Review Archives - Page 84 of 144

“Norma Jeane Baker Of Troy” At The Shed

Posted by Abigail Weil | 12th Apr 2019 | New York, Review, United States of America

If gender, as we’re often told, is a construct, then some women are skyscrapers. These are the...

“Port Arthur:” Uncomfortable Verbatim Theatre

Posted by Maria Delgado | 12th Apr 2019 | Documentary Theatre, Review, Spain

Presented as a double bill alongside Jauría (English title Pack) at Madrid’s El Pavón Teatro...

Ross Willis’s”Wolfie” at The Theatre 503: Nurture vs. Nature Debate

Posted by Aleks Sierz | 11th Apr 2019 | London, Review, United Kingdom

Every fairy tale is a cauldron of emotion. These are tales that steam with resentments flare-up in...

“The Things We Do” at Odyssey Theatre

Posted by Christine Deitner | 11th Apr 2019 | Los Angeles, Review, Theatre and Age, United States of America

The latest guest production at Odyssey Theatre in Los Angeles is Grant Woods’ The Things We...

Reinforcing Patriarchal Systems Of Power In BOC’s “‘Modern’ Don Giovanni”

Posted by Megan McCormick | 11th Apr 2019 | Boston, Review, Theatre and Opera, United States of America

Classical opera is a wonderful art form because, in so many ways, it is timeless. The music may be...

“An Inspector Calls”: A Study Of Greed

Posted by Jane Baldwin | 10th Apr 2019 | Boston, Review, Theatre and Politics, United Kingdom, United States of America

The National Theatre’s production of J.B. Priestley’s 1945 An Inspector Calls now playing at...

“Albumen”: A Living Hotblooded Art Piece

Posted by Alvina Ruprecht | 10th Apr 2019 | Acting, Canada, Immersive Theatre, Review

The Arts Court Theatre is the perfect intimate space for the experimental performance piece...

“The Phlebotomist” at The Hampstead Theatre

Posted by Aleks Sierz | 9th Apr 2019 | London, Review, United Kingdom

Contemporary British theatre loves time travel — and not just to the past. It also enjoys...

“Come From Away”–New Canadian Musical On Broadway

Posted by Jonathan Kalb | 9th Apr 2019 | Canada, Musical Theatre, Review

Come From Away, a relentlessly peppy new musical by the Canadian husband-wife team David Hein and...

Souleymane Sanogo: The Body That Speaks

Posted by Gowri S | 8th Apr 2019 | India, Review, Theatre and Dance

With minimal words and music, West African dancer Souleymane Sanogo uses his body to tell his...

“Love And Information”: An Excellent Young Director Extracts Order From Churchill’s Contemporary Chaos

Posted by Alvina Ruprecht | 8th Apr 2019 | Canada, Review

A talented young director brings order to Caryl Churchill’s purposely chaotic vision of the nature...

Powerful Athol Fugard Classic For Fugard Theatre

Posted by Christine Skinner | 8th Apr 2019 | Review, South Africa

Powerful co-production of the Athol Fugard classic, Statements After An Arrest Under The...

Misogyny On Trial: Miguel del Arco’s Verbatim Production Offers A New Trial For “La Manada”

Posted by Maria Delgado | 7th Apr 2019 | Review, Spain, Theatre and Gender

At El Pavón Teatro Kamikaze, Jordi Casanovas has crafted a double bill of verbatim plays dealing...

Kieran Hurley’s “Mouthpiece” At The Soho Theatre: Feast Of Meta-Theatre

Posted by Aleks Sierz | 7th Apr 2019 | London, Review, United Kingdom

There are plenty of plays in which a character finds their own voice. But what about stories which...

José Torres-Tama’s “Aliens, Immigrants & Other Evildoers” Tackles Immigration and the Latinx Community

Posted by Trevor Boffone | 7th Apr 2019 | Review, United States of America

On March 29, 2019, pictures surfaced of undocumented Latin American immigrants in El Paso, Texas....

“Knock Knock Celebrity” Review: Monologues Performed In Tandem

Posted by The Hindu | 6th Apr 2019 | India, Review

Marathi play, Knock Knock Celebrity is an unrelenting psychological portrait of its disparate...

“Grief Is The Thing With Feathers” at The Barbican Theatre

Posted by Aleks Sierz | 6th Apr 2019 | London, Review, United Kingdom

Wow, what a collection of talent: this show stars Peaky Blinder Cillian Murphy, and Enda Walsh’s...

This Russian Beauty Does Some Pretty Bizarre Performance Art

Posted by Alexandra Guzeva - Russia Beyond the Headlines | 6th Apr 2019 | Review, Russia

With Third Wave Feminism’s meteoric rise, we’re not even sure we can call a woman...

Block Party and “Rotterdam” at the Kirk Douglas

Posted by Christine Deitner | 5th Apr 2019 | LGBTQ+ Theatre, Los Angeles, Review, Theatre and Gender, United States of America

The Center Theatre Group’s second Block Party show at the Kirk Douglas Theatre in Century City is...

and everybody goes “Awww!”: The Mad Ones’ “Mrs. Murray’s Menagerie”

Posted by Abigail Weil | 5th Apr 2019 | New York, Review, Theatre for Young Audiences, United States of America

How do I love Mrs. Murray’s Menagerie? Let me count the ways. Extraordinary attention to detail,...

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Review

“Norma Jeane Baker Of Troy” At The Shed

“Port Arthur:” Uncomfortable Verbatim Theatre

Ross Willis’s”Wolfie” at The Theatre 503: Nurture vs. Nature Debate

“The Things We Do” at Odyssey Theatre

Reinforcing Patriarchal Systems Of Power In BOC’s “‘Modern’ Don Giovanni”

“An Inspector Calls”: A Study Of Greed

“Albumen”: A Living Hotblooded Art Piece

“The Phlebotomist” at The Hampstead Theatre

“Come From Away”–New Canadian Musical On Broadway

Souleymane Sanogo: The Body That Speaks

“Love And Information”: An Excellent Young Director Extracts Order From Churchill’s Contemporary Chaos

Powerful Athol Fugard Classic For Fugard Theatre

Misogyny On Trial: Miguel del Arco’s Verbatim Production Offers A New Trial For “La Manada”

Kieran Hurley’s “Mouthpiece” At The Soho Theatre: Feast Of Meta-Theatre

José Torres-Tama’s “Aliens, Immigrants & Other Evildoers” Tackles Immigration and the Latinx Community

“Knock Knock Celebrity” Review: Monologues Performed In Tandem

“Grief Is The Thing With Feathers” at The Barbican Theatre

This Russian Beauty Does Some Pretty Bizarre Performance Art

Block Party and “Rotterdam” at the Kirk Douglas

and everybody goes “Awww!”: The Mad Ones’ “Mrs. Murray’s Menagerie”

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