“The Phantom Of The Opera” Returns To Mexico: A Reinvented Masterpiece
Mexico City becomes once again the stage for a major musical-theater event. After more than a year...
Read MoreMexico City becomes once again the stage for a major musical-theater event. After more than a year...
Read MoreWhen the production first opened in 2022, critics commented on the fact that the play was being...
Read More“It’s completely organic. We take the best work from the United States, New York City, and around the world. We’ve worked with artists from 117 countries, 30 tribal nations. Every year in our Festival, you’re going to see, we have somewhere between 20 and 25 countries represented by maybe 30 states.”
Read MoreIn late November, Emma Dante brought her latest show, L’Angelo del focolare (The Angel of the...
Read MoreDostoevsky is hard to read, harder to translate, and even harder to adapt for stage. The Mutt by...
Read MoreTheater Bremen is currently showing the world premiere production of Der Zauberer von Öz – Eine...
Read MoreRepresentation in the performing arts in the UK is in crisis. For years, voices have been warning...
Read MoreThe Dangdai Xiao Juchang Xiqu Jie (Contemporary Black Box Xiqu Festival), operated at Star Theatres, has been a significant engine for contemporary experimentation of Xiqu (Chinese traditional theatre) since its establishment in 2014. Now entering its 12th year in 2025, the festival has supported more than 200 experimental Xiqu projects, drawing millions of audience members from across China. It remains one of the earliest and most influential cultural clusters where emerging Xiqu artists can articulate their creative voices in a flexible, low-cost, and artist-centred environment. Reading the slogan “He He” (和合harmony and collaboration) of this year’s festival and speaking with its founder and CEO, Mr. Fan Xing, I argue that this longstanding initiative has grown into a hybrid cultural space and the meaning of “He He” performatively means a harmonious collaboration between the futurist experimentation and the deep-rooted nostalgia.
Read MoreDer Schimmelreiter (The Rider on the White Horse) is a novella by German writer Theodor Storm...
Read MoreIn October 2025, Battersea Arts Centre hosted Aşınma (Corrosion) – a multi-award-winning theatre...
Read MoreTwo major productions of Richard III are touring Italy in the present season, a sign perhaps that...
Read MoreThe British directing star Robert Icke specializes in contemporary adaptations of classics. He...
Read MoreSince August 2019, I have owned and run the chamber theatre, piccolo teatro Haventheater, in...
Read MoreIhot Sinlay Cihek is a Taiwan-based Pangcah theatre artist whose work confronts the intersecting...
Read MoreDimension Zero, the new sci-fi puppet musical from the Boxcutter Collective, arrives at HERE arts...
Read MoreThe farcical premise of Rajiv Joseph’s play Archduke—just opened at the Roundabout’s Laura Pels...
Read MoreWith a depressingly vacuous, celebrity-circus Waiting for Godot sucking up so much oxygen on...
Read MoreSomething flitters among the green leaves of bramble and the brown leaves of a previous autumn....
Read MoreBefore the audience of the play 3sisters, with their eyes wide open, a music box, the girls on...
Read MoreThatcher, and the image of Thatcher’s Britain, continues to cast a long shadow over contemporary...
Read MoreI went to Caroline Guiela Nguyen’s Lacrima at BAM with great eagerness and curiosity. This was a...
Read MoreIn Romanian culture, a vital coming-of-age moment for every teenager is their eighteenth birthday,...
Read MoreIn 2023, Malaysian actor Michelle Yeoh won the Best Actress Oscar for her performance in...
Read MoreThe Queen of Versailles. A New Musical will officially open on Broadway, at the St. James Theatre...
Read MoreSein oder nicht sein is a play by Nick Whitby (b.1963), premiered on Broadway in 2008, and first...
Read MoreWeird scenes inside the farmhouse; weird scenes in Northern Ireland; weird scenes of the 1980s....
Read MoreThis six-hour production of Hamlet took Shakespeare’s play as the starting and end point, in...
Read MoreThe Flowers of Srebrenica should be impossible to stage. Irish academic Aidan Hehir’s book, a...
Read MoreThe Royal Court, Britain’s premiere new writing venue, celebrates its platinum anniversary next...
Read MoreThe Terrence McNally/Stephen Flaherty/Lynn Ahrens musical Ragtime is not the subtlest theater...
Read MoreIn All Right. Good Night., German docu-theater artist Helgard Haug turns loss into a language. The...
Read MoreAbsurd as it may seem, Samuel Beckett’s Waiting for Godot, a demanding play about existential...
Read MoreJames Graham’s play Punch tells the true story of a shiftless, belligerent rowdy who heedlessly...
Read MoreWhen I was four years old, I asked my parents for piano lessons. We always had a piano in the...
Read MoreThe small district of Schnoor in the northern German city of Bremen, consisting of some 100...
Read MoreAmong the most depressing facets of Donald Trump’s pathology is how all-consuming his hunger for...
Read MoreBroken Britain has a big problem with youth. About a million of those aged 16 to 24 are NEETs (not...
Read More“By the term theatre we do not only mean its expressive linguistic side, but also the cultural,...
Read MoreThe Cairo International Festival for Experimental Theater (CIFET) has long been a vital platform for the boundary-pushing theatrical voices in the Arab world, and beyond. Recently, debates have emerged over whether to keep “experimental” in its name, as the festival faces pressure to broaden its scope and attract wider audiences. The question now is how to balance honoring the festival’s experimental roots while evolving to meet the changing theatrical landscape of the 21st century.
Read MorePerhaps it’s an indicator of the feebleness of new writing after the pandemic that so many of the...
Read MoreWith minimal décor and symbolism in every gesture, The Mutt — an adaptation of Dostoevsky’s The...
Read MoreCollective interview with Amy Sze (Theatre maker and arts producer, London, UK-Hong Kong), Mia...
Read MoreInterview with Sandra Gribovska Ilievska, theatre actress, Bitola, R. Macedonia Sandra Gribovska...
Read MoreThe International Shakespeare Festival in Gdańsk is not the festival of masterpieces and it never...
Read MoreAt German theatres, some assistant directors are employed for the duration of a production, from...
Read MoreAn Interview with Mr. Guy Coolen, art director, producer, manager, Antwerp, Belgium/Rotterdam,...
Read MoreAn Interview with Ana Ristoska Trpenoska, a playwright, dramaturg, Vienna/Skopje, Austria/R.N....
Read MoreIn a world where the rule is to make huge efforts to attain an “effortless, relaxed” look, the new...
Read MoreAn Interview with wonderful talented actresses Jovana Miladinova, Skopje, R.N. Macedonia....
Read MoreThis year’s Edinburgh Festival Fringe was as sprawling and invigorating as ever, and expectedly...
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