“Heartlines”: An Engaging New Drama That Opens the World for Women Artists in Europe
Heartlines closes the spring season of 2022 in the Great Canadian Theatre Company in Ottawa. It is...
Read MorePosted by Alvina Ruprecht | 21st Jul 2022 | Canada, LGBTQ+ Theatre, Review, Theatre and Politics
Heartlines closes the spring season of 2022 in the Great Canadian Theatre Company in Ottawa. It is...
Read MorePosted by Alvina Ruprecht | 26th Dec 2020 | Barbados, Covid-19, Review
Independence in Barbados is not without its many activities in celebration. We are accustomed to...
Read MorePosted by Alvina Ruprecht | 19th Feb 2020 | Acting, Canada, Review
5 O’clock Bells, written and performed by Pierre Brault brings the artist back to the Gladstone...
Read MorePosted by Alvina Ruprecht | 13th Jan 2020 | Canada, Festivals, Review
Under the direction of Kevin Loring in collaboration with artistic associate Lindsay Lachance, the...
Read MorePosted by Alvina Ruprecht | 30th Oct 2019 | Canada, Review, Transcultural Collaborations
Mòshkamo: Finding Wolastoq Voice reveals the founding cosmogony of the East Coast peoples. This...
Read MorePosted by Alvina Ruprecht | 16th Oct 2019 | Canada, Review
The Shoah has a well defined meaning in contemporary history but clearly, choosing to produce such...
Read MorePosted by Alvina Ruprecht | 15th Oct 2019 | Canada, Immersive Theatre, Review, Theatre and Gender
Let’s be clear from the outset. This performance has absolutely nothing to do with Surrealism, nor...
Read MorePosted by Alvina Ruprecht | 1st Oct 2019 | Adaptation, Canada, Germany, Review
Marius von Mayenburg, author of The Ugly One, representing the new young German Theatre, is...
Read MorePosted by Alvina Ruprecht | 27th Aug 2019 | Canada, Review, Spain
The Bonds of Interest is thought to be Jacinto Benavente’s most important play because it bridged...
Read MorePosted by Alvina Ruprecht | 26th Aug 2019 | Canada, Review, Theatre and Dance
Time has passed and even if Alegría does not capture the in depth artistry brought about by...
Read MorePosted by Alvina Ruprecht | 17th Aug 2019 | Adaptation, Canada, Review, Spain
The Bonds of Interest is thought to be Jacinto Benavente’s most important play because it bridged...
Read MorePosted by Alvina Ruprecht | 13th Jun 2019 | Canada, News, Theatre and Politics
Art Babayants, of Armenian origin, has a doctorate in theatre performance, he taught acting in the...
Read MorePosted by Alvina Ruprecht | 12th Jun 2019 | Canada, Review
Mending Fences is a most beautifully constructed play that appears to concern a dysfunctional...
Read MorePosted by Alvina Ruprecht | 3rd Jun 2019 | Canada
I naively asked the production team which translation they used for the production since I assumed...
Read MorePosted by Alvina Ruprecht | 28th May 2019 | Canada, Devised Theatre, Review, Transcultural Collaborations
Art Babayants is a performer and the Artistic Director of the Toronto Laboratory Theatre, working...
Read MorePosted by Alvina Ruprecht | 21st May 2019 | Canada, Review
A two-hander by Rose Napoli that has been given a fine production at the GCTC thanks to director...
Read MorePosted by Alvina Ruprecht | 20th May 2019 | Canada, Review
Indecent, written by Paula Vogel, was first produced at the Yale repertory theatre in 2015. This...
Read MorePosted by Alvina Ruprecht | 24th Apr 2019 | Canada, Review, Theatre and Dance
The NAC dance program emphasized the fact that this version of Giselle, the first for the Grands...
Read MorePosted by Alvina Ruprecht | 10th Apr 2019 | Acting, Canada, Immersive Theatre, Review
The Arts Court Theatre is the perfect intimate space for the experimental performance piece...
Read MorePosted by Alvina Ruprecht | 8th Apr 2019 | Canada, Review
A talented young director brings order to Caryl Churchill’s purposely chaotic vision of the nature...
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