Read MorePosted by Alvina Ruprecht | 1st Oct 2019 | Adaptation, Canada, Germany, Review
Marius von Mayenburg, author of The Ugly One, representing the new young German Theatre, is...
Read MorePosted by Alvina Ruprecht | 27th Aug 2019 | Canada, Review, Spain
The Bonds of Interest is thought to be Jacinto Benavente’s most important play because it bridged...
Read MorePosted by Alvina Ruprecht | 26th Aug 2019 | Canada, Review, Theatre and Dance
Time has passed and even if Alegría does not capture the in depth artistry brought about by...
Read MorePosted by Alvina Ruprecht | 17th Aug 2019 | Adaptation, Canada, Review, Spain
The Bonds of Interest is thought to be Jacinto Benavente’s most important play because it bridged...
Read MorePosted by Alvina Ruprecht | 13th Jun 2019 | Canada, News, Theatre and Politics
Art Babayants, of Armenian origin, has a doctorate in theatre performance, he taught acting in the...
Read MorePosted by Alvina Ruprecht | 12th Jun 2019 | Canada, Review
Mending Fences is a most beautifully constructed play that appears to concern a dysfunctional...
Read MorePosted by Alvina Ruprecht | 3rd Jun 2019 | Canada
I naively asked the production team which translation they used for the production since I assumed...
Read MorePosted by Alvina Ruprecht | 28th May 2019 | Canada, Devised Theatre, Review, Transcultural Collaborations
Art Babayants is a performer and the Artistic Director of the Toronto Laboratory Theatre, working...
Read MorePosted by Alvina Ruprecht | 21st May 2019 | Canada, Review
A two-hander by Rose Napoli that has been given a fine production at the GCTC thanks to director...
Read MorePosted by Alvina Ruprecht | 20th May 2019 | Canada, Review
Indecent, written by Paula Vogel, was first produced at the Yale repertory theatre in 2015. This...
Read MorePosted by Alvina Ruprecht | 24th Apr 2019 | Canada, Review, Theatre and Dance
The NAC dance program emphasized the fact that this version of Giselle, the first for the Grands...
Read MorePosted by Alvina Ruprecht | 10th Apr 2019 | Acting, Canada, Immersive Theatre, Review
The Arts Court Theatre is the perfect intimate space for the experimental performance piece...
Read MorePosted by Alvina Ruprecht | 8th Apr 2019 | Canada, Review
A talented young director brings order to Caryl Churchill’s purposely chaotic vision of the nature...
Read MorePosted by Alvina Ruprecht | 1st Apr 2019 | Canada, Review
The title of the play (Love And Human Remains) by Brad Fraser, written in 1989 and currently...
Read More