Christine Rodriguez’s “The Autism Monologues”: Imperative Stories, But With Representation Issues
Christine Rodriguez’s The Autism Monologues opens with a monologue by a woman (Julie Barbeau),...
Read MorePosted by Kelann Currie-Williams | 19th Jul 2018 | Canada, Festivals, Review, Theatre and Disability
Christine Rodriguez’s The Autism Monologues opens with a monologue by a woman (Julie Barbeau),...
Read MorePosted by Irene Kukota | 18th Jul 2018 | London, Review, United Kingdom
When looking forward to seeing a work of art, a certain play or a performance what is our feeling...
Read MorePosted by Deborah Orr | 16th Jul 2018 | Essay, London, Review, Theatre and Gender, United Kingdom
Bret Yount is choreographing. But there isn’t any dancing. Nor, for the moment, is there...
Read MorePosted by Leah Jane Esau | 16th Jul 2018 | Canada, Review, Theatre and Politics
Montreal, Québec Kelann Currie-Williams reviews Sermo Scomber Theatre’s Don’t Read The...
Read MorePosted by Jack Wernick | 13th Jul 2018 | Festivals, New York, Review, United States of America
Downtown theater pioneer the New Ohio Theatre has emerged with its annual summer festival called...
Read MorePosted by Aleks Sierz | 13th Jul 2018 | Adaptation, London, Review, Theatre and Politics, United Kingdom
History repeats itself. This much we know. In the 1980s, under a Tory government obsessed with...
Read MorePosted by Christine Deitner | 12th Jul 2018 | Los Angeles, Review, Translation, United States of America
There are plays that feel timeless because they strike familiar chords and speak to something at...
Read MorePosted by Aleks Sierz | 12th Jul 2018 | London, Review, Theatre and Gender, United Kingdom
We are now pretty familiar with the idea that human reproduction (making babies) has been turned...
Read MorePosted by Jamie Portman | 11th Jul 2018 | Canada, Festivals, Review
STRATFORD—We find ourselves immediately plunged into the opening shipwreck scene: sails flapping...
Read MorePosted by Jamie Portman | 10th Jul 2018 | Canada, Directing, Review
We’re not in a movie house. We’re in Robert Lepage country, so it’s inevitable that the famed...
Read MorePosted by Diwan Singh Bajeli | 10th Jul 2018 | India, Review, Translation
Incorporating elements of post-modernism, surrealism and realism, Anjon Bose’s Garbh focuses on...
Read MorePosted by Katerina Sinadinovska | 9th Jul 2018 | France, Germany, Review, Theatre and Politics, Translation
The thesis that fascism is encountered at all extremes of the political spectrum is a key to the...
Read MorePosted by Willow White | 8th Jul 2018 | Canada, Festivals, Review
Montreal, Québec Willow White reviews Thought Experiment Productions’ 4’33” In Baghdad in the...
Read MorePosted by Jamie Portman | 8th Jul 2018 | Canada, Festivals, Review
The scene does offer some amusement. A benevolent Baroness has embarked on a key initiative in her...
Read MorePosted by Marilena Borriello | 7th Jul 2018 | Review, Switzerland
In the center of the stage, thirty-six deflated inner tubes are organized in six rows and six...
Read MorePosted by Aleks Sierz | 7th Jul 2018 | London, Northern Ireland, Review, Theatre and Politics, United Kingdom
Actor Aidan Turner, who plays the Cornish land-owner Poldark in the hit BBC series of that name,...
Read MorePosted by The Theatre Times | 6th Jul 2018 | Musical Theatre, New York, Review, United States of America
It is then, a refreshing surprise – as New York theatre recovers from the inundation of Broadway super-musicals that were too big to succeed – that Carmen Jones has returned in a razor-sharp 95-minute John Doyle production at the Classic Stage Company.
Read MorePosted by Philippa Wehle | 5th Jul 2018 | Canada, Festivals, Review, Translation
I was sitting expectantly in a theatre in Montreal to see Tom Na Fazenda (Tom A La Ferme or Tom At...
Read MorePosted by Jamie Portman | 5th Jul 2018 | Canada, Festivals, Review, Russian Theatre Abroad
Sarena Parmar’s new play, The Orchard, deserves to be met on its own quietly compelling terms....
Read MorePosted by Alvina Ruprecht | 5th Jul 2018 | Canada, Review
Le Cirque du Soleil is back in Ottawa, this time with a show called Corteo already seen by 8...
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