Making Live Theatre Limitless Through Film and Digital Access: Conversation with the Founder of Stage Russia, Eddie Aronoff.
Stage Russia is an international Theatre HD project formed by Eddie Aronoff, an American producer...
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Impact of COVID-19 on Creative Industries Among Core Topics of Culture Summit Abu Dhabi
Held under the theme “The Cultural Economy and the Economy of Culture” the Culture...
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“Manimals” and the Exploration of Digital Liveness
Manimals, created by Michelle Hudson and her team, shines as a piece that accomplishes the difficult taste of engaging audiences across the computer screen.
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Portrait: Tamanoir Immersive Studio, Between Performance And VR
Tamanoir is a French Immersive Studio dedicated to creating international experiences, lying at...
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Part Escape Room, Part Choose-Your-Own Adventure — The Whodunit Whistleblower has The Audience at its Heart
Review: Whistleblower, directed by Arielle Gray, Wyatt Nixon-Lloyd, and Tim Watts. The Last Great...
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Navarang Theatre Group in Palakkad Brings Eachara Warrier Back on Stage
The theatre group’s staging of the play Kando Ningal, Ente Kuttiye?, based on the life of the...
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“Playing Beatie Bow” is Brought to Thundering Life in a Joyous Stage Production
Playing Beatie Bow is the coming-of-age story of the teenage Abigail, who, from her home in...
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Poignant and Delightful, “A Brimful of Asha” is an Honest Look into One Family’s Debate On Marriage, Career, and Way of Life
“You are not here to see a play. You are here to see me settle a dispute with Ravi,” Asha Jain,...
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5 Reasons Why Verse Is the Language for Theatre in 2020s
While theatre in its early days existed in a strong relationship with verse, the social, cultural,...
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“Yabuhara Kengyo” Shows Audiences that Justice isn’t Always Blind
Colorful graffiti marks the facade of a shuttered shopping mall. People navigate their way around...
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“Typical” at The Soho Theatre
As the events of last year made clear, the police have a problem with race on both sides of the...
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Pining for St Kilda Instead of Moscow: “The Cherry Orchard” Grapples With Our Cultural Inheritance
Review: The Cherry Orchard, directed by Clare Watson. Black Swan State Theatre Company for the...
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Feedback Loop: “No One’s Gonna Believe Me Anyway” at the Gniezno Theatre
“No one’s gonna believe me anyway,” says Barbara repeatedly. She knows there is no point in...
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Debate: France, The Nation Where Culture Was Left Behind
In France, the cultural sector receives significant public, private and governmental support. This...
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With Jean-Rene Gossart, French Theatre is Taking Root in Bali
One could say that French-speaking communities around Asia are very lucky to be able to attend...
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Women in the Lead: Julie Proudfoot on Artemisia Theatre’s 2021 Digital Season
As a female-identifying artist deeply invested in women’s stories (and as a staunch feminist),...
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Secrets of the Oslo Accords Come to Light on Stage
He may live in New York, but playwright J.T. Rogers has spent a lot of time in Japan over the past...
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Interview with Ossama Halal on Experimenting with Physical Theatre and Beyond
Ossama Halal is a Syrian theater director, choreographer, and actor. He started his artistic...
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Perth Festival Review: “Whale Fall” is a Powerful Story About a Trans Boy, and the Life of a Whale
Review: Whale Fall, written by Ian Sinclair and directed by Melissa Cantwell for The Kabuki Drop....
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In Conversation with Yve Blake, Fangirling on the Fangirls
From Beatlemania in the sixties to 2010 boy band sensation One Direction, to today’s global...
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